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2008 American television miniseries chronicling US President John Adams's political life From Wikipedia, the free encyclopedia
John Adams is a 2008 American television miniseries chronicling U.S. Founding Father and president John Adams's political life and his role in the founding of the United States. The miniseries was directed by Tom Hooper and starred Paul Giamatti in the title role. Kirk Ellis wrote the screenplay based on the 2001 book John Adams by David McCullough.
John Adams | |
---|---|
Based on | John Adams by David McCullough |
Written by | Kirk Ellis |
Directed by | Tom Hooper |
Starring | Paul Giamatti Laura Linney Stephen Dillane David Morse Tom Wilkinson Danny Huston Rufus Sewell Justin Theroux Guy Henry |
Theme music composer | Robert Lane Joseph Vitarelli |
Country of origin | United States |
Original language | English |
No. of episodes | 7 |
Production | |
Executive producers | Tom Hanks Gary Goetzman |
Producers | David Coatsworth Steve Shareshian |
Running time | 501 minutes |
Production companies | HBO Films High Noon Productions Playtone Mid Atlantic Films |
Budget | $100 million[1] |
Original release | |
Network | HBO |
Release | March 16 – April 27, 2008 |
The biopic of Adams and the story of the first 50 years of the United States was broadcast in seven parts by HBO between March 16 and April 20, 2008. John Adams received widespread critical acclaim and many prestigious awards. The show won four Golden Globe awards and thirteen Emmy awards, more than any other miniseries in history.
In 1770 John Adams is a respected lawyer in his mid-30s known for his dedication to the law and justice. After the Boston Massacre happens, Adams arrives at the scene and is subsequently sought as a defense counsel for the soldiers involved by their commander, Captain Thomas Preston, who asks him to defend them in court. Reluctant at first, he agrees despite knowing this will antagonize his neighbors and friends. Adams is depicted to have taken the case because he believed everyone deserves a fair trial and he wanted to uphold the standard of justice.
Adams' cousin Samuel Adams is one of the main colonists opposed to the Intolerable Acts passed by the Parliament of Great Britain. He is one of the executive members of the Sons of Liberty, an organization dedicated to resisting the acts. Adams is depicted as a studious man doing his best to defend his clients. The show also illustrates Adams' appreciation and respect for his wife, Abigail. In one scene, Adams is shown having his wife proofread his summation as he takes her suggestions. After many sessions in court, the jury returns a verdict of not guilty of murder for each defendant, thanks to Adams' arguments. Additionally, the episode illustrates the growing tension over the Intolerable Acts, and Adams' election to the First Continental Congress.
The second episode covers the disputes among the members of the Second Continental Congress toward declaring independence from Great Britain as well as the final drafting of the Declaration of Independence. At the Continental Congresses Adams is depicted as the lead advocate for independence. He is in the vanguard in establishing that there is no other option than to break off and declare independence. He is also instrumental in the selection of then-Colonel George Washington as the new head of the Continental Army.
However, in his zeal for immediate action, he manages to alienate many of the other Founding Fathers, going so far as to insult John Dickinson, who is for conciliation to the Crown, implying that the man suffers from a religiously based moral cowardice. Later, Benjamin Franklin quietly chastens Adams, saying it is "perfectly acceptable to insult a man in private. He may even thank you for it afterwards. But when you do it in public, they tend to think you are serious." This points out Adams' primary flaw: his bluntness and lack of gentility toward his political opponents, one that would make him many enemies and which would eventually plague his political career. It would also, eventually, contribute to historians' disregard for his many achievements. The episode also shows how Abigail copes with issues at home as her husband was away much of the time participating in the Continental Congress. She employs the use of then pioneer efforts in the field of preventative medicine and inoculation against smallpox for herself and the children.
In Episode 3, Adams travels to Europe with his young son John Quincy during the Revolutionary War seeking alliances with foreign nations, during which the ship transporting them battles a British frigate. It first shows Adams' embassy with Benjamin Franklin in the court of Louis XVI of France. The old French nobility, who are in the last decade before being consumed by the French Revolution, are portrayed as effete and decadent. They meet cheerfully with Franklin, seeing him as a romantic figure, little noting the democratic infection he brings with him. Adams, on the other hand, is a plain spoken and faithful man, who finds himself out of his depth surrounded by an entertainment- and sex-driven culture among the French elite. Adams finds himself at sharp odds with Benjamin Franklin, who has adapted himself to the French, seeking to obtain by seduction what Adams would gain through histrionics. Franklin sharply rebukes Adams for his lack of diplomatic acumen, describing it as a "direct insult followed by a petulant whine". Franklin soon has Adams removed from any position of diplomatic authority in Paris. His approach is ultimately successful and was to result in the conclusive Franco-American victory at Yorktown.
