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Kay Boyle (February 19, 1902 – December 27, 1992) was an American novelist, short story writer, educator, and political activist.[2] She was a Guggenheim Fellow and O. Henry Award winner.
Kay Boyle | |
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Born | Katherine Evans Boyle February 19, 1902 St. Paul, Minnesota, U.S. |
Died | December 27, 1992 90) Mill Valley, California, U.S. | (aged
Spouse |
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Partner | Ernest Walsh (1926) |
Children | 6[1] |
The granddaughter of a publisher, Boyle was born in St. Paul, Minnesota, and grew up in several cities but principally in Cincinnati, Ohio. She had one sibling, an elder sister, Joan (1900–1993), later Mrs. Detweiler. Their father, Howard Peterson Boyle, was a lawyer, and their mother was Katherine (Evans) Boyle, a literary and social activist who believed the wealthy had an obligation to help the financially less fortunate. In later years, Kay Boyle championed integration and civil rights. She advocated banning nuclear weapons, and American withdrawal from the Vietnam War.[2]
Boyle was educated at the exclusive Shipley School in Bryn Mawr, Pennsylvania, then studied architecture at the Ohio Mechanics Institute in Cincinnati. Interested in the arts, she studied violin at the Cincinnati Conservatory of Music before settling in New York City in 1922 where she found work as a writer/editor with a small magazine.[2]
That same year, she met and married a French exchange student, Richard Brault, and they moved to France in 1923. This resulted in her staying in Europe for the better part of the next twenty years. Separated from her husband, she formed a relationship with magazine editor Ernest Walsh, with whom she had a daughter, Sharon, named for the Rose of Sharon, in March 1927, five months after Walsh's death from tuberculosis in October 1926.[3]
In 1928 she met Laurence Vail, who was then married to Peggy Guggenheim. Boyle and Vail lived together between 1929 until 1932 when, following their divorces, they married. With Vail, she had three more children - daughters Apple-Joan in 1929, Kathe in 1934, and Clover in 1939.[3] During her years in France, Boyle was associated with several innovative literary magazines and made friends with many of the writers and artists living in Paris around Montparnasse. Among her friends were Harry and Caresse Crosby who owned the Black Sun Press and published her first work of fiction, a collection titled Short Stories. They became such good friends that in 1928 Harry Crosby cashed in some stock dividends to help Boyle pay for an abortion.[4] Other friends included Eugene and Maria Jolas. Boyle also wrote for transition, one of the preeminent literary publications of the day. A poet as well as a novelist, her early writings often reflected her lifelong search for true love as well as her interest in the power relationships between men and women. Boyle's short stories won two O. Henry Awards.
In 1936, she wrote a novel, Death of a Man, an attack on the growing threat of Nazism. In 1943, following her divorce from Laurence Vail, she married Baron Joseph von Franckenstein, with whom she had two children - Faith in 1942 and Ian in 1943.[3] After having lived in France, Austria, England, and in Germany after World War II, Boyle returned to the United States.[2]
In the States, Boyle and her husband were victims of early 1950s McCarthyism. Her husband was dismissed by Roy Cohn from his post in the Public Affairs Division of the United States Department of State, and Boyle lost her position as foreign correspondent for The New Yorker, a post she had held for six years. She was blacklisted by most of the major magazines. During this period, her life and writing became increasingly political.
She and her husband were cleared by the United States Department of State in 1957.[5]
In the early 1960s, Boyle and her husband lived in Rowayton, Connecticut, where he taught at a private girls' school. He was then rehired by the State Department and posted to Iran, but died shortly thereafter in 1963.
