Image |
Title |
Artist |
Place of origin |
Year |
Material |
Dimensions (inches) |
Accession number |
IMA page |
|
Sunlight |
Frank W. Benson |
America |
1909 |
Oil paint, Canvas |
32 x 20 |
11.1 |
Sunlight |
|
Breton Women at a Wall |
Émile Bernard |
France |
1892 |
Oil paint, Cardboard |
32.875 x 45.5 |
1998.172 |
Breton Women at a Wall |
|
Tidying Up |
Isabel Bishop |
America |
1941 |
Oil paint, Masonite |
15 x 11.5 |
43.24 |
Tidying Up |
|
Morning at Grand Manan |
Alfred Thompson Bricher |
America |
1878 |
Oil paint, Canvas |
25 x 50 |
70.65 |
Morning at Grand Manan |
|
The Negress |
Jean-Baptiste Carpeaux |
France |
1868 |
Bronze |
22.375 |
80.202 |
The Negress |
|
House in Provence |
Paul Cézanne |
France |
c1885 |
Oil paint, Canvas |
25.5 x 32 |
45.194 |
House in Provence |
|
Dorothy |
William Merritt Chase |
America |
1902 |
Oil paint, Canvas |
72 x 36 |
03.4 |
Dorothy |
|
Blasting St. Vincent's Rock, Clifton |
John Sell Cotman |
England |
1830 |
Watercolor, Gum arabic, Pencil, Paper |
13.5 x 22.75 |
1999.32 |
Blasting St. Vincent's Rock, Clifton |
|
The Crucifixion |
Lucas Cranach the Elder |
Germany |
1532 |
Oil paint, Wood |
30 x 21.5 |
2000.344 |
The Crucifixion |
|
Chinese Souls#2 |
Nancy Crow |
America |
1992 |
Resist dyed fabric |
81 x 89 |
1996.249 |
Chinese Souls #2 |
|
The Valkhof at Nijmegen |
Aelbert Cuyp |
Netherlands |
1652-4 |
Oil paint, Wood |
19.25 x 29 |
43.107 |
The Valkhof at Nijmegen |
|
Young Woman in Blue |
Edgar Degas |
France |
1882-5 |
Pastel, Paper |
18.5 x 12.25 |
38.12 |
Young Woman in Blue |
|
Evening dress |
Christian Dior |
France |
1956 |
Silk chiffon |
36 |
2002.143 |
Evening dress |
|
Reflections |
Arthur Garfield Dove |
America |
1935 |
Oil paint, Canvas |
15.125 x 21.0625 |
2003.161 |
Reflections |
|
Courre Merlan (Whiting Chase) |
Jean Dubuffet |
France |
1964 |
Oil paint, Canvas |
38.25 x 51 |
1992.394 |
Courre Merlan (Whiting Chase) |
|
The Holy Family with the Dragonfly |
Albrecht Dürer |
Germany |
1495 |
Engraving |
9.375 x 7.25 |
58.4 |
The Holy Family with the Dragonfly |
|
Entry of Christ into Jerusalem |
Anthony van Dyck |
Flanders |
1617 |
Oil paint, Canvas |
59.5 x 90.25 |
58.3 |
Entry of Christ into Jerusalem |
|
Palace plaque depicting warrior |
Edo people |
Africa |
1500–1700 |
Brass |
21.125 x 14.75 x 3 |
1989.845 |
Palace plaque depicting warrior |
|
Galinthias Outwits Eileithyia by Announcing the Birth of Heracles / Portrait of Mrs. Fuseli |
Henry Fuseli |
Switzerland |
1791 |
Graphite, Ink, Paper |
12.25 x 15.625 |
1993.172 |
Galinthias Outwits Eileithyia by Announcing the Birth of Heracles |
|
The Flageolet Player on the Cliff |
Paul Gauguin |
France |
1889 |
Oil paint, Canvas |
