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English blues singer and guitarist From Wikipedia, the free encyclopedia
Jo Ann Kelly (5 January 1944 – 21 October 1990) was an English blues singer and guitarist. She is respected for her strong blues vocal style and for playing country blues guitar.
Jo Ann Kelly | |
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Background information | |
Born | Streatham, South London, England | 5 January 1944
Died | 21 October 1990 46) | (aged
Genres | Blues |
Instrument(s) | Singer, Six and 12-string guitar, bottleneck guitar |
Years active | 1962–1990 |
Labels |
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Kelly was born in Streatham, South London, England on 5 January 1944.[1][2] She had two younger siblings, Susan and Dave. Her early interest in performing music grew out of hearing the Everly Brothers, Elvis Presley, Little Richard and skiffle in the late 1950s.[2][3][4] She learned three or four guitar chords from her brother, Dave Kelly.[2]
She appeared on several compilation albums with her first in 1966 being New Sounds In Folk and then two years later on Blues Anytime Vol. 1: An Anthology Of British Blues (1968) Immediate Records before releasing her first solo album titled Jo-Ann Kelly (1969), this was issued on CBS in the UK and Epic Records in the US. She was also a core member of the band Tramp along with her brother Dave Kelly.
Jo-Ann and Dave Kelly helped raise donations for Memphis Minnie in the 1960s.[5]
Canned Heat and Johnny Winter both tried to recruit Kelly, but she preferred to stay in the United Kingdom. She expanded to the European club circuit, where she worked with guitarist Pete Emery and other bands. In the early 1980s, she was a member of the Terry Smith Blues Band.[6]
In 1988, Kelly began to suffer from headaches.[7] In 1989 she had an operation to remove a malignant brain tumour.[8] She died on 21 October 1990 in England, aged 46.[9]
Obituaries for Kelly appeared in major UK newspapers, including The Independent,[10] The Times,[1] and The Guardian.[11] Remembrances and obituaries also appeared in contemporary Blues magazines such as Blues & Rhythm[12] and the British Blues Review[13]
The obituary in The Independent remarked, "To many American performers Jo Ann Kelly was the only British singer to earn their respect for her development of what they would be justified in thinking as 'their' genre".[10]
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