Here Come the Brides
American television series From Wikipedia, the free encyclopedia
American television series From Wikipedia, the free encyclopedia
Here Come the Brides is an American comedy Western television series from Screen Gems that aired on the ABC television network from September 25, 1968, to April 3, 1970. It was loosely based on Asa Mercer's efforts in the 1860s to import marriageable women (the Mercer Girls) from the East Coast cities of the United States to Seattle, where there was a shortage.
| Here Come the Brides | |
|---|---|
Joan Blondell as Lottie | |
| Genre | |
| Starring | |
| Theme music composer |
|
| Opening theme | "Seattle" |
| Composers | |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 2 |
| No. of episodes | 52 |
| Production | |
| Camera setup | Single-camera |
| Running time | 60 minutes |
| Production company | Screen Gems Television |
| Original release | |
| Network | ABC |
| Release | September 25, 1968 – April 3, 1970 |
In the pilot episode, smooth-talking, charismatic logging company boss Jason Bolt (Robert Brown) is faced with a shutdown of his operation as lonely lumberjacks are ready to leave Seattle due to the lack of female companionship. He promises to find 100 marriageable ladies willing to come to the frontier town (population 152) and stay for a full year. Sawmill owner Aaron Stempel (Mark Lenard) puts up much of the expense money as a wager that Bolt will not succeed; the Bolt brothers bet Bridal Veil Mountain, home to their logging company.
The Bolts travel to New Bedford, Massachusetts, recruit the women, then charter a mule-ship to take them back to Seattle. Local saloon owner Lottie (Joan Blondell) takes the women under her wing and becomes a mother figure to them, while Bolt desperately works to keep the women from leaving at the next high tide.
Eventually, the women decide to give Seattle and the loggers a chance. The ship's captain, Clancy (Henry Beckman), develops a relationship with Lottie and becomes a regular character in the series.
Much of the dramatic and comedic tension in the first season revolved around Stempel's efforts to sabotage the deal so he can take over the Bolts' holdings. Stempel became more friendly in the second and final season, which focused more on the development of individual characters and the conflicts associated with newcomers and with people just passing through. One running theme is the importance of family, as the Bolt brothers show through the closeness of their relationships, that by sticking together, democratically taking family votes, they can overcome the surprising obstacles life presents.
Bobby Sherman and David Soul were propelled to pop stardom as Jason's brothers, Jeremy and Joshua. Jeremy took a prominent role, not only as the boyfriend of Candy Pruitt (Bridget Hanley), the beautiful, unofficial leader of the brides, but also as a young man with a stammer. In one episode, he is temporarily able to manage his stammer following coaching by a traveler who has come to Seattle. Upon discovering that his benefactor is actually a con artist, his faith is shaken so deeply that the stammer returns.
The producers said the show was inspired by the movie Seven Brides for Seven Brothers in an interview with LA Times TV critic Cecil Smith.
As a television Western, set shortly after the end of the Civil War, the series rarely featured any form of gunplay, and violence was generally limited to comical fistfights. This was in keeping with the restrictions on television violence at the time. Stories highlighted the importance of cooperation, inter-racial harmony, and peaceful resolution of conflict. Plots were usually a mix of drama and humor. Being one of the first shows targeted at young women, most of the humor was at the expense of the men, but not particularly bitingly so.
The 1951 movie Westward the Women follows a similar theme.
The show addressed many social issues — racism, ethnic discrimination, treatment of the handicapped and mentally impaired, business ethics, and ecology.
The theme song "Seattle" was composed by Hugo Montenegro with lyrics by Jack Keller and Ernie Sheldon. Both Perry Como and Bobby Sherman recorded slightly different variations of the song. Como's version, recorded for his album of the same name, scored a minor hit, reaching No. 38 on the Billboard Hot 100 chart and No. 2 on the Easy Listening chart. Sherman's version, although receiving some airplay, was never released as a single. The actual show's title is not included in the lyrics. Starting with the series debut in September 1968, the series opened with a rousing instrumental score featuring screen stills of "Jason", "Jeremy & Joshua", "Candy & Aaron" and "Lottie". Starting with episode 8 ("A Jew Named Sullivan") as evidenced by the end credits, and to coincide with the spring 1969 release of the Perry Como 'pop' recording, the TV theme was reworked by overdubbing vocals/lyrics to the same theme music already recorded (as used previously) along with updating all the opening character stills, including the addition of a "Clancy & Biddie" screen. The added lyrics performed by "The New Establishment" and updated screen stills were featured for the remainder of the first season and remained unchanged for the entire second season. In the beginning syndication years, the instrumental version of the opening credits was placed on all episodes. In recent years, the vocal theme of the opening credits has been restored to the second-season episodes (although with the first season screen stills).