27.9375 x 35.9375 |
1998.168 |
The Flageolet Player on the Cliff |
|
Landscape near Arles |
Paul Gauguin |
France |
1888 |
Oil paint, Canvas |
36 x 28.5 |
44.10 |
Landscape near Arles |
|
Still Life with Profile of Laval |
Paul Gauguin |
France |
1886 |
Oil paint, Canvas |
18.125 x 15 |
1998.167 |
Still Life with Profile of Laval |
|
Enclosed Field with Peasant |
Vincent van Gogh |
Netherlands |
1889 |
Oil paint, Canvas |
29 x 36.25 |
44.74 |
Enclosed Field with Peasant |
|
U.S.A. |
John Haberle |
America |
1889 |
Oil paint, Canvas |
8.5 x 12 |
2002.225 |
U.S.A. |
|
Haida ceremonial dance rattle |
Haida people |
Canada |
1850-80 |
Wood, Pigment |
12.625 x 3.75 x 3.75 |
30.550 |
Ceremonial dance rattle |
|
Cliff Rock--Appledore |
Childe Hassam |
America |
1903 |
Oil paint, Canvas |
29 x 36 |
07.1 |
Cliff Rock--Appledore |
|
Fine Wind, Clear Morning |
Katsushika Hokusai |
Japan |
1829-33 |
Wood block print |
10.125 x 15 |
60.12 |
Fine Wind, Clear Morning |
|
The Boat Builders |
Winslow Homer |
America |
1873 |
Oil paint, Wood |
6 x 10.25 |
54.10 |
The Boat Builders |
|
Hotel Lobby |
Edward Hopper |
America |
1943 |
Oil paint, Canvas |
32.25 x 40.75 |
47.4 |
Hotel Lobby |
|
LOVE (sculpture) |
Robert Indiana |
America |
1970 |
Cor-ten steel |
144 x 144 x 72 |
75.174 |
LOVE |
|
LOVE (painting) |
Robert Indiana |
America |
1966 |
Oil paint, Canvas |
71.875 x 71.875 |
67.8 |
LOVE |
|
The Rainbow |
George Inness |
America |
1878-9 |
Oil paint, Canvas |
30 x 45 |
44.137 |
The Rainbow |
|
Untitled |
Robert Irwin |
America |
1968-9 |
Lacquer, Cast acrylic, Tungsten lights |
54 |
1988.220 |
Untitled |
|
Untitled |
Donald Judd |
America |
1967 |
Brass, Enamel, Cold rolled steel |
6.125 x 138 x 6 |
1992.362 |
Untitled |
|
Still Life with a Chinese Porcelain Jar |
Willem Kalf |
Netherlands |
1669 |
Oil paint, Canvas |
30.75 x 26 |
45.9 |
Still Life with a Chinese Porcelain Jar |
|
Guardian figure |
Kota people |
Africa |
1880–1920 |
Wood, Copper, Brass, Iron |
15.5 x 7 x 4 |
1991.292 |
Guardian figure |
|
Vorhor, the Green Wave |
Georges Lacombe |
France |
1896-7 |
Egg tempera, Canvas |
39.375 x 28.375 |
1984.202 |
Vorhor, The Green Wave |
|
Madonna and Child with St. John the Baptist and St. Mary Magdalene |
Neroccio di Bartolomeo de' Landi |
Italy |
1495 |
Tempera, Wood |
28 x 20.125 |
2004.161 |
Madonna and Child with St. John the Baptist and St. Mary Magdalene |
|
Untitled |
Ronnie Landfield |
American |
1998 |
acrylic, Paper |
29.75 x 22.75 |
2008.299 |
Untitled |
|
Untitled (The Birth) |
Jacob Lawrence |
America |
1938 |
Tempera, Paper |
12.875 x 11.625 |
1997.130 |
Untitled (The Birth) |
|
Man and Woman |
Fernand Léger |
France |
1921 |
Oil paint, Canvas |
