Plácido Zuloaga
Spanish 19th century metalworker / From Wikipedia, the free encyclopedia
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Plácido Maria Martin Zuloaga y Zuloaga (5 October 1834 – 1 July 1910) was a Spanish sculptor and metalworker. He is known for refining damascening, a technique that involves inlaying gold, silver, and other metals into an iron surface, creating an intricate decorative effect. Zuloaga came from a family of Basque metalworkers. He was the son of damascening pioneer Eusebio Zuloaga, the half-brother of the artist Daniel Zuloaga, and the father of the painter Ignacio Zuloaga. Taking over his father's armaments factory, he adapted it to make art pieces which he exhibited at international fairs, winning multiple awards.
Plácido Zuloaga | |
---|---|
Born | (1834-10-05)5 October 1834[1] |
Died | 1 July 1910(1910-07-01) (aged 75)[1] |
Nationality | Spanish |
Known for | damascening |
Spouse(s) | Lucía Zamora y Zabaleta, Francisca Gil y Lete |
Relatives | Eusebio Zuloaga (father), Daniel Zuloaga (half-brother), Ignacio Zuloaga (son) |
His notable works include the altar for the Sanctuary of St. Ignatius at Loyola, the Fonthill Casket (an iron cassone with intricate decoration inside and out), and a monumental sarcophagus for the Prime Minister of Spain, Juan Prim. For twenty years, Zuloaga made works for the English collector Alfred Morrison. Many of those are now in the private collection of the British-Iranian scholar and philanthropist Nasser D. Khalili. Zuloaga trained many other artisans in his workshop, and Eibar continued as a centre of a damascening after his death.