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Japanese manga series by Shigeru Mizuki and its adaptations From Wikipedia, the free encyclopedia
GeGeGe no Kitarō (ゲゲゲの鬼太郎), originally known as Hakaba Kitarō (墓場鬼太郎, "Kitarō of the Graveyard"), is a Japanese manga series created in 1960 by Shigeru Mizuki. It is best known for its popularization of the folklore creatures known as yōkai, a class of spirit-monster which all of the main characters belong to. This story was an early 20th-century Japanese folk tale performed on kamishibai. It has been adapted for the screen several times, as anime, live action, and video games. The word GeGeGe (ゲゲゲ) in the title is similar to Japanese sound symbolism for a cackling noise but refers to Mizuki's childhood nickname,[12] a mispronounciation of his given name.
You can help expand this article with text translated from the corresponding article in Japanese. (July 2015) Click [show] for important translation instructions.
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GeGeGe no Kitarō | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Manga | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Written by | Shigeru Mizuki | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Published by | Kodansha | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
English publisher |
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Imprint | Shōnen Magazine Comics | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Magazine | Weekly Shōnen Magazine | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Demographic | Shōnen | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Original run | 1960 – 1969 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Volumes | 9 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Selections of the manga and the theatrical live-action films have been published in English, simply titled Kitaro. The 2018 anime series is streamed with English subtitles as GeGeGe no Kitaro. The publisher of the North American English manga is Drawn & Quarterly.
GeGeGe no Kitarō focuses on the young Kitarō—the last survivor of the Ghost Tribe—and his adventures with other ghouls and strange creatures of Japanese mythology. Along with: the remains of his father, Medama-Oyaji (a mummified Ghost tribesman reincarnated to inhabit his old eyeball); Nezumi-Otoko (the rat-man); Neko-Musume (the cat-girl) and a host of other folkloric creatures, Kitarō strives to unite the worlds of humans and Yōkai.
Many storylines involve Kitarō facing off with myriad monsters from other countries, such as the Chinese vampire Yasha, the Transylvanian Dracula IV, and other such non-Japanese creations. In addition to this, Kitarō also locks horns with various malevolent yōkai who threaten the balance between the Japanese creatures and humans.[13]
Some storylines make overt reference to traditional Japanese tales, most notably the folk tale of Momotarō, in which the young hero defends a Japanese territory from demons with the help of the native animals. The Kitarō series "The Great Yōkai War" (妖怪大戦争, Yōkai Daisensō) draws a great deal of influence from this story, with Kitarō and his yōkai friends driving a group of Western ghouls away from an island.[14][15]
While the character of Kitarō in GeGeGe no Kitarō is a friendly boy who genuinely wants the best outcome for humans and yōkai alike, his earlier incarnation in Hakaba Kitarō portrays him as a much more darkly mischievous character. His apparent lack of empathy for humans combined with his general greed and desire for material wealth drives him to act in an unbecoming manner towards the human characters—often deceptively leading them into nightmarish situations or even to hell itself.[16]
The Kitarō story began life as a kamishibai in 1933, written by Masami Itō (伊藤正美) and illustrated by Keiyō Tatsumi (辰巳恵洋). Itō's version was called Hakaba Kitarō (墓場奇太郎, "Kitarō of the Graveyard"); the title is generally written in katakana to distinguish it from Mizuki's version of the tale.