36.25 x 25.5 |
52.28 |
Man and Woman |
|
The Two Sisters |
Georges Lemmen |
Belgium |
1894 |
Oil paint, Canvas |
23.625 x 27.5625 |
79.317 |
The Two Sisters or The Serruys Sisters |
|
The Flight into Egypt |
Claude Lorrain |
France |
c1635 |
Oil paint, Canvas |
28 x 38.5 |
2003.171 |
The Flight into Egypt |
|
The Flight of Europa |
Paul Manship |
America |
1925 |
Bronze, Marble |
25 x 30.5 x 8.25 |
50.30 |
Flight of Europa |
|
Rebecca and Eliezer at the Well |
Carlo Maratta |
Italy |
1655-7 |
Oil paint, Canvas |
47 x 62 |
1988.70 |
Rebecca and Eliezer at the Well |
|
Hurricane |
John Marin |
America |
1944 |
Oil paint, Canvas |
25 x 30 |
61.42 |
Hurricane |
|
Afternoon Tea |
Richard E. Miller |
America |
1910 |
Oil paint, Canvas |
39.5 x 32 |
1997.139 |
Afternoon Tea |
|
Peasant with a Wheelbarrow |
Jean-François Millet |
France |
1848-52 |
Oil paint, Canvas |
14.875 x 17.875 |
49.48 |
Peasant with a Wheelbarrow |
|
Crucifixion |
Barnaba da Modena |
Italy |
1375 |
Tempera, Gold, Wood |
41 x 26.5 |
24.5 |
Crucifixion |
|
The Boy |
Amedeo Modigliani |
Italy |
1919 |
Oil paint, Canvas |
36.25 x 23.75 |
46.22 |
The Boy |
|
Battle Between Carnival and Lent |
Jan Miense Molenaer |
Netherlands |
1633-4 |
Oil paint, Wood |
16 x 21.75 |
1998.96 |
Battle Between Carnival and Lent |
|
Charing Cross Bridge |
Claude Monet |
France |
1900 |
Oil paint, Canvas |
26 x 36 |
65.15 |
Charing Cross Bridge |
|
Boreas and Oreithyia |
Charles-Joseph Natoire |
France |
1740 |
Chalk, Paper |
12.375 x 14.75 |
80.366 |
Boreas and Oreithyia |
|
The Holy Family with Saint John the Baptist |
Nosadella |
Italy |
1550-60 |
Oil paint, Wood |
19.5 x 15 |
66.233 |
The Holy Family with Saint John the Baptist |
|
Crucifix |
Gaspar Núñez Delgado |
Spain |
1599 |
Ivory, Ebony, Mahogany, Silver, Polychromy |
26.75 x 14 x 3.25 |
1995.24 |
Crucifix |
|
Jimson Weed |
Georgia O'Keeffe |
America |
1936 |
Oil paint, Linen |
70 x 83.5 |
1997.131 |
Jimson Weed |
|
Magbo helmet mask for Oro society |
Onabanjo of Itu Meko |
Africa |
1880–1920 |
Wood, Pigment, Iron |
28.75 x 13.75 x 18.5 |
1989.754 |
Magbo helmet mask for Oro association |
|
Roman Capriccio: The Pantheon and Other Monuments |
Giovanni Paolo Panini |
Italy |
1735 |
Oil paint, Canvas |
39 x 53.5 |
50.5 |
Roman Capriccio: The Pantheon and Other Monuments |
|
Ma Jolie |
Pablo Picasso |
Spain |
1914 |
Oil paint, Canvas |
21.1875 x 25.625 |
61.36 |
Ma Jolie |
|
The Banks of the Oise near Pontoise |
Camille Pissarro |
France |
1873 |
Oil paint, Canvas |
15 x 22.25 |
40.252 |
The Banks of the Oise near Pontoise |
|
The House of the Deaf Woman and the Belfry at Eragny |
Camille Pissarro |
France |
1886 |
Oil paint, Canvas |
25.625 x 31.875 |