Opening credits sequence:
Ending credits:
With the passing of David Soul on January 4, 2024, Bobby Sherman is the last surviving member of the main cast.
Opening credits:
Those listed for the first season, plus
End credits:
A young Bruce Lee appeared as a Chinese immigrant named Lin in the episode "Marriage Chinese Style" (1969). This character was the only dramatic English language non-martial arts role in Lee's acting career.[1] Character actress Nora Marlowe played Mrs. Bronson in the same episode.
Cicely Tyson, Jane Wyatt, Edward Asner, Majel Barrett, Barry Williams, Marge Redmond, Madeleine Sherwood, Bernard Fox, Vic Tayback (an extra as one of 'Jason's men' in the premiere episode, later a guest star), Lynda Day George, Bob Cummings, Daniel J. Travanti, James B. Sikking, Larry Linville, and Billy Mumy all made guest appearances.
Mitzi Hoag, who played Miss Essie during the season 1, had two guest roles in season 2 as completely different characters, one as a Greek immigrant in the episode "Land Grant" and another as a nun in the episode "Absalom".
| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 1 | 1 | "Pilot" | E. W. Swackhamer | N. Richard Nash | September 25, 1968 |
| 2 | 2 | "A Crying Need" | Bob Claver | Skip Webster | October 2, 1968 |
| 3 | 3 | "And Jason Makes Five" | E. W. Swackhamer | John O'Dea & Jay Simms | October 9, 1968 |
| 4 | 4 | "The Man of the Family" | E. W. Swackhamer | Jo Heims | October 16, 1968 |
| 5 | 5 | "A Hard Card to Play" | Bob Claver | William Blinn | October 23, 1968 |
| 6 | 6 | "Letter of the Law" | Paul Junger Witt | Skip Webster | October 30, 1968 |
| 7 | 7 | "Lovers and Wanderers" | E. W. Swackhamer | William Wood | November 6, 1968 |
| 8 | 8 | "A Jew Named Sullivan" | Jerry Bernstein | Oliver Crawford | November 20, 1968 |
| 9 | 9 | "The Stand Off" | James B. Clark | Story by : Don Tait Teleplay by : Don Tait & Skip Webster | November 27, 1968 |
| 10 | 10 | "A Man and His Magic" | Harvey Hart | Gerry Day | December 4, 1968 |
| 11 | 11 | "A Christmas Place" | Richard Kinon | William Blinn | December 18, 1968 |
| 12 | 12 | "After a Dream Comes Mourning" | E. W. Swackhamer | William Blinn | January 1, 1969 |
| 13 | 13 | "The Log Jam" | Jerry Bernstein | Albert Reich | January 8, 1969 |
| 14 | 14 | "The Firemaker" | Richard Kinon | James Amesbury | January 15, 1969 |
| 15 | 15 | "Wives For Wakando" | Richard Kinon | Don Balluck | January 22, 1969 |
| 16 | 16 | "A Kiss for Just So" | Jerry Bernstein | Story by : Al Beich & James Amesbury Teleplay by : James Amesbury | January 29, 1969 |
| 17 | 17 | "Democracy Inaction" | R. Robert Rosenbaum | William Blinn | February 5, 1969 |
| 18 | 18 | "One Good Lie Deserves Another" | Paul Junger Witt | John O'Dea & Jay Simms | February 12, 1969 |
| 19 | 19 | "One to a Customer" | Jerry Bernstein | John McGreevey | February 19, 1969 |
| 20 | 20 | "A Dream That Glitters" | Herb Wallerstein | Gerry Day & Ila Limerick | February 26, 1969 |
| 21 | 21 | "The Crimpers" | Paul Junger Witt | Don Tait | March 5, 1969 |
