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2001 film by Mika Kemmo, and Pasi Kemmo From Wikipedia, the free encyclopedia
Ponterosa is a 2001 Finnish comedy film directed by brothers Mika and Pasi Kemmo. The film takes place in a campsite in Åland, where a group of very different people get to know each other.[1]
| Ponterosa | |
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Original Finnish film poster | |
| Directed by | Mika Kemmo Pasi Kemmo |
| Written by | Mika Kemmo |
| Produced by | Pasi Kemmo |
| Starring | Tony Halme Heikki Paavilainen Timo Julkunen |
| Cinematography | Tero Molin |
| Edited by | Roy-Petri Pashur |
| Music by | Aku Lundström |
Production companies | Inxpo Onnico Mancantoo |
| Distributed by | FS Film Finnkino Sandrew Metronome Distribution |
Release date |
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Running time | 110 minutes |
| Country | Finland |
| Language | Finnish |
| Budget | circa €400,000[1] |
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Source:[1]
As Ponterosa was one of the few major Finnish films in 2001 that did not receive any financial support from the Finnish Film Foundation, the production was mainly privately funded by a number of companies. Due to this sponsorship, the film contains product placement.[1]
Parts of Ponterosa were shot in Helsinki, Kirkkonummi, Vantaa, and Åland.[2]
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Source:[1]
The soundtrack album for the film, Soundtrack elokuvasta Ponterosa, was released by Edel Records.[1] The album contains 15 tracks.[3] Subsequently, a music video for the album's bonus track "Leikiten" was also released.[1]
Ponterosa was promoted by the film roles of then well-known celebrities. The presence of Karita Tuomola, a television host and the 1997 Miss Finland, and Tony Halme, a professional boxer and wrestler, were used to gain media attention for the film.[4] The celebrity cast also included Jenni Ahola, who was known as the 1997 Miss Hawaiian Tropic of Finland,[5] the 1997 Miss Internet,[6] an Olvi ad girl and as the CEO of the modeling agency Promodel.[1]
The DVD version of Ponterosa was released on 14 July 2006.[7]
Receiving only 2,552 admissions,[8] Ponterosa was also poorly received by the critics. The film was criticized for its poor script and dialogue. The technical implementation, especially cinematography, was described as amateurish. Despite the heavy criticism, Ponterosa has subsequently gained significant camp value,[9][10] and it has been referred to as "the camp classic of Finnish cinema".[4]
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