Adams, chastened and dismayed but learning from his mistakes, then travels to the Dutch Republic to obtain monetary support for the Revolution. Although the Dutch agree with the American cause, they do not consider the new union a reliable and credit-worthy client. Adams ends his time in the Netherlands in a state of progressive illness, having sent his son away as a diplomatic secretary to the Russian Empire.
The fourth episode shows John Adams being notified of the end of the Revolutionary War and the defeat of the British. He is then sent to Paris to negotiate the Treaty of Paris in 1783. While overseas, he spends time with Benjamin Franklin and Thomas Jefferson and Abigail visits him. Franklin informs John Adams that he was appointed as the first American Ambassador to Great Britain and thus has to relocate to London. John Adams is poorly received by the British during this time—he is the representative for a recently hostile power, and represents in his person what many British at the time regarded as a disastrous end to its early Empire. He meets with his former sovereign, George III, and while the meeting is not a disaster, he is excoriated in British newspapers. In 1789, he returns to Massachusetts for the first presidential election and he and Abigail are reunited with their children, now grown. George Washington is elected the first President of the United States and John Adams as the first Vice President.
Initially, Adams is disappointed and wishes to reject the post of Vice President because he feels there is a disproportionate number of electoral votes in favor of George Washington (Adams' number of votes pales in comparison to those garnered by Washington). In addition, John feels the position of Vice President is not a proper reflection of all the years of service he has dedicated to his nation. However, Abigail successfully influences him to accept the nomination.
The fifth episode begins with Vice President John Adams presiding over the Senate and the debate over what to call the new president. It depicts Adams as frustrated in this role: His opinions are ignored and he has no actual power, except in the case of a tied vote. He's excluded from George Washington's inner circle of cabinet members, and his relationships with Thomas Jefferson and Alexander Hamilton are strained. Even Washington himself gently rebukes him for his efforts to "royalize" the office of the Presidency, although Washington values Adams' counsel in other areas, considering him to be "reasonable company" when compared with Jefferson and Hamilton. A key event shown is the struggle to enact the Jay Treaty with Britain, which Adams himself must ratify before a deadlocked Senate (although historically his vote was not required). The episode concludes with his inauguration as the second president—and his subsequent arrival in a plundered executive mansion.
The sixth episode covers Adams's term as president and the rift between the Hamilton-led Federalists and Jefferson-led Republicans. Adams's neutrality pleases neither side and often angers both. His shaky relationship with vice president Thomas Jefferson worsens after taking defensive actions against the French Republic because of failed diplomatic attempts and the signing of the Alien and Sedition Acts. Adams also alienates himself from the anti-French Alexander Hamilton after taking all actions possible to prevent a war with France. He disowns his son Charles, who soon dies as an alcoholic vagrant. Adams sees success late in his presidency with his campaign of preventing a war with France, but his success is clouded after losing the presidential election of 1800. After receiving so much bad publicity while in office, Adams loses the election against his vice-president, Thomas Jefferson, and runner-up Aaron Burr (both from the same party). Adams leaves the Presidential Palace (now known as the White House) in March 1801 and retires to his personal life in Massachusetts.
The final episode covers Adams's retirement years. His home life at Peacefield is full of pain and sorrow as his daughter, Nabby, dies of breast cancer and Abigail succumbs to typhoid fever. Adams does live to see the election of his son, John Quincy, as president, but is too ill to attend the inauguration. Adams and Jefferson are reconciled through correspondence in their last years. Both die hours apart on July 4, 1826, the 50th anniversary of the Declaration of Independence. Jefferson and Adams were 83 and 90 respectively.