According to Itō, her Kitarō was based on local legends describing the same or similar stories.[24] It is also said to be a loose reinterpretation of the similar Japanese folktale called the Kosodate Yūrei (子育て幽霊) or Amekai Yūrei (飴買い幽霊, "The Candy-Buying Ghost"), which were inspired by Chinese folklore from 12th to 13th centuries.[25]
In 1954, Mizuki was asked to continue the series by his publisher, Katsumaru Suzuki.[26]
Kitarō of the Graveyard was published as a rental manga in 1960, but it was considered too scary for children. In 1965, renamed to Hakaba no Kitarō, it appeared in Shōnen Magazine (after one of the editors came across the kashibon and offered Mizuki a contract)[27] and ran through 1970. The series was renamed GeGeGe no Kitarō in 1967 and continued in Weekly Shōnen Sunday, Shōnen Action, Shukan Jitsuwa and many other magazines.[28][29][30]
In 2002, GeGeGe no Kitarō was translated by Ralph F. McCarthy and compiled by Natsuhiko Kyogoku for Kodansha Bilingual Comics.[31] Three bilingual (Japanese–English) volumes were released in 2002.[32][33][34]
Since 2013, compilation volumes of selected manga chapters from the 1960s have been published by Drawn & Quarterly, with English translations by Zack Davisson[35] and an introduction by Matt Alt in the first compilation volume.[36][37] Drawn & Quarterly later published a large collection of Kitaro manga under the title Kitaro, with Jocelyne Allen as the translator. Zack Davisson wrote the volume's afterword.[38]
Seven anime adaptations were made from Mizuki's manga series. They were broadcast on Fuji Television and animated by Toei Animation.
The opening theme to all six series is "Gegege no Kitarō", written by Mizuki himself. It has been sung by Kazuo Kumakura (1st, 2nd), Ikuzo Yoshi (3rd), Yūkadan (4th), Shigeru Izumiya (5th), the 50 Kaitenz (6th) and Kiyoshi Hikawa (7th). The song was also used in the live-action films starring Eiji Wentz. In the first film, it was performed by Wentz' WaT partner Teppei Koike.
In January 2008, the sixth anime series (also produced by Toei) premiered on Fuji TV during the late night hours in the Noitamina block. This anime uses the original manga title, Hakaba Kitaro (墓場奇太郎, Hakaba Kitarō),[9] and unlike the usual anime versions, it is closer to Mizuki's manga and is not part of the existing remake canon. It also features a completely different opening theme song ("Mononoke Dance" by Denki Groove) and ending theme song ("Snow Tears" by Shoko Nakagawa).
A seventh series, announced in early 2018,[39] directed by Kōji Ogawa and written by Hiroshi Ohnogi started airing on Fuji TV on April 1, 2018, to celebrate the anime's 50th anniversary. The series concluded on March 29, 2020, as it entered its final arc, the "Nurarihyon Arc", on October 6, 2019.[40] It streamed on Crunchyroll, making it the first Kitarō anime to be available in North America.[41]
An English dub aired as Spooky Kitaro on Animax Asia. The 2008 anime was released with English subtitles on DVD in Australia.[9]
No. | Run | Episodes | Series direction | |
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1 | January 3, 1968 – March 30, 1969 | 65 | ||
2 | October 7, 1971 – September 28, 1972 | 45 | ||
3 | October 12, 1985 – March 21, 1988 | 115 | Osamu Kasai, Hiroki Shibata | |
4 | January 7, 1996 – March 29, 1998 | 114 | Daisuke Nishio | |
5 | April 1, 2007 – March 29, 2009 | 100 | Yukio Kaizawa | |
6 | April 1, 2018 – March 29, 2020 | 97 | Kōji Ogawa | |
Total | 1968 – 2020 | 536 | - |
No. | Run | Episodes | Series direction | |
---|---|---|---|---|
1 | January 10 – March 20, 2008 | 11 | Kimitoshi Chioki |
Two live-action films have been released. The first one, Kitaro (released in Japan as GeGeGe no Kitarō (ゲゲゲの鬼太郎)), was released on April 28, 2007. It stars Eiji Wentz as Kitarō and Yo Oizumi as Nezumi Otoko.[43] The film follows Kitarō as he tries to save a young high school girl, Mika Miura, while also trying to stop the powerful "spectre stone" from falling into the wrong hands. The live-action film makes extensive use of practical costumes and CG characters to depict the cast of yōkai.
The second film, Kitaro and the Millennium Curse (ゲゲゲの鬼太郎 千年呪い唄, GeGeGe no Kitarō Sennen Noroi Uta), was released on July 12, 2008. Wentz reprised his role as Kitarō.[44][45] It follows Kitarō and his friends as they try to solve a 1000-year-old curse that threatens the life of his human companion Kaede Hiramoto.
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