Iteration | Dates | Highlights |
15th |
October 13-17, 2021 |
- Shifted due to the pandemic, the 2021 festival included film and digital experience and a drive-in concert[9]
- Edward Burtynsky's In the Wake of Progress appeared on screens at Yonge-Dundas Square
- New Monuments co-curated by Julien Christian Lutz PKA Director X and Umbereen Inayet with choreography by Tanisha Scott featured 40 dancers on the shores of Lake Ontario
- An augmented reality version of Shakespeare's Henry V, Henry G20, retold the conflict between police and protesters during the June 2010 G20 Summit in Toronto
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14th |
June 11–13, 2020 |
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13th |
June 7–23, 2019 |
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12th | June 6–24, 2018 |
- International Human Rights Lawyer and Activist Amal Clooney made her first visit to Toronto for an evening of conversation with her father-in-law, veteran journalist, Nick Clooney. The sold-out event, Amal Clooney in Conversation with Nick Clooney[14] was co-presented by Luminato and the Economic Club of Canada. Sophie Grégoire Trudeau gave opening remarks.
- Icelandic musician Ólafur Arnalds plays a sold-out show at Elgin Theatre
- Hundred of Torontonians from all walks of life took over Nathan Phillips Square to perform Le Grand Continental®
- World premiere of the original Luminato commission Dreaming of Lions choreographed by Osnel Delgado and performed by Cuba's Malpaso Dance Company
- Luminato launches Illuminating works, a program that gives presenters from Canada and around the world a chance to see work by a varied and exciting line-up of Canadian artist and companies programmed by the festival. In its first year, 25 Artistic Directors and collaborators from 17 cities around the world attended Illuminating works.
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11th | June 14–25, 2017 |
- Artistic Director Josephine Ridge programs her first festival, bringing The Famous Spiegeltent toToronto for the first time and using it as a 'festival hub'
- Luminato presents three world, two North American and five Canadian premieres
- Three Luminato 2017 presentations are nominated for Dora Mavor Moore Awards, two win:[15]
- WINNER: Until the Lions, an Akram Khan Production – 'Best Production – Dance Division'
- WINNER: En avant, marche!, an NTGent and les Ballets C de la B production in collaboration with VLAMO – 'Outstanding Touring Production'
- Bearing, a Signal Theatre Production – 'Outstanding Touring Production'
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10th | June 10–19, 2016 |
- Luminato takes over Toronto's decommissioned Hearn Generating Station as the main festival venue[16]
- The National Theatre of Scotland's trilogy The James Plays
- Unsound Toronto returns to the Hearn
- Rimini Protokoll's award winning Situation Rooms
- monumental from Holy Body Tattoo and Godspeed You! Black Emperor
- Rufus Wainwright recreates Judy Garland's 1961 Carnegie Hall show
- Choir! Choir! Choir! and Rufus Wainwright perform Hallelujah: the recording has 5.5 million view on YouTube[17]
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9th | June 19–28, 2015 |
- Ontario premiere of Mariano Pensotti's El pasado es un animal grotesco
- Canadian premiere of Unsound Festival, an electronic music event
- World premiere of Contemporary Color, a pep rally pop music mashup conceived by David Byrne
- Canadian premiere of Malpaso Dance Company from Cuba
- World premiere of Blast Theory's My One Demand, an interactive film
- R. Murray Schafer's Apocalypsis, performed in full for the first time since its world premiere in 1980
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8th | June 6–15, 2014 |
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7th | June 14–23, 2013 |
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6th | June 8–17, 2012 |
- 14 commissioned and co-commissioned new works, eight premieres, and over 270 events at 25 theatres, museums, parks and public spaces throughout Toronto
- 1093 participating artists, representing 20 different countries, including six Canadian provinces.[23]
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5th | June 10–19, 2011 |
- 400 mostly free events at 29 venues across Toronto
- Almost 1 million Festival-goers
- 750 Canadian and international artists from 28 countries
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4th | June 11–20, 2010 |
- Nine new commissioned and co-commissioned works
- North American premiere of Rufus Wainwright's Prima Donna
- World premiere of Volcano Theatre's The Africa Trilogy
- Five world premieres, four North American premieres, and one Canadian premiere
- North American debut of Syria's acclaimed dance company, Enana Dance Theatre
- 36 venues across the city, featuring artists representing 30 countries
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3rd | June 5–14, 2009 |
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2nd | June 6–15, 2008 |
- 1,400 local artists, 40 international arts managers and producers
- Attendance at ticketed events rose 11% from the first year's attendance numbers.[24]
- Four world premiere events, and seven Canadian premiere events celebrating diversity and art
- Black Watch, The National Theatre of Scotland's theatrical piece by playwright Gregory Burke
- Director Tim Supple's international version of Shakespeare's A Midsummer Night's Dream presented by a company of 23 Indian and Sri Lankan dancers, street acrobats, martial arts experts, musicians and actors, performed in seven languages; English, Tamil, Malayalam, Sinhalese, Hindi, Bengali, Marathi, and Sanskrit.
- Mikel Rouse's epic opera trilogy for the first time in repertory. The multi-media musical trilogy includes The End of Cinematics, a live video collage. In high contrast are Rouse's solo show Failing Kansas, a multi-media opera directly inspired by Truman Capote's In Cold Blood, and his talk show opera, Dennis Cleveland, a fusion of pop, rock and rhythmic structures.
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1st | June 1–10, 2007 |
- 1,300 local and 214 international artists, over 30 venues across the downtown Toronto core.[25]
- Over 1,035,000 attendees
- 10 world premiere events, including 6 commissioned or co-commissioned works: Book of Longing, VIDA!, Norman, Not the Messiah (He's a Very Naughty Boy), Pulse Front, and Auroras/Testimony.
- Book of Longing, a music theatre piece using Leonard Cohen's poetry set to music by Philip Glass
- Not the Messiah (He's a Very Naughty Boy), the comedic oratorio commissioned by Luminato, and written by Eric Idle & collaborator John Du Prez
- Pulse Front: Relational Architecture 12, a light installation produced by Mexican-Canadian artist Rafael Lozano-Hemmer situated at Toronto's harbourfront. The installation was dependent on audience participation, with 20 onsite handlebars linked to computers that transmitted the heart beats of those who touched them to one of 20 searchlights streaming above Harbourfront Centre, Toronto.
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