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Disney theme song From Wikipedia, the free encyclopedia
"Grim Grinning Ghosts (The Screaming Song)" is the theme song for The Haunted Mansion franchise and its attractions at Disney theme parks. It was composed by Buddy Baker, with lyrics written by X Atencio.[1] Its melody has been adapted for numerous uses since its composition in the late 1960s.
"Grim Grinning Ghosts" features Buddy Baker's melody, usually in the key of A minor, with lyrics by Disney Legend Xavier "X" Atencio. Different variations use 4/4 or 3/4 for the meter. The following chord progression is used for all versions: Am, B, Am, B♭, Am, F, Am, F7, Am, E7, Am. Typically, each chord lasts for two beats of 4/4 or three beats of 3/4. This underlying chord progression provides a macabre mood for the Haunted Mansion attractions. The song modulates to B-flat minor thus: Am, E7, F7, B♭m and on to B-minor via B♭m, F7 and F♯7. The melody then modulates back to A-minor after repeating a dissonant chord six times. When recording the song, the organist actually played the song backwards to achieve the discord that the composer intended. The organ part that can be heard in the song is that tune played forwards.
The title comes from William Shakespeare's poem Venus and Adonis:
Many different music loops are used throughout the Haunted Mansion attractions at Disneyland, Walt Disney World, and Tokyo Disneyland. Speakers disguised within the sets allow the music to fade in and out as guests pass through the different areas. The following variations of "Grim Grinning Ghosts" can be heard in these attractions.
One of the voice talents in the attraction is Thurl Ravenscroft, who was recognizable from other Disney projects, the annual Chuck Jones/Dr. Seuss Christmas special How The Grinch Stole Christmas and as the voice of Tony the Tiger. He leads the five "singing busts" in the graveyard scene with his characteristic voice. A projected film loop is used to animate the busts, with Ravenscroft and the other vocalists appearing as "themselves." The Ravenscroft bust, which is the second one in from the left, is "broken" and has often been misidentified as being an image of Walt Disney himself. The other four voices of the busts are Jay Meyer, Chuck Schroeder, Verne Rowe, and Bob Ebright.
A variation of this song is also used at Disney World's Magic Kingdom HalloWishes fireworks show and Disneyland's Halloween Screams fireworks show. It's also used in parades at Disneyland Paris Resort and Hong Kong Disneyland during the Halloween season.
The seasonal "Haunted Mansion Holiday" overlay at the original Anaheim attraction and Tokyo attraction mixes the tune with Danny Elfman's melody lines from The Nightmare Before Christmas and with Jolly Old Saint Nicholas and Jingle Bells in the graveyard. One of the most prominent instances of this is a straight orchestral statement of the "Grim grinning ghosts come out to socialize" melody line that plays at the end of the cue for the stretching room.
On April 12, 1992, Phantom Manor was opened at Disneyland Park Paris. Based on the original Disneyland ride but with a new backstory tied into Frontierland, Big Thunder Mountain and Thunder Mesa, Phantom Manor featured a more coherent storyline and an all-new orchestral soundtrack by composer John Debney.
Phantom Manor takes a different approach to the same concept as the Haunted Mansion attractions. The intended mood is one of corrupted elegance, rather than morbid kookiness. As a result, the soundtrack is different as well. The regular Haunted Mansion attractions feature music that is usually played or sung by characters in the scenery: an organist's waltz, a graveyard band jamboree, and so on. Phantom Manor, however, has a full orchestral soundtrack that takes a more cinematic approach, although all of the music is based on "Grim Grinning Ghosts." A variety of instrumentations are used. At various moments, guests hear piano, organ, alto flute, a boy's choir, a jazz band, and a female voice soloist who symbolizes the character of Melanie Ravenswood, all in addition to the ordinary orchestral complement.
The Singing Busts in the Catacombs scene in the ride uses the same projected film loop from the original Haunted Mansion ride. However one of the busts is absent and one of them doesn't have a broken head.
Disney released the videos Disney Sing Along Songs: Disneyland Fun – It's a Small World and Disney Sing Along Songs: Let's Go to Disneyland Paris! as it composed the song.
When Walt Disney Pictures released the 2003 film adaptation, composer Mark Mancina was asked to write the film's music. Like Phantom Manor's soundtrack, the movie score is orchestral and uses "Grim Grinning Ghosts" frequently. However, Mancina used "Grim Grinning Ghosts" in somewhat different ways from Debney, focusing more on relatively light-hearted background music and ominous crescendos of orchestra and organ than on waltz-like passion. Cues such as the film's overture allowed Mancina to work with both "Grim Grinning Ghosts" and a theme of his own invention. A scene in the mansion's graveyard also features the attraction's singing busts, whose musical selections include a few lines from the song. The vast majority of the film's music, though, was never officially released as a soundtrack, though copies of a complete album given to staff and orchestra members can occasionally be found for sale. Four minutes of the score did make it onto the "Haunted Hits" CD release, which groups "Sara Passes Out", the overture, and "Going to Heaven" into one track entitled "Overture from The Haunted Mansion". However, none of the orchestral and/or organ statements of "Grim Grinning Ghosts" are heard on this album.
Despite these, the Overture also pays homage to the ride's organ heard in the Foyer and Corridor of Doors, as it is played in a similar style of a funeral dirge, but the melody is done on a cathedral-style organ, with orchestral strings backing it up, creating a more ominous atmosphere.
For the 2023 film Haunted Mansion, director Justin Simien confirmed that composer Kris Bowers included several interpolations of the theme in his score, stating, "Our composer, Kris Bowers, turned those simple phrases into one of the most lush, exciting movie scores I've heard."[3]