2002.76 |
The House of the Deaf Woman and the Belfry at Eragny |
|
Self-Portrait |
Rembrandt van Rijn |
Netherlands |
1629 |
Oil paint, Wood |
17.5 x 13.5 |
C10063 |
Self-Portrait |
|
Aristotle |
Jusepe de Ribera |
Spain |
1637 |
Oil paint, Canvas |
49 x 39 |
2000.345 |
Aristotle |
|
The Love Song |
Norman Rockwell |
America |
1926 |
Oil paint, Canvas |
38.375 x 42.875 |
1997.151 |
The Love Song |
|
The Triumphant Entry of Constantine into Rome |
Peter Paul Rubens |
Belgium |
1620-2 |
Oil paint, Wood |
19 x 25.5 |
2001.237 |
The Triumphant Entry of Constantine into Rome |
|
Coffee service |
Gottfried Schmidt |
Austria |
1811 |
Hard-paste porcelain, Polychrome enamels, Gilding, Silvering |
16.5 |
1995.60-.67 |
Coffee service |
|
Mother (Mutter) |
Karl Schmidt-Rottluff |
Germany |
1916 |
Wood block print, Paper |
24.5 x 20.25 |
57.95 |
Mother (Mutter) |
|
Senufo female ancestor figure |
Senufo people |
Africa |
1901–1930 |
Wood |
41.625 x 8 x 3.75 |
1999.31 |
Female ancestor figure |
|
The Channel of Gravelines, Petit Fort Philippe |
Georges Seurat |
France |
1890 |
Oil paint, Canvas |
28.875 x 36.5 |
45.195 |
The Channel at Gravelines, Petit Fort Philippe |
|
Red Kimono on the Roof |
John Sloan |
America |
1912 |
Oil paint, Canvas |
24 x 20 |
54.55 |
Red Kimono on the Roof |
|
Egyptian Barnyard |
David Smith |
America |
1954 |
Wrought and Soldered Silver |
14.5 x 24 x 5.5 |
60.279 |
Egyptian Barnyard |
|
Preparing for the Matinee |
Edmund Charles Tarbell |
America |
1907 |
Oil paint, Canvas |
45.5 x 35.5 |
82.201 |
Preparing for the Matinee |
|
Angel of the Resurrection |
Tiffany Studios |
America |
1904 |
Glass, Lead |
348 x 168 |
72.75 |
Angel of the Resurrection |
|
Broek in Waterland |
Jan Toorop |
Netherlands |
1889 |
Oil paint, Canvas |
27 x 30 |
2000.156 |
Broek in Waterland |
|
Moulin Rouge: La Goulue |
Henri de Toulouse-Lautrec |
France |
1891 |
Lithograph, Paper |
66.375 x 46.75 |
36.4 |
Moulin Rouge--La Goulue |
|
The Fifth Plague of Egypt |
Joseph Mallord William Turner |
England |
1800 |
Oil paint, Canvas |
48 x 72 |
55.24 |
The Fifth Plague of Egypt |
|
Acton |
James Turrell |
America |
1976 |
Tungsten lights, Specially designed room |
408 x 252 |
1989.111 |
Acton |
|
Healing of Abiku Children |
Twins Seven-Seven |
Nigeria |
1973 |
Wood, Pigment |
51.375 x 51.5625 |
1993.82 |
Healing of Abiku Children |
|
The Quintet of the Silent |
Bill Viola |
America |
2001 |
DVD, Panasonic plasma screen, Line doubler, Surge protector, DVD player |
24.75 x 40.5 x 7 |
2001.381A-J |
The Quintet of the Silent |
|
The Seamstress |
Édouard Vuillard |
France |
1892 |
Oil paint, Cardboard |
11 x 10 |
69.68 |
The Seamstress |
|