Boyle was a writer in residence at the New York City Writer's Conference at Wagner College in 1962. In 1963, she accepted a creative writing position on the faculty of San Francisco State College, where she remained until 1979.[6]
During this period she became heavily involved in political activism. She traveled to Cambodia in 1966 as part of the "Americans Want to Know" fact-seeking mission. She participated in numerous protests, and in 1967 was arrested twice and imprisoned. In 1968, she signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War.[7] In her later years, she became an active supporter of Amnesty International and worked for the NAACP. After retiring from San Francisco State College, Boyle held several writer-in-residence positions for brief periods of time, including at Eastern Washington University in Cheney and the University of Oregon in Eugene.[citation needed]
She was one of the signatories of the agreement to convene a convention for drafting a world constitution.[8][9] As a result, for the first time in history, a World Constituent Assembly convened to draft and adopt the Constitution for the Federation of Earth.[10]
Boyle died at a retirement community in Mill Valley, California on December 27, 1992.[2]
In her lifetime Kay Boyle published more than 40 books, including 14 novels, eight volumes of poetry, 11 collections of short fiction, three children's books, and French to English translations and essays. Most of her papers and manuscripts are in the Morris Library at Southern Illinois University in Carbondale, Illinois. Morris Library has the Ruby Cohn Collection of Kay Boyle Letters and the Alice L. Kahler Collection of Kay Boyle Letters.[11] A comprehensive assessment of Boyle's life and work was published in 1986 titled Kay Boyle, Artist and Activist by Sandra Whipple Spanier. In 1994 Joan Mellen published a voluminous biography of Kay Boyle, Kay Boyle: Author of Herself.[12]
A member of the American Academy of Arts and Letters, in addition to her two O. Henry Awards, she received two Guggenheim Fellowships and in 1980 received the National Endowment for the Arts fellowship for "extraordinary contribution to American literature over a lifetime of creative work".[13]
Title | Publication | Collected in |
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"Passeres' Paris" | This Quarter 1.1 (Spring 1925) | - |
"Flight" | This Quarter 1.2 (Autumn 1925-Winter 1926) | - |
"Collation" | The Calendar of Modern Letters 3.3 (October 1926) | - |
"Summer" | London Calendar 4 (April 1927) | Short Stories |
"Theme" | transition 1 (April 1927) | |
"Portrait" | transition 3 (June 1927) | |
"Polar Bear and Others" | transition 6 (September 1927) | Wedding Day and Other Stories |
"Bitte Nehmen Sie Die Blumen" | transition 9 (December 1927) | Short Stories |
"Madame Tout Petit" | The Second American Caravan (September 1928) | Wedding Day and Other Stories |
"Vacation Time" | transition 14 (Fall 1928) | Short Stories |
"Uncle Anne" | Short Stories (March 1929) | |
"Spring Morning" | ||
"On the Run" | transition 16/17 (June 1929) | Wedding Day and Other Stories |
"Episode in the Life of an Ancestor" | Hound & Horn (Fall 1930) | |
"Wedding Day" | Wedding Day and Other Stories (November 1930) | |
"Letters of a Lady" | ||
"Kroy Wen" | Front 1.1 (December 1930) | The First Lover and Other Stories |
"Rest Cure" | Story (April-May 1931) | |
"The First Lover" | Harper's Magazine (June 1931) | |
"His Idea of a Mother" | Scribner's Magazine (July 1931) | |
"One of Ours" | The New Yorker (October 17, 1931) | |
"Christmas Eve" | The New Yorker (December 26, 1931) | - |
"Black Boy" | The New Yorker (May 14, 1932) | The First Lover and Other Stories |
"The Man Who Died Young" | The Yale Review (June 1932) | |
"To the Pure" | Scribner's Magazine (June 1932) | |