| 22 | 22 | "Mr. & Mrs. J. Bolt" | Richard Kinon | Richard Bluel | March 12, 1969 |
| 23 | 23 | "A Man's Errand" | Jerry Bernstein | Lee Oscar Bloomgarden | March 19, 1969 |
| 24 | 24 | "Loggerheads" | Richard Kinon | Skip Webster | March 26, 1969 |
| 25 | 25 | "Marriage Chinese Style" | Richard Kinon | Skip Webster | April 9, 1969 |
| 26 | 26 | "The Deadly Trade" | Paul Junger Witt | William Blinn | April 16, 1969 |
| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 27 | 1 | "A Far Cry from Yesterday" | Bob Claver | William Blinn | September 26, 1969 |
| 28 | 2 | "The Wealthiest Man in Seattle" | Richard Kinon | Story by : Charles Watts & Paul Stein Teleplay by : Charles Watts & Paul Stein & Allen Clare | October 3, 1969 |
| 29 | 3 | "The Soldier" | Paul Junger Witt | Skip Webster | October 10, 1969 |
| 30 | 4 | "Next Week, East Lynne" | Irving Moore | Henry Slesar | October 17, 1969 |
| 31 | 5 | "A Wild Colonial Boy" | Paul Junger Witt | Michael Fisher | October 24, 1969 |
| 32 | 6 | "Hosanna's Way" | Virgil W. Vogel | Rick Tobin | October 31, 1969 |
| 33 | 7 | "The Road to the Cradle" | William F. Claxton | Ken Trevey | November 7, 1969 |
| 34 | 8 | "The Legend of Bigfoot" | Herb Wallerstein | Richard Bluel | November 14, 1969 |
| 35 | 9 | "Land Grant" | Virgil W. Vogel | Larry Brody | November 21, 1969 |
| 36 | 10 | "The Eyes of London Bob" | E. W. Swackhamer | Ken Trevey | November 28, 1969 |
| 37 | 11 | "The Fetching of Jenny" | E. W. Swackhamer | Henry Sharp | December 5, 1969 |
| 38 | 12 | "His Sister's Keeper" | Jerry Bernstein | Skip Webster | December 12, 1969 |
| 39 | 13 | "Lorenzo Bush" | Jerry Bernstein | Jack Miller | December 19, 1969 |
| 40 | 14 | "Obie Brown and the Black Princess" | Richard Kinon | Bob Goodwin | December 26, 1969 |
| 41 | 15 | "To Break the Bank in Tacoma" | Jerry Bernstein | Michael Fisher | January 16, 1970 |
| 42 | 16 | "Debt of Honor" | Herschel Daugherty | Skip Webster | January 23, 1970 |
| 43 | 17 | "She Bear" | William F. Claxton | Story by : Don Tait Teleplay by : Don Tait & Allen Clare | January 30, 1970 |
| 44 | 18 | "Another Game in Town" | Lou Antonio | Story by : Seymour Friedman & Larry Brody Teleplay by : Larry Brody | February 6, 1970 |
| 45 | 19 | "Candy and the Kid" | Jerry Bernstein | Daniel B. Ullman | February 13, 1970 |
| 46 | 20 | "Two Worlds" | Lou Antonio | Jack Miller & Shelly Mitchell | February 20, 1970 |
| 47 | 21 | "To the Victor" | Virgil W. Vogel | Skip Webster | February 27, 1970 |
| 48 | 22 | "How Dry We Are" | Nicholas Colasanto | Roberta Goldstone | March 6, 1970 |
| 49 | 23 | "Bolt of Kilmaron" | Nicholas Colasanto | D.C. Fontana | March 13, 1970 |
| 50 | 24 | "Absalom" | Paul Junger Witt | Michael Fisher | March 20, 1970 |
| 51 | 25 | "The Last Winter" | Jim Hogan | Tim Kelly | March 27, 1970 |
| 52 | 26 | "Two Women" | E. W. Swackhamer | Jack Miller | April 3, 1970 |
Reruns were aired on CBN Cable during the mid-1980s.
Early in January 2011, digital sub-network Antenna TV began airing the series.
