Julius Shulman
American architectural photographer / From Wikipedia, the free encyclopedia
Dear Wikiwand AI, let's keep it short by simply answering these key questions:
Can you list the top facts and stats about Julius Shulman?
Summarize this article for a 10 year old
Julius Shulman (October 10, 1910 – July 15, 2009) was an American architectural photographer best known for his photograph "Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect." The house is also known as the Stahl House. Shulman's photography spread the aesthetic of California's Mid-century modern architecture around the world. Through his many books, exhibits and personal appearances his work ushered in a new appreciation for the movement beginning in the 1990s.
Julius Shulman | |
---|---|
Born | (1910-10-10)October 10, 1910 Brooklyn, New York, United States |
Died | July 15, 2009(2009-07-15) (aged 98) Los Angeles, California, United States |
Occupation(s) | Architectural photographer, environmentalist |
Years active | 1936–2009 |
Spouse(s) | Emma (1937–1973, her death); Olga (1976–1999, her death)[1] |
Children | 1 |
His vast library of images currently resides at the Getty Center in Los Angeles. His contemporaries include Ezra Stoller and Hedrich Blessing Photographers. In 1947, Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills.[2]
Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friends, Richard Neutra and Raphael Soriano, was first brought to wider attention by Shulman's photography. The clarity of his work added to the idea that architectural photography be considered as an independent art form in which perception and understanding for the buildings and their place in the landscape informs the photograph.
Many of the buildings photographed by Shulman have since been demolished or re-purposed, lending to the popularity of his images.