"Friend of the Family" | Harper's Magazine (September 1932) | |
"Three Little Men" | The Criterion (October 1932) | |
"Lydia and the Ring Doves" | Vanity Fair (November 1932) | |
"The Art Colony" | The New Yorker (December 10, 1932) | |
"I Can't Get Drunk" | Contempo (December 15, 1932) | |
"The Meeting of the Stones" | The First Lover and Other Stories (March 1933) | |
"Convalescence" | Story (April 1933) | The White Horses of Vienna |
"White as Snow" | The New Yorker (August 5, 1933) | |
"Life Being the Best" | Harper's Magazine (November 1933) | |
"Keep Your Pity" | Brooklyn Eagle (November 26, 1933) | |
"Peter Foxe" | Harper's Bazaar (December 1933) | |
"Natives Don't Cry" | The American Mercury (March 1934) | |
"Career" | Direction 1.1 (Autumn 1934) | |
"Maiden, Maiden" | Harper's Bazaar (December 1934) | |
"First Offense" | The New Yorker (January 5, 1935) | |
"The White Horses of Vienna" | Harper's Magazine (April 1935) | |
"Count Lothar's Heart" | Harper's Bazaar (May 1935) | |
"I'm Ready to Drop Dead" | The New Yorker (July 6, 1935) | - |
"Winter in Italy" | The New Yorker (November 23, 1935) | The White Horses of Vienna |
"Major Alshuster" | Harper's Magazine (December 1935) | |
"Astronomer's Wife" | The London Mercury (December 1935) | |
"Venezuela" | The Dubuque Dial (December 1935) | 365 Days |
"Portugal" | ||
"March the Eleventh (Tasmania)" | Caravel 4 (1935) | |
"July the Twenty-Seventh (Austria)" | ||
"Security" | The New Yorker (January 25, 1936) | The White Horses of Vienna |
"Your Body is a Jewel Box" | New Writers 1.2 (February 1936) | |
"Rondo at Carraroe" | The Spectator (February 28, 1936) | |
"Dear Mr. Walrus" | The White Horses of Vienna (February 1936) | |
"How Bridie's Girl Was Won" | Harper's Magazine (March 1936) | Thirty Stories |
"January the Eighth (Derry)" | Caravel 5 (March 1936) | 365 Days |
"Volunteer" | The New Yorker (May 16, 1936) | - |
(remaining pieces) | 365 Days (November 1936) | 365 Days |
"The Herring Piece" | The New Yorker (April 10, 1937) | Thirty Stories |
"The Baron and the Chemist" | The New Yorker (February 26, 1938) | - |
"The Story I Wanted to Tell You" | transition 27 (April-May 1938) | - |
"Life Sentence" | Harper's Bazaar (June 1938) | - |
"The Bridegroom's Body" | The Southern Review 4.1 (Summer 1938) | The Crazy Hunter |
"The Taxi Ride" | Seven 2 (Autumn 1938) | - |
"War in Paris" | The New Yorker (November 26, 1938) | - |
"Ben" | The New Yorker (December 24, 1938) | Thirty Stories |
"Anschluss" | Harper's Magazine (April 1939) | Nothing Ever Breaks Except the Heart |
"Listen Munich" | The New Yorker (August 19, 1939) | - |
"Big Fiddle" | The Phoenix (Autumn 1938, Spring 1939 & Autumn 1939) | The Crazy Hunter |
"Second Generation" | Seven 6 (Autumn 1939) | - |
"Mrs. Carrigan's Daughter" | Kingdom Come 1.1 (November 1939) | - |
"The Crows" | Kingdom Come 1.2 (December 1939-January 1940) | - |
"Poor Monsieur Panalitus" | The New Yorker (January 20, 1940) | - |
"Diplomat's Wife" | Harper's Bazaar (February 1940) | Thirty Stories |
"The Crazy Hunter" | The Crazy Hunter (March 1940) | The Crazy Hunter |
"Germans" | Kingdom Come 1.3 (Spring 1940) | - |
"Effigy of War" | The New Yorker (May 25, 1940) | Thirty Stories |
"A Blackout" | Harper's Bazaar (July 1940) | - |
"Major Engagement in Paris" | The American Mercury (August 1940) | Thirty Stories |
"They Weren't Going to Die" | The New Yorker (October 12, 1940) | |
"T'en Fais Pas" | Harper's Bazaar (December 1940) | - |
"Men" | Harper's Bazaar (February 1941) | Thirty Stories |
"Defeat" | The New Yorker (May 17, 1941) | |
"Nothing Ever Breaks Except the Heart" | The New Yorker (October 4, 1941) | Nothing Ever Breaks Except the Heart |
"Let There Be Honour" | The Saturday Evening Post (November 8, 1941) | Thirty Stories |
"Wanderer" | Accent 2.2 (Winter 1942) | - |
