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Subgenre of funk rock From Wikipedia, the free encyclopedia
The Minneapolis sound is a subgenre of funk rock with elements of new wave and synth-pop, that was pioneered by Minneapolis-based musicians Prince and André Cymone in the late 1970s.[1] Its popularity was given a boost throughout the 1980s by Prince and groups he organized or produced, including the Time, Vanity 6, Apollonia 6, Sheila E., the Family, and the offshoots from his band the Revolution, Wendy & Lisa and Brownmark. After leaving the Time, Jimmy Jam & Terry Lewis, Morris Day, and Jesse Johnson all moved on to successful careers. Minnesota acts indirectly associated with or not associated with Prince also utilized this musical style, including Ta Mara & the Seen, Mazarati and the Jets.
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According to the Rolling Stone Album Guide, "the Minneapolis sound... loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno."[2]
Those inspired by the style were not necessarily from Minnesota. While some artists who came from Minnesota were influenced by Prince's work, others came from elsewhere, such as Flint, Michigan's Ready for the World.
While the "Minneapolis sound" is a form of funk, it has some distinguishing characteristics:
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