The 110-day shoot took place from 23 February to August 2007 in Colonial Williamsburg, Virginia; Richmond, Virginia; and Budapest, Hungary.[2][3] Some European scenes were shot in Keszthely, Sóskút, Fertőd and Kecskemét, Hungary.[4] [5]
A Continental Army war room was filmed in the Robert Carter house in Virginia. Williamsburg's Public Hospital was in the background of the tent encampment of the Continental Army which Adams visited in the winter of 1776, which was replicated using special-effects snow. The College of William and Mary's Wren Building represented a Harvard interior. Scenes were also filmed at the Governor's Palace.[6]
Sets, stage space, backlot and production offices were housed in an old Mechanicsville AMF warehouse in Richmond, Virginia. Some street scenes with cobblestone pavements and colonial storefronts were shot in historic neighborhoods of Washington, D.C., Boston, and Philadelphia. Countryside surrounding Richmond in Hanover County and Powhatan County was chosen to represent areas surrounding early Boston, New York, and Philadelphia.[7][8]
The critical reception to the miniseries was predominantly positive. On review aggregator Rotten Tomatoes, the series has a rating of 82% based on 37 reviews, with an average rating of 8.56/10. The website's critics consensus reads: "Elegantly shot and relatively educational, John Adams is a worthy addition to the genre -- though its casting leaves something to be desired."[9] Metacritic assigned the series a weighted average score of 78 out of 100, based on 27 critics, indicating "generally favorable reviews".[10]
Ken Tucker of Entertainment Weekly rated the miniseries A−,[11] and Matt Roush of TV Guide praised the lead performances of Paul Giamatti and Laura Linney.[12] David Hinckley of the New York Daily News felt John Adams "is, quite simply, as good as TV gets ... Best of all are two extraordinary performances at the center: Paul Giamatti as Adams and Laura Linney as his wife, Abigail ... To the extent that John Adams is a period piece, it isn't quite as lush as, say, some BBC productions. But it looks fine, and it feels right, and sometimes what's good for you can also be just plain good."[13]
Alessandra Stanley of The New York Times had mixed feelings. She said the miniseries has "a Masterpiece Theatre gravity and takes a more somber, detailed and sepia-tinted look at the dawn of American democracy. It gives viewers a vivid sense of the isolation and physical hardships of the period, as well as the mores, but it does not offer significantly different or deeper insights into the personalities of the men — and at least one woman — who worked so hard for liberty ... [It] is certainly worthy and beautifully made, and it has many masterly touches at the edges, especially Laura Linney as Abigail. But Paul Giamatti is the wrong choice for the hero ... And that leaves the mini-series with a gaping hole at its center. What should be an exhilarating, absorbing ride across history alongside one of the least understood and most intriguing leaders of the American Revolution is instead a struggle."[14]
Among those unimpressed with the miniseries were Mary McNamara of the Los Angeles Times[15] and Tim Goodman of the San Francisco Chronicle.[16] Both cited the miniseries for poor casting and favoring style over storytelling.
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2008 |
Artios Awards | Outstanding Achievement in Casting – Mini Series | Kathleen Chopin | Won | [17] |
Golden Nymph Awards | Best Mini Series | Won | [18] | ||
Outstanding Actor – Mini Series | Paul Giamatti | Won | |||
Danny Huston | Nominated | ||||
David Morse | Nominated | ||||
Tom Wilkinson | Nominated | ||||
Hollywood Post Alliance Awards | Outstanding Audio Post – Television | Marc Fishman, Tony Lamberti, Stephen Hunter Flick, and Vanessa Lapato (for "Don't Tread on Me) |
Nominated | [19] | |
Humanitas Prize | 60 Minute Network or Syndicated Television | Kirk Ellis (for "Join or Die") | Won | [20] | |
International Film Music Critics Association Awards | Best Original Score for Television | Robert Lane and Joseph Vitarelli | Won | [21] | |
Online Film & Television Association Awards | Best Miniseries | Won | [22] | ||