"Their Name Is Macaroni" | The New Yorker (January 3, 1942) | Thirty Stories |
"The Eternal Train" | Harper's Bazaar (June 1942) | - |
"Hilaire and the Maréchal Pétard" | Harper's Magazine (August 1942) | Thirty Stories |
"This They Took With Them" aka "This They Carried With Them" | Harper's Bazaar (October 1942) | |
"Frenchman's Ship" | The Saturday Evening Post (November 21, 1942) | Nothing Ever Breaks Except the Heart |
"Cairo Street" | Accent 3.2 (Winter 1943) | - |
"The Canals of Mars" | Harper's Bazaar (February 1943) | Thirty Stories |
"The Little Distance" | The Saturday Evening Post (March 6, 1943) | Nothing Ever Breaks Except the Heart |
"The Loneliest Man in the U.S. Army" | Woman's Home Companion (July 1943) | Thirty Stories |
"Last Aviator Left Flying" | American Magazine (December 1943) | - |
"Luck for the Road" | Woman's Home Companion (January 1944) | Nothing Ever Breaks Except the Heart |
"The Ships Going to Glory" | The Saturday Evening Post (August 5, 1944) | - |
"Hotel Behind the Lines" | The Nation (June 9 & 16, 1945) | Nothing Ever Breaks Except the Heart |
"Winter Night" | The New Yorker (January 19, 1946) | Thirty Stories |
"The Miracle Goat" | Woman's Home Companion (January 1947) | - |
"Army of Occupation" | The New Yorker (June 7, 1947) | Nothing Ever Breaks Except the Heart |
"One Small Diamond Please" | Woman's Home Companion (August 1947) | - |
"Dream Dance" | The Saturday Evening Post (December 13, 1947) | - |
"The Searching Heart" | Woman's Home Companion (January 1948) | - |
"French Harvest" | Tomorrow (May 1948) | Nothing Ever Breaks Except the Heart |
"Decision" aka "Passport to Doom" | The Saturday Evening Post (May 15, 1948) | Three Short Novels |
"Evening at Home" | The New Yorker (October 9, 1948) | Nothing Ever Breaks Except the Heart |
"The Criminal" | The New Yorker (March 5, 1949) | The Smoking Mountain: Stories of Postwar Germany |
"Begin Again" | The New Yorker (May 7, 1949) | |
"Summer Evening" | The New Yorker (June 25, 1949) | |
"Adam's Death" | The New Yorker (September 10, 1949) | |
"Fife's House" | The New Yorker (October 15, 1949) | |
"Frankfurt in Our Blood" | The Nation (October 15, 1949) | |
"The Lovers of Gain" | The Nation (June 24, 1950) | |
"A Disgrace to the Family" | The Saturday Evening Post (September 23, 1950) | Nothing Ever Breaks Except the Heart |
"Home" | Harper's Magazine (January 1951) | The Smoking Mountain: Stories of Postwar Germany |
"The Lost" | Tomorrow (March 1951) | |
"Cabaret" | Tomorrow (April 1951) | |
"Aufwiedersehen Abend" | Harper's Magazine (April 1951) | |
"Diagnosis of a Selfish Lady" | The Saturday Evening Post (April 5, 1952) | - |
"The Soldier Ran Away" | The Saturday Evening Post (February 28, 1953) | Nothing Ever Breaks Except the Heart |
"The Daring Impersonation" | The Saturday Evening Post (August 8-15, 1953) | - |
"Fear" | New Statesman and Nation (September 25, 1954) | - |
"Carnival of Fear" | The Saturday Evening Post (December 11, 1954) | - |
"A Puzzled Race" | The Nation (June 4, 1955) | Nothing Ever Breaks Except the Heart |
"The Kill" | Harper's Magazine (August 1955) | |
"Should Be Considered Extremely Dangerous" | Story (January-February 1963) | |
"The Ballet of Central Park" | The Saturday Evening Post (November 28, 1964) | |
"One Sunny Morning" | The Saturday Evening Post (July 3, 1965) | |
"You Don't Have to Be a Member of the Congregation" | Liberation 11.2 (April 1966) | Nothing Ever Breaks Except the Heart |
"The Wild Horses" | The Saturday Evening Post (April 9, 1966) | - |
"Fire in the Vineyards" | Nothing Ever Breaks Except the Heart (June 1966) | Nothing Ever Breaks Except the Heart |
"Seven Say You Can Hear Corn Grow" | ||
"A Christmas Carol for Harold Ross" | ||
"Nolo Contendere" | Antaeus 13/14 (Spring/Summer 1974) | - |
"St. Stephen's Green" | The Atlantic (June 1980) | - |