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2008 Australian horror film From Wikipedia, the free encyclopedia
Lake Mungo is a 2008 Australian psychological horror film written and directed by Joel Anderson. Presented in the pseudo-documentary format with elements of found footage and docufiction, it is Anderson's only film. It follows a family trying to come to terms with the loss of their daughter Alice (Talia Zucker) after she drowns and the potentially supernatural events they experience after it.
| Lake Mungo | |
|---|---|
Theatrical release poster | |
| Directed by | Joel Anderson |
| Written by | Joel Anderson |
| Produced by |
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| Starring |
|
| Cinematography | John Brawley |
| Edited by | Bill Murphy |
| Music by | Dai Paterson |
Production companies |
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| Distributed by | Arclight Films |
Release date |
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Running time | 88 minutes |
| Country | Australia |
| Language | English |
| Budget | $1.7 million |
| Box office | $29,850 |
Lake Mungo premiered at the Sydney Film Festival on 18 June 2008, and was screened at the American South by Southwest film festival in March 2009. It received positive reviews from critics and has gained a cult following since its release.[1][2]
While swimming with her family at a dam in Ararat, 16-year-old Alice Palmer disappears. When her body is finally recovered from the lake, her father Russell identifies her. 10 days after her funeral, her family begins hearing noises in their home, and her older brother Mathew finds numerous unexplained bruises on his body. Mathew later sets up video cameras in the family home and films what appears to be footage of Alice. Other images captured near the lake also show a figure that seems to be Alice.
Imagining that Alice may be alive and that Russell might have identified the wrong body, her parents ask that her corpse be exhumed and given a DNA test, which conclusively identifies her. Her mother June consults self-proclaimed psychic Ray Kemeney for insight on the apparent haunting, and he holds a séance with the family but is unable to explain the sightings. Months later, Mathew confesses that he faked the ghostly photos and videos of Alice as he wanted the family to have a reason to exhume her body and give closure to June, who regrets refusing to see it before the funeral.
A later home video, taken automatically while the Palmers were not home, shows an image that seems to be Alice. It also captures Alice's bedroom being searched by Brett Toohey, a neighbour for whom she had worked as a babysitter. After searching the bedroom, June finds a hidden videotape of Alice having a threesome with Brett and his wife Marissa. By this point, however, the neighbours have already sold their house and disappeared along with their children in order to avoid prosecution.
Ray admits that Alice had met with him several months before her death to tell him that she was experiencing recurring dreams about drowning, being dead, and her mother being unable to see or help her, which she also noted in a private journal. Alice's boyfriend Jason Whittle gives her family mobile phone footage of a school trip to Lake Mungo, during which she lost her phone. The footage shows Alice burying something at the base of a tree. The Palmers travel to Lake Mungo, find the tree, and dig up Alice's phone. Footage on the phone shows Alice walking along the shore and encountering a corpse-like version of herself with a bloated and disfigured face, appearing exactly as her body would later be found in the lake.
The Palmers come to believe that Alice wanted them to know who she really was and what she had seen. They subsequently move out of their home, satisfied that the haunting has ended and that Alice's spirit has moved on. In a photograph of their last moments at the house, the cloudy figure of a young woman appears in a window, while the photographs that Mathew admitted to faking appear to legitimately show Alice elsewhere in the background.
Joel Anderson wrote the bulk of the screenplay in 2005, at a time when he was finding it difficult to acquire funding for a different screenplay which required a much larger budget. After discussions with people who would become collaborators on Lake Mungo, he decided to write a fictional documentary-style story that he could film on a low budget. When asked about his main inspiration for creating the script, he dismissed the idea of it being a supernatural film and expressed his opinion that it is "meant to be an exploration of grief". He also cited a curiosity as to how "technology is used to record people's lives and sort of tracks memories, and how technology mediates a lot of our experiences". Initial financing was attained through private investors, after which the production team approached the Australian government's film funding body Screen Australia for the rest of the budget.
During casting, low-profile actors were sought in an effort to maintain an authentic documentary feel. The film was shot over a period of approximately five weeks using both film and video formats. The script featured only the outline of the story and no written dialogue, so the actors were tasked with improvising their scenes; Anderson also served as the offscreen interviewer in the film's interview scenes, though he chose to remain uncredited.[3][4]
Lake Mungo premiered at the Sydney Film Festival on 18 June 2008.[5][6][7] In March 2009, it screened at the South by Southwest film festival in Austin, Texas.[8] On 13 March, the film was shown at the Travelling Film Festival in Wagga Wagga.[9] On 17 March, the film screened in England at the London Australian Film Festival.[10] On 21 January 2010, the film was shown at the American After Dark Horrorfest, distributed by Lionsgate and After Dark Films.[11]
On the review aggregator website Rotten Tomatoes, 95% of 22 critics' reviews are positive, with an average rating of 7.6/10.[12] The film was nominated for Best Horror Movie at the Fright Meter Awards in 2010.[13]
Russell Edwards of Variety called it an "ambitious, restrained, and well-mounted mockumentary" and praised its musical score, but critiqued its dim lighting and lack of scripted dialogue.[14] Andrew L. Urban of Urban Cinefile wrote that "this superbly constructed and executed film gets everything right, to the smallest detail, as it draws us into the imagined scenario".[15] Simon Miraudo of Quickflix called it "a mournful, dreamlike examination of the hole left in the heart of a family after a death" and awarded it 5/5 stars.[16] Simon Foster of the Special Broadcasting Service declared it to be "one of the most impressive debut films from this country in many years" and further commented that "the young director has created a nerve-rattler unlike any film the Australian industry has produced".[17]
Megan Lehmann of The Hollywood Reporter noted the film's "compelling slow build", "surreal atmospherics", and "restrained soundtrack that works on a primal level [and] cleaves close to reality". She also praised its fusion of supernatural elements with substantive themes on family and loss, concluding that "this ambitious exploration of death and its aftershocks will reward more discerning genre fans".[18] Conversely, a review published by Bloody Disgusting concluded that "the ultimate problem with Lake Mungo is that the filmmakers had too many good ideas crammed into one film and not enough time to tell all their tales".[19]
In 2020, Mike Sprague of Dread Central included the film on his list of 10 underrated horror films to watch on Amazon Prime during COVID-19 lockdowns.[20] Later that year, Meagan Navarro of Bloody Disgusting went against the publication's initial negative review to write that "the scares come subtle, often lurking in the background for only the most observant to notice [...] [it's a] unique horror movie, a slow-burn mystery full of twists and one seriously unnerving jump scare for the ages".[21] Filmmaker Mike Flanagan, in his review on Letterboxd, praised the film for being "exceptional, terrifying, and ultimately heartbreaking. The movie will stick with you, and the more you think about its lonely, tragic implications, the more it will haunt you."[22]
Following the release of Lake Mungo, Anderson has kept an extremely low profile; he has not written or directed another film, given no interviews since 2009, and has no known social media pages. His elusiveness has contributed to Lake Mungo's mystique as a cult film,[1] which he suggested may have been part of his intention: "I think we were thinking it'd be nice if we could make a film that was kind of a curiosity, but if you saw it years from now you wouldn't know anything about where it came from. You'd be wondering—is it real, is it not real?"[23] He eventually returned to the film industry in 2023 as an executive producer and script editor on the supernatural horror film Late Night with the Devil.[24][25]
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