Best Actor in a Motion Picture or Miniseries | Paul Giamatti | Won | |||
Best Actress in a Motion Picture or Miniseries | Laura Linney | Nominated | |||
Best Supporting Actor in a Motion Picture or Miniseries | Stephen Dillane | Nominated | |||
Željko Ivanek | Nominated | ||||
Best Direction of a Motion Picture or Miniseries | Tom Hooper | Won | |||
Best Writing of a Motion Picture or Miniseries | Kirk Ellis and Michelle Ashford | Nominated | |||
Best Ensemble in a Motion Picture or Miniseries | Won | ||||
Best Costume Design in a Motion Picture or Miniseries | Nominated | ||||
Best Editing in a Motion Picture or Miniseries | Won | ||||
Best Lighting in a Motion Picture or Miniseries | Nominated | ||||
Best Makeup/Hairstyling in a Motion Picture or Miniseries | Won | ||||
Best Music in a Motion Picture or Miniseries | Won | ||||
Best Production Design in a Motion Picture or Miniseries | Nominated | ||||
Best Sound in a Motion Picture or Miniseries | Nominated | ||||
Best Visual Effects in a Motion Picture or Miniseries | Won | ||||
Primetime Emmy Awards | Outstanding Miniseries | Tom Hanks, Gary Goetzman, Kirk Ellis, Frank Doelger, David Coatsworth, and Steven Shareshian |
Won | [23] | |
Outstanding Lead Actor in a Miniseries or a Movie | Paul Giamatti | Won | |||
Outstanding Lead Actress in a Miniseries or a Movie | Laura Linney | Won | |||
Outstanding Supporting Actor in a Miniseries or a Movie | Stephen Dillane | Nominated | |||
David Morse | Nominated | ||||
Tom Wilkinson | Won | ||||
Outstanding Directing for a Miniseries, Movie or Dramatic Special | Tom Hooper | Nominated | |||
Outstanding Writing for a Miniseries, Movie or Dramatic Special | Kirk Ellis (for "Independence") | Won | |||
Primetime Creative Arts Emmy Awards | Outstanding Art Direction for a Miniseries or Movie | Gemma Jackson, David Crank, Christina Moore, Kathy Lucas, and Sarah Whittle |
Won | ||
Outstanding Casting for a Miniseries, Movie or Special | Kathleen Chopin, Nina Gold, and Tracy Kilpatrick |
Won | |||
Outstanding Cinematography for a Miniseries or Movie | Tak Fujimoto (for "Independence") | Won | |||
Tak Fujimoto and Danny Cohen (for "Don't Tread on Me") |
Nominated | ||||
Outstanding Costumes for a Miniseries, Movie or a Special | Donna Zakowska, Amy Andrews Harrell, and Clare Spragge (for "Reunion") |
Won | |||
Outstanding Hairstyling for a Miniseries or a Movie | Jan Archibald and Loulia Sheppard | Nominated | |||
Outstanding Makeup for a Miniseries or a Movie (Non-Prosthetic) | Trefor Proud and John R. Bayless | Nominated | |||
Outstanding Prosthetic Makeup for a Series, Miniseries, Movie or a Special | Trefor Proud, John R. Bayless, Christopher Burgoyne, and Matthew W. Mungle |
Won | |||
Outstanding Music Composition for a Miniseries, Movie or Special (Original Dramatic Score) |
Robert Lane (for "Independence") | Nominated | |||
Outstanding Single-Camera Picture Editing for a Miniseries or a Movie | Melanie Oliver (for "Independence") | Nominated | |||
Outstanding Sound Editing for a Miniseries, Movie or a Special | Stephen Hunter Flick, Vanessa Lapato, Kira Roessler, Curt Schulkey, Randy Kelley, Ken Johnson, Paul Berolzheimer, Dean Beville, Bryan Bowen, Patricio Libenson, Solange S. Schwalbe, David Fein, Hilda Hodges, and Alex Gibson (for "Don't Tread on Me") |
Won | |||
Jon Johnson, Bryan Bowen, Kira Roessler, Vanessa Lapato, Eileen Horta, Virginia Cook McGowan, Samuel C. Crutcher, Mark Messick, Martin Maryska, Greg Stacy, Patricio Libenson, Solange S. Schwalbe, David Fein, Hilda Hodges, and Nicholas Vitarelli (for "Unnecessary War") |
Nominated | ||||
Outstanding Sound Mixing for a Miniseries or a Movie | Jay Meagher, Marc Fishman, and Tony Lamberti (for "Don't Tread on Me") |
Won | |||
Jay Meagher, Michael Minkler, and Bob Beemer (for "Join or Die") |
Nominated | ||||
Outstanding Special Visual Effects for a Miniseries, Movie or a Special | Erik Henry, Jeff Goldman, Paul Graff, Steve Kullback, Christina Graff, David Van Dyke, Robert Stromberg, Edwardo Mendez, and Ken Gorrell (for "Join or Die") |
Won | |||
Satellite Awards | Best Miniseries | Nominated | [24] | ||
Best Actor in a Miniseries or Motion Picture Made for Television | Paul Giamatti | Won | |||
