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Jane Henriot (born Jeanne Angèle Grossin; 28 April 1878 – 8 March 1900)[1] was an actress at the Comédie-Française and a model for the French artist Pierre-Auguste Renoir posing in Fillette au chapeau bleu (English: Little girl in blue hat) in 1881 when she was a child. She died having suffocated and asphyxiated in an explosion and fire at the Comédie-Française having tried to save her little dog.
Jane Henriot | |
---|---|
Born | Jeanne Angèle Grossin 28 April 1878[1] 21 rue de la Tour d'Auvergne, 9th arrondissement of Paris |
Died | 8 March 1900 21)[1] | (aged
Cause of death | Suffocated and asphyxiated due to fire |
Burial place | Passy Cemetery, 16th arrondissement of Paris[1] 48°51′45″N 2°17′07″E |
Nationality | French |
Education | Conservatoire de musique et de déclamation |
Occupation(s) | Actress and model |
Known for | Actress in Comédie-Française |
Partner | Charles le Bargy |
Mother | Marie Henriette Alphonsine Grossin |
Henriot was born in 21 Rue de la Tour-d'Auvergne, 9th arrondissement of Paris, Île-de-France, France. Her mother Marie Henriette Alphonsine Grossin was also an actress and model for Renoir. Henriot used the same surname as a stage name as her mother, who was known as Henriette Henriot.
She studied at the Conservatoire d’art dramatique de Paris.[2] where she became the mistress of actor and director Charles le Bargy,[2] who was her professor at the time.[2] He eventually left her to marry Madame Simone, who was no happier with her than he had been with Henriot.[3]
Henriot posed for the French artist Pierre-Auguste Renoir in the painting Fillette au chapeau bleu (English: Little girl in blue hat) in 1881 when she was still a child.[4]
Henriot made her debut at the Comédie-Française as a leading actress as Myrtha in La Douceur de croire by Jacques Normand on 8 July 1899.[2] Le Monde artiste remarked Henriot was a "little dreamlike and charming infant whose sweet voice made one think of the chirping of birds, a delicious creature, very cute in its juvenile grace" (March 11, 1900, p. 156). She was loved by both the public and critics.
Plays that Henriot acted in at the Comédie-Française from 8 July 1899:
Just before noon on 8 March 1900, after a matinee where she was playing the role of the confidant Zaïde in Jean Racine's play Bajazet at the Comédie-Française, an explosion and fire broke out.[5] Henriot was on the fourth floor of the theater.[4] Her dresser had a better knowledge of place and could find her own way out and through a window.[4] Mary Marquet told her to get out of the fire, however Henriot was trying to find her little dog, which was a gift from Le Bargy, whom she had recently broken-up with.[4] Henriot was still wandered around the building when she died of asphyxiation.[4] Her body was later found, but it was unrecognisable, her face blackened, burnt hair and body convulsed.[4] Her mother identified the body in the morgue.[4]
Two days later, a large crowd gathered at her funeral, and the convoy passed through Paris to the church of Saint-Honoré-d'Eylau, the Montmartre cemetery.[4] Shortly after her death, the Comédie-Française wanted a portrait of Henriot.[2] On the advice of her mother, they gave the portrait painter Carolus-Duran the task of making a portrait of Henriot, having previous painted another actress Jeanne Samary in 1885.[2] Carolus-Duran had known Henriot and was inspired by the photographs taken by Reutlinger, which were published on postcards.[2]
A year after her death on 8 March 1901, a memorial service was held in Saint-Roch, Paris,[4] where her friends went to her tomb which was sculpted by Denys Puech above a white marble monument by the architect Marcel Dourgnon with the following words having been engraved on the base of the tomb: "À Jane Henriot, la Comédie-Française" (English: To Jane Henriot, the French-Comedy),[4] with an inscription taken from an article by Émile Faguet: ...Elle est venue, Elle a souri, Elle a passé! (English: She came, She smiled, She has passed!)[4]
Paintings and photographs of Henriot
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Henriot's death and funeral
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