INSP began broadcasting a back to back 2 episode block of the series on Sunday mornings in 2018 continuing through 2020.
The Decades channel aired most of the series during a weekend marathon on June 2–3, 2018; February 1–2, 2019 and again January 23–24, 2021 in widescreen format. The episodes were cropped for the widescreen presentation.
In autumn 2021 the series began airing on MeTV+.
In January 2022 GetTV began airing episodes in a 75 minute format on Saturday & Sunday at 11:15 am Eastern.
First season ratings were impressive enough to ensure its renewal for a second season, though only 152 ABC affiliates agreed to broadcast the series, compared to another Screen Gems' series, Bewitched, which was broadcast on 217 ABC affiliates in the same 1968/69 season, prompting ABC affiliated radio and television stations to add a voice-over in all related HCTB promotional commercials inviting viewers to watch " ...Here Come the Brides!, Wednesdays at 7:30, 6:30 central, over MOST of these ABC stations!" [2] For the second season, the family-geared series was moved from the 7:30 Wednesday night "Family Hour" to the more adult-oriented time slot of 9:00 Friday night in September 1969. This move to the Friday night death slot combined with the low ABC affiliate support caused the ratings to quickly slide out of the top 40, and production ceased in the spring of 1970, although most of those ABC affiliates repeated episodes throughout the summer months, as was then a standard procedure with most series. The final primetime episode in the United States was broadcast on Friday September 18, 1970.
Joan Blondell received Emmy Award nominations each season for her performance as Lottie Hatfield. She lost to Barbara Bain in 1969, and to Susan Hampshire in 1970.
A French-language version of the show and theme song (performed by a chorus of male singers) was a smash hit in French Canada, under the title Cent filles à marier (A Hundred Girls to Marry Off). The show capitalized on the popularity of the American version and the fact that a similar "bride drive" (see Filles du roi) is also part of Québec's cultural mythos.
Sony Pictures Home Entertainment released the first season on DVD in Region 1 on May 16, 2006.[3]
On October 14, 2011, Shout! Factory announced that it had acquired the home-media rights to the series, and it later released the final season on DVD.[4] It was subsequently released on February 28, 2012. However, the season 1 opening cast-and-credit sequence was used for this release, using the New Establishment's vocals, but ignoring Henry Beckman's and Susan Tolsky's respective credits.[5]
In December 2009, BearManor Media released a nostalgic look into the program's history, Gangway, Lord: (The) Here Come The Brides Book by Jonathan Etter, which featured a foreword by Robert Brown. Bobby Sherman was the only (then) surviving cast member who did not cooperate with the author. However, Sherman did discuss the series in his autobiography, Bobby Sherman: Still Remembering You, whose contents he dictated to Dena Hill, and was subsequently published by Contemporary Books in 1996.
Barbara Hambly's Star Trek novel Ishmael has Spock traveling back to the time and place of Here Come the Brides after discovering a Klingon plot to destroy the Federation by killing Aaron Stempel (spelled "Stemple" in the book) before he could thwart an attempted 19th-century alien invasion of Earth. During most of the story, Spock has lost his memory and is cared for by Stempel, who passes him off as his nephew "Ishmael" and helps him hide his alien origins.[6]
At the end of the story, Captain Kirk discovers that Stempel is one of Spock's mother's ancestors, a reference to the fact that Mark Lenard also played Spock's father Sarek in episodes of the original Star Trek and Star Trek: The Next Generation, as well as several of the Star Trek motion pictures.[6] Also the same actor played descendants of Mr. Spock on his father's and his mother's sides of the family.
Majel Barrett, who played Nurse Christine Chapel in Star Trek, appeared as Tessa a dancehall woman in the first-season episode "Lovers and Wanderers".
Jane Wyatt who played Spock's mother in the original series, made a guest appearance in the final episode of the series, "Two Women". She did not have any scenes with Mark Lenard.
In addition to Lenard, other Brides actors appeared in Star Trek: Robert Brown (both of the Lazaruses in "The Alternative Factor"), David Soul (Makora in "The Apple"), and semi-regular Carole Shelyne (the visible representation of a Metron in "Arena", whose voice Vic Perrin provided in that installment).[7][8][9]
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