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American writer (born 1971) From Wikipedia, the free encyclopedia
Gillian Schieber Flynn[1][2][3] (/ˈɡɪliən/;[4] born February 24, 1971) is an American author, screenwriter, and producer. She is known for writing the thriller and mystery novels Sharp Objects (2006), Dark Places (2009), and Gone Girl (2012), which are all critically acclaimed.[5] Her books have been published in 40 languages,[6] and according to The Washington Post, as of 2016 Gone Girl alone has sold more than 15 million copies.[7]
Gillian Flynn | |
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Born | Kansas City, Missouri, U.S. | February 24, 1971
Occupation |
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Alma mater | |
Period | 2007–present |
Genre | |
Notable works | |
Spouse |
Brett Nolan (m. 2007) |
Children | 2 |
Website | |
gillian-flynn |
Flynn wrote the script for the 2014 film adaptation of Gone Girl, directed by David Fincher. For it she won the Critics' Choice Movie Award for Best Adapted Screenplay and was nominated for the Writers Guild of America and the BAFTA awards, among others.
The author also wrote and produced the HBO limited series adaptation of Sharp Objects, for which she was nominated for the Primetime Emmy and the Writers Guild of America Award. Flynn also co-wrote with director Steve McQueen the screenplay of the film Widows (2018).
She has also served as showrunner, writer, and executive producer on Amazon Prime Video's sci-fi thriller series Utopia (2020), which ran for one season.
As of 2021[update] she was writing her fourth novel, set to be published by Penguin Random House.
Flynn was born in Kansas City, Missouri, and raised in midtown Kansas City's Coleman Highlands neighborhood.[8][9] Both of her parents were professors at Metropolitan Community College–Penn Valley: her mother, Judith Ann (née Schieber), was a reading-comprehension professor, and her father, Edwin Matthew Flynn, was a film professor.[9][10][11][12] She has an older brother, Travis, who is a railroad machinist.[9] Her uncle is Jackson County Circuit Court Judge Robert Schieber.[9] Flynn was "painfully shy" and found escape in reading and writing.[9] When she was growing up, Flynn's father would take her to watch horror movies.[9][10]
Flynn attended Bishop Miege High School and graduated in 1989.[9][13] As a young woman, she worked odd jobs which required her to do things such as dress up as a giant "yogurt cone who wore a tuxedo."[13][14]
She attended the University of Kansas, where she received her undergraduate degrees in English and journalism.[14] She spent two years in California, writing at a trade magazine for human resources professionals, before moving to Chicago and attending Northwestern University[13] for a master's degree at its Medill School of Journalism in 1997.[15][16] Flynn initially wanted to work as a police reporter, but she chose to focus on her own writing, as she discovered she had "no aptitude" for police reporting.[17][18]
After graduating from Northwestern, Flynn worked freelance briefly at U.S. News & World Report before being hired as a feature writer in 1998 at Entertainment Weekly.[9] She was promoted to television critic and wrote about films but was laid off in December 2008.[9][18][19][20]
She attributes her craft to her 15-some years in journalism. She said, "I could not have written a novel if I hadn't been a journalist first, because it taught me that there's no muse that's going to come down and bestow upon you the mood to write. You just have to do it. I'm definitely not precious."[21]
Some critics have accused Flynn of misogyny due to the often unflattering depiction of female characters in her books.[5] Flynn identifies as a feminist. She feels that feminism allows for women to be bad characters in literature. She states, "The one thing that really frustrates me is this idea that women are innately good, innately nurturing." Flynn also said people will dismiss "trampy, vampy, bitchy types – but there's still a big pushback against the idea that women can be just pragmatically evil, bad, and selfish."[5] In 2015, Flynn explained her decision to write cruel female characters, saying, "I've grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains – good, potent female villains."[22]
In 2021, it was announced that Flynn would be running a book imprint for the newly founded independent publisher Zando.[23][24]
When Flynn was working for Entertainment Weekly, she was also writing novels during her free time.[11] She has written three novels and one short story.
Flynn was an avid reader of comic and graphic novels when she was a child.[36] She collaborated with illustrator Dave Gibbons and wrote a comic book story called Masks. It is part of the anthology series Dark Horse Presents and was published by Dark Horse Comics in February 2015.[37]
Flynn was executive producer and cowriter, along with Marti Noxon, on the HBO adaptation of her novel Sharp Objects starring Amy Adams.[38] The miniseries was released in 2018 and received critical acclaim.