Best Actress in a Miniseries or Motion Picture Made for Television | Laura Linney | Nominated | |||
Best Actress in a Supporting Role in a Series, Miniseries or Motion Picture Made for Television |
Sarah Polley | Nominated | |||
Television Critics Association Awards | Program of the Year | Nominated | [25] | ||
Outstanding Achievement in Movies, Miniseries and Specials | Won | ||||
Individual Achievement in Drama | Paul Giamatti | Won | |||
2009 |
American Cinema Editors Awards | Best Edited Miniseries or Motion Picture for Non-Commercial Television | Melanie Oliver (for "Independence") | Nominated | [26] |
American Film Institute Awards | Top 10 Television Programs | Won | [27] | ||
Art Directors Guild Awards | Excellence in Production Design Award – Television Movie or Mini-series | Gemma Jackson, David Crank, Christina Moore, John P. Goldsmith, Tibor Lázár, Dan Kuchar, Michael H. Ward, Ted Haigh, Richard Salinas, Kathy Lucas, and Sarah Whittle |
Won | [28] | |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Movies and Miniseries | Jay Meagher, Marc Fishman, and Tony Lamberti (for "Don't Tread on Me") |
Nominated | [29] | |
Jay Meagher, Michael Minkler, and Bob Beemer (for "Independence") |
Nominated | ||||
Jay Meagher, Michael Minkler, and Bob Beemer (for "Join or Die") |
Won | ||||
Costume Designers Guild Awards | Outstanding Made for Television Movie or Miniseries | Donna Zakowska | Won | [30] | |
Critics' Choice Awards | Best Picture Made for Television | Won | [31] | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Movies for Television or Miniseries | Tom Hooper | Nominated | [32] | |
Golden Globe Awards | Best Miniseries or Television Film | Won | [33] | ||
Best Actor – Miniseries or Television Film | Paul Giamatti | Won | |||
Best Actress – Miniseries or Television Film | Laura Linney | Won | |||
Best Supporting Actor – Series, Miniseries or Television Film | Tom Wilkinson | Won | |||
Gracie Awards | Outstanding Female Lead – Drama Special | Laura Linney | Won | [34] | |
Movieguide Awards | Faith & Freedom Award for Television | Won[lower-alpha 1] | [35] | ||
Producers Guild of America Awards | David L. Wolper Award for Outstanding Producer of Long-Form Television | David Coatsworth, Frank Doelger, Gary Goetzman, Tom Hanks, and Steven Shareshian |
Won | [36] | |
Screen Actors Guild Awards | Outstanding Performance by a Male Actor in a Miniseries or Television Movie | Paul Giamatti | Won | [37] | |
Tom Wilkinson | Nominated | ||||
Outstanding Performance by a Female Actor in a Miniseries or Television Movie | Laura Linney | Won | |||
Visual Effects Society Awards | Outstanding Visual Effects in a Broadcast Miniseries, Movie, or Special | Steve Kullback, Eric Henry, Robert Stromberg, and Jeff Goldman (for "Join or Die") |
Won | [38] | |
Outstanding Created Environment in a Broadcast Program or Commercial | Paul Graff, Robert Stromberg, and Adam Watkins (for "Join or Die" – Boston Harbor) |
Won | |||
Outstanding Compositing in a Broadcast Program or Commercial | Paul Graff, Joshua LaCross, and Matt Collorafice (for "Join or Die" – Boston Harbor) |
Won | |||
Writers Guild of America Awards | Long Form – Adaptation | Kirk Ellis (for "Join or Die" and "Independence"); Based on the book by David McCullough |
Won | [39] | |
Young Artist Awards | Best Performance in a TV Movie, Miniseries or Special – Supporting Young Actor |
Steven Hinkle | Nominated | [40] | |
2019 |
Online Film & Television Association Awards | Hall of Fame – Television Programs | Inducted | [41] | |
The score for the miniseries was composed by Robert Lane and Joseph Vitarelli. Lane wrote the main theme and scored "Join or Die," "Independence," "Unite or Die" and "Peacefield," with Vitarelli doing "Don't Tread on Me," "Reunion" and "Unnecessary War." The two composers worked independently of each other, with Lane writing and recording his segments in London and Vitarelli in Los Angeles. There are also pieces by classical composers, including Mozart, Boccherini, Gluck, Handel and Schubert.[42] The soundtrack was released on the Varèse Sarabande label.
The series deviates from David McCullough's book on several occasions, using creative license throughout.[43]
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