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Meanjin (/miˈændʒɪn/), formerly Meanjin Papers and Meanjin Quarterly, is one of Australia's longest-running literary magazines. Established in 1940 in Brisbane, it moved to Melbourne in 1945 and as of 2008 is an editorially independent imprint of Melbourne University Publishing. A print edition is produced quarterly, while it is updated continuously online.
| Editor | Esther Anatolitis |
|---|---|
| Publisher | Melbourne University Publishing |
| Founder | Clem Christesen |
| First issue | December 1940 |
| Country | Australia |
| Based in | Melbourne |
| Website | meanjin |
| ISSN | 0815-953X |
| OCLC | 3972868 |
The magazine was established in December 1940[1] in Brisbane, by Clem Christesen[2][3] as Meanjin Papers. The name is derived from the Turrbal/Yagara word for land on which the city of Brisbane is located.[4][5]
It moved to Melbourne in 1945 at the invitation of the University of Melbourne.[6] Artist and patron Lina Bryans opened the doors of her Darebin Bridge House to the Meanjin group: then Vance and Nettie Palmer, Rosa and Dolia Ribush, Jean Campbell, Laurie Thomas, and Alan McCulloch. There they joined the moderates in the Contemporary Art Society (Norman Macgeorge, Clive Stephen, Isobel Tweddle and Rupert Bunny, Sybil Craig, Guelda Pyke, Elma Roach, Ola Cohn and Madge Freeman, and George Bell). Bryans created a free circle and was able to give the liberal, conservative modernist position in Melbourne a more vital character and a freer base than it would otherwise have had.[7]
The magazine was renamed Meanjin in 1947, then to Meanjin Quarterly in 1961, and became Meanjin again in 1976.[8][9]
Since 2008 and as of 2021[update] Meanjin is published as an imprint of Melbourne University Publishing.[6]
In 2016, Meanjin lost its funding by the Australia Council, in its four-year cycle of funding.[10][11]
Meanjin is one of Australia's longest-running literary magazines.[11][12][a]
It is a scholarly, Peer-reviewed journal, which "manag[es] to be serious and playful at once". Itincludes philosophy,[16] poetry, fiction, essays, memoirs, and other forms of writing, and also produces podcasts.[17][6] A print edition is produced quarterly, while the online edition is updated on a daily basis.[18]
The magazine has been the vehicle for important new work by Australian writers A. D. Hope, James McAuley, Douglas Stewart, Judith Wright, Patrick White, Randolph Stow, Joan London, Frank Moorhouse, and Les Murray. Special issues have been devoted to Joseph Furphy and Vance Palmer, among others.[19]
 | This section needs additional citations for verification. (October 2023) |
- 1940–1974: Clem Christesen
- 1974–1982: Jim Davidson
- 1982–1987: Judith Brett
- 1987–1994: Jenny Lee
- 1994–1998: Christina Thompson
- 1998–2002: Stephanie Holt
- 2002–2008 Ian Britain
- 2008–2011 Sophie Cunningham
- 2011–2012 Sally Heath
- 2013–2015 Zora Sanders
- 2015–2022 Jonathan Green[6][20]
- 2022–present Esther Anatolitis[21]
During Christina Thompson's editorship, in 1995 Cassandra Pybus was guest editor for Issue 2, titled O Canada. It features both Canadian and Australian writing including an essay by Gerry Turcotte, a Canadian writer teaching at the University of Wollongong and co-editor of Australia Canada Studies. During Esther Anatolitis's editorship, in 2023 Eugenia Flynn (Larrakia and Tiwi) and Bridget Caldwell-Bright (Jingle and Mudburra) were guest editors of the journal's first-ever all Aboriginal and Torres Strait Islander edition, Meanjin 82.3, Spring 2023.[22]
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- mid-to-late 1970s: Kris Hemensley
- 1979–1982: Judith Rodriguez
- 1987–1994: Philip Mead
- 1994–1997: Laurie Duggan
- 1998: Brian Henry
- 1998–2000: Coral Hull
- 2000–2005: Peter Minter
- 2005–2015: Judith Beveridge
- 2015–2023: Bronwyn Lea
- 2023–present: Jeanine Leane
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