In February 2014, it was reported that Flynn would be writing the scripts for Utopia, an HBO drama series adapted from the acclaimed British series Utopia. The HBO series was to be directed and executive produced by David Fincher. In July 2015 the project was cancelled due to budget disputes between Fincher and HBO.[39][40] However, the project received second life at Amazon, with the streamer ordering the project to series with a 2020 release. Flynn wrote all eight episodes and served as the project's showrunner. Utopia was released on Amazon Prime Video on September 25, 2020.[41] In November 2020, the series was canceled after one season.[42]
For her Gone Girl screenplay, Flynn was nominated for the Golden Globe, Writers Guild of America Award and BAFTA Award for Best Adapted Screenplay. Flynn and filmmaker Steve McQueen co-wrote a film adaptation of the ITV series Widows. The film stars Viola Davis, Michelle Rodriguez, Colin Farrell, Liam Neeson, Daniel Kaluuya, and Robert Duvall, and was released in November 2018 to critical acclaim.[43]
As of 2021[update] she was writing her fourth novel, set to be published by Penguin Random House.[44]
Flynn is writing the film adaptation for her short story The Grownup, as she discussed in the Chanel Connects podcast in June 2022.[45]
In January 2024, Variety reported that Flynn is developing a limited series for HBO based on her novel Dark Places. She will serve as co-creator, writer, and co-showrunner. She holds the rights to the novel. Brett Johnson and Guerrin Gardner will also serve as co-showrunners, co-creators, and writers.[46]
In the following month, Deadline reported that Flynn and Tim Burton are developing a remake of Nathan H. Juran's classic Attack of the 50 Foot Woman film for Warner Bros.[47]
Flynn married lawyer Brett Nolan in 2007.[48] They had met during graduate school at Northwestern,[49] and began a relationship some years later in their thirties.[21] They have two children.[11][50] Their son Flynn was born in 2010 and their daughter Veronica was born in 2014.[51] They reside in Chicago.[5][52]
The outrages and allegations flash through my brain like a nasty, ludicrous slide show of twisted male power.
The Turn of the Screw is one of the most chilling ghost stories ever, largely because it is so deliciously elusive.
In the late eighties, my job involved going out in public dressed as a tuxedoed dairy product. Children ran from me.
I was not a nice little girl. My favorite summertime hobby was stunning ants and feeding them to spiders. My preferred indoor diversion was a game called Mean Aunt Rosie, in which I pretended to be a witchy caregiver and my cousins tried to escape me.
Let me give you an idea of my personal aesthetic: Until last year, I had no purse. I carried a wine bag.
Year | Title | Credited as | |||
---|---|---|---|---|---|
Writer | Producer | Notes | |||
2014 | Gone Girl | Yes | No | Directed by David Fincher | |
2018 | Widows | Yes | No | Co-writer with director Steve McQueen | |
TBA | Attack of the 50 Foot Woman | Yes | No | Directed by Tim Burton | |
TBA | The Grownup | Yes | No |
Year | Title | Credited as | ||||
---|---|---|---|---|---|---|
Writer | Executive producer | Creator | Showrunner | Notes | ||
2018 | Sharp Objects | Yes | Yes | No | No | Network: HBO |
2020 | Utopia | Yes | Yes | Yes | Yes | Network: Amazon Prime Video |
TBA | Dark Places | Yes | Yes | Yes | Yes | Network: HBO |
Year | Award | Category | Work | Result | Ref |
---|---|---|---|---|---|
2007 |
Crime Writers' Association | Gold Dagger | Sharp Objects | Shortlisted | |
Crime Writers' Association | Ian Fleming Steel Dagger | Won | |||
Crime Writers' Association | New Blood Dagger | Won | |||
Mystery Writers of America | Edgar Award for Best First Novel | Shortlisted | [53] | ||
2009 |
Crime Writers' Association | Ian Fleming Steel Dagger | Dark Places | Shortlisted | |
2010 |
Dark Scribe magazine | Dark Genre Novel of the Year | Won | [54] | |
2013 |
Mystery Writers of America | Edgar Award for Best Novel | Gone Girl | Shortlisted | |
Women's Prize for Fiction | Women's Prize for Fiction | Longlisted | [55] | ||
2015 |