They Waz Nice White Folks While They Lasted (Sez One Gal to Another) |
Kara Walker |
America |
2001 |
Cut paper, Overhead projector |
168 x 168 x 240 |
2002.1 |
They Waz Nice White Folks While They Lasted (Sez One Gal to Another) |
|
The Country Dance |
Jean-Antoine Watteau |
France |
1706-10 |
Oil paint, Canvas |
19.5 x 23.625 |
74.98 |
The Country Dance |
|
Face mask |
We people |
Africa |
1900–1950 |
Wood, Pigment, Shells, Cloth, Fiber, Fur, Paper, Metal, Feathers |
19 x 13.5 x 11.5 |
1989.373 |
Face mask |
|
Portland vase |
Josiah Wedgwood |
England |
1790 |
Stoneware |
10 |
1994.2 |
Portland vase |
|
Entry of Christ into Jerusalem |
Master of Taüll |
Spain |
1125 |
Fresco transferred to Canvas |
70.25 x 121 |
57.151 |
The Entry of Christ into Jerusalem |
|
Triptych of the Annunciation |
Master of the Legend of Saint Ursula |
Flanders |
1483 |
Oil paint, Wood |
23.25 x 45.75 |
1997.138 |
Triptych of the Annunciation |
|
Eli Lilly Family Quilt |
|
America |
1847 |
Cotton |
104.5 x 105 |
1996.281 |
Eli Lilly Family Quilt |
|
High chest of drawers (Indianapolis Museum of Art) |
Inspired by Thomas Chippendale |
America |
1760-80 |
Walnut, Brass |
98 x 43.25 x 22.25 |
75.99 |
High chest |
|
Ritual wine server (guang), Indianapolis Museum of Art, 60.43 |
|
China |
1200–1100 BCE |
Bronze |
9 |
60.43 |
Ritual wine server |
|
Vase with carved peony scrolls |
|
China |
1000 |
Cizhou ware |
17 |
47.153 |
Vase with carved peony scrolls |
|
Bowl with two violet spots |
|
China |
1200 |
Jun ware |
6 |
47.131 |
Bowl with two violet spots |
|
Cong-shaped vase |
|
China |
1200 |
Longquan celadon |
16.375 |
47.154 |
Cong-shaped vase |
|
Covered jar with carp design |
|
China |
1522-66 |
Porcelain |
18 |
60.88A-B |
Covered jar with carp design |
|
Vase with nine peach design |
|
China |
1736-95 |
Porcelain, Overglaze enamel |
19.5 x 14.5 |
60.116 |
Vase with nine peach design |
|
Side chair |
Inspired by Thomas Chippendale |
England |
1755-65 |
Mahogany |
39.5 x 25 x 21 |
81.375 |
Side chair |
|
Woman's apron |
|
Germany |
1760 |
Silk, Metallic and silk thread |
36 x 39 |
70.46 |
Woman's apron |
|
Sumbanese woman's ceremonial skirt |
|
Indonesia |
1900 |
Cotton, Nassa shells, Glass trade beads |
29 x 46.5 |
33.682 |
Woman's ceremonial skirt |
|
Ksitigarbha bodhisattva |
|
Japan |
1175 |
Wood |
49 |
59.29 |
Ksitigarbha bodhisattva |
|
Shigaraki ware storage jar |
|
Japan |
1450 |
Stoneware |
17.75 |
81.378 |
Storage jar |
|
Moroccan wall hanging |
|
Morocco |
1800s |
Silk velvet, Gold metallic thread |
66 x 156 |
1983.66 |
Ceremonial hanging |
|
Helmet mask (Tatanua) |
|
New Ireland |
1880–1930 |
Wood, Cloth, Fiber, Pigment, Lime, Shells |
19 x 8.25 x 11 |
1989.1421 |
Helmet mask (Tatanua) |