Mystery Writers of America | Edgar Award for Best Short Story | The Grownup | Won | [56] |
Year | Award | Category | Work | Result | Ref |
---|---|---|---|---|---|
2014 |
Austin Film Critics Association Award | Best Adapted Screenplay | Gone Girl | Won | [57] |
Awards Circuit Community Award | Best Adapted Screenplay | Won | |||
Black Film Critics Circle Award | Best Adapted Screenplay | Won | |||
Chicago Film Critics Association Award | Best Adapted Screenplay | Won | |||
Florida Film Critics Circle Award | Screenwriter of the Year Award | Won | |||
IndieWire Critics' Poll | Best Screenplay | Nominated | |||
Golden Schmoes Award | Best Screenplay of the Year | Won | |||
Hollywood Film Award | Best Screenplay | Won | |||
NewNowNext Award | Best New Screenwriter | Won | |||
Online Film Critics Society Award | Best Adapted Screenplay | Won | |||
Phoenix Critics Circle Award | Best Screenplay | Nominated | |||
Phoenix Film Critics Society Award | Best Screenplay Adapted from Another Medium | Won | |||
San Diego Film Critics Society Award | Best Adapted Screenplay | Won | |||
San Francisco Bay Area Film Critics Circle Award | Best Adapted Screenplay | Nominated | |||
Screenwriters Choice Awards, Online | Best Adapted Screenplay | Won | |||
Southeastern Film Critics Association Award | Best Adapted Screenplay | Won | |||
St. Louis Film Critics Association Award | Best Adapted Screenplay | Won | |||
Washington D.C. Area Film Critics Association Award | Best Adapted Screenplay | Won | |||
2015 | |||||
Alliance of Women Film Journalists Award | Best Woman Screenwriter | Won | |||
Best Writing, Adapted Screenplay | Won | ||||
BAFTA Award | Best Adapted Screenplay | Nominated | |||
Central Ohio Film Critics Association Award | Best Adapted Screenplay | Nominated | |||
Cinema Bloggers Award, Portugal | Best Screenplay | Won | |||
Critics' Choice Movie Award | Best Adapted Screenplay | Won | |||
Denver Film Critics Society Award | Best Adapted Screenplay | Nominated | |||
Georgia Film Critics Association Award | Best Adapted Screenplay | Won | |||
Gold Derby Award | Adapted Screenplay | Won | |||
Golden Globe Award | Best Screenplay | Nominated | |||
Italian Online Movie Award | Best Adapted Screenplay | Nominated | |||
International Cinephile Society Award | Best Adapted Screenplay | Nominated | |||
International Online Cinema Award | Best Adapted Screenplay | Won | |||
North Carolina Film Critics Association Award | Best Adapted Screenplay | Nominated | |||
Oklahoma Film Critics Circle Award | Best Adapted Screenplay | Won | |||
Online Film & Television Association Award | Best Feature Debut | Won | |||
Satellite Award | Best Adapted Screenplay | Nominated | |||
Seattle Film Critics Society Award | Best Screenplay, Adapted | Nominated | |||
USC Scripter Award | USC Scripter Award | Nominated | |||
Writers Guild of America Award | Best Adapted Screenplay | Nominated | |||
2018 |
Greater Western New York Film Critics Association Award | Best Adapted Screenplay | Widows | Nominated | [58] |
Online Association of Female Film Critics Award | Best Adapted Screenplay | Nominated | |||
St. Louis Film Critics Association Award | Best Adapted Screenplay | Nominated | |||
2019 |
Black Reel Award | Outstanding Screenplay, Adapted or Original | Nominated | ||
Columbus Film Critics Association Award | Best Adapted Screenplay | Nominated | |||
London Critics Circle Film Award | Screenwriter of the Year | Nominated | |||
Online Film Critics Society Award | Best Adapted Screenplay | Nominated | |||
2020 |
Gold Derby Award | Best Screenplay of the Decade | Gone Girl | Nominated | [59] |
Year | Award | Category | Work | Result | Ref |
---|---|---|---|---|---|
2018 |
Gotham Independent Film Award | Breakthrough Series – Long Form | Sharp Objects | Nominated | [60] |
USC Scripter Award | USC Scripter Award (shared with Marti Noxon; for the episode "Vanish") | Nominated | |||
2019 |
Producers Guild of America Award | Best Limited Series Television | Nominated | ||
Primetime Emmy Award | Outstanding Limited or Anthology Series | Nominated | |||
Writers Guild of America Award for Television Award | Long Form – Adapted | Nominated |
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