File:Edward_Mitchell_Bannister_by_Gustine_L._Hurd_-_Original.tif
From Wikipedia, the free encyclopedia
Original file (3,452 × 5,200 pixels, file size: 51.38 MB, MIME type: image/tiff)
This is a file from the Wikimedia Commons. Information from its description page there is shown below. Commons is a freely licensed media file repository. You can help. |
This file is an original and may be obsolete for general use, but is kept for historical or archival use. As such, it should not be modified or deleted except to correct upload or technical errors. Any modified versions or replacements of this image should be uploaded with a different file name. A version of this file more suitable for general use can be found at File:Edward Mitchell Bannister by Gustine L. Hurd.jpg. العربيَّة ∙ čeština ∙ Deutsch ∙ English ∙ español ∙ فارسی ∙ français ∙ magyar ∙ italiano ∙ 日本語 ∙ Lëtzebuergesch ∙ македонски ∙ മലയാളം ∙ Nederlands ∙ português ∙ русский ∙ slovenščina ∙ svenska ∙ 简体中文 ∙ 繁體中文 ∙ 正體中文(臺灣) ∙ +/− |
Summary
DescriptionEdward Mitchell Bannister by Gustine L. Hurd - Original.tif |
Albumen silver print of Edward Mitchell Bannister in a cabinet card mount. Per the National Portrait Gallery: Edward Mitchell Bannister became one of the first African American painters to gain national recognition when his landscape Under the Oaks won a first prize at the Centennial Exposition in Philadelphia (1876). Almost entirely self-taught, Bannister began his career in the 1850s in Boston, where he enjoyed the patronage of that city's substantial black community. He was also a committed abolitionist who continued to advocate for African American rights after the Civil War. When Bannister settled in Providence, Rhode Island, in 1869, his reputation grew as his landscapes and coastal views were exhibited more widely. His name proved unfamiliar, however, to the Centennial Exposition judges, who tried to withhold his prize upon discovering that he was African American. When the other artists threatened to withdraw from the competition if Bannister was denied his medal, the original award was upheld. Dimensions
|
|||||||||||||||||||
Date |
circa 1880 date QS:P,+1880-00-00T00:00:00Z/9,P1480,Q5727902 |
|||||||||||||||||||
Source | National Portrait Gallery (United States). Gift of Sandra and Jacob Terner. Object number: NPG.76.66 | |||||||||||||||||||
Author |
creator QS:P170,Q110910880 |
|||||||||||||||||||
Other versions |
|
Licensing
This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. | |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
Items portrayed in this file
depicts
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 00:43, 14 February 2022 | 3,452 × 5,200 (51.38 MB) | Adam Cuerden | {{Information |Description=Albumen silver print of en:Edward Mitchell Bannister in a en:cabinet card mount. Per the National Portrait Gallery: Edward Mitchell Bannister became one of the first African American painters to gain national recognition when his landscape Under the Oaks won a first prize at the Centennial Exposition in Philadelphia (1876). Almost entirely self-taught, Bannister began his career in the 1850s in Boston, where he enjoyed the patronage of that city's substa... |
File usage
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
Image title | Edward Mitchell Bannister |
---|---|
Camera manufacturer | Hasselblad |
Camera model | Hasselblad CF528 - Hasselblad H1 |
Copyright holder | NPG/Smithsonian Institution |
Exposure time | 10/1 sec (10) |
F-number | f/11 |
ISO speed rating | 50 |
Date and time of data generation | 13:23, 15 December 2006 |
Lens focal length | 120 mm |
Width | 3,452 px |
Height | 5,200 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 24,100 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 5,200 |
Bytes per compressed strip | 53,851,200 |
Horizontal resolution | 400 dpi |
Vertical resolution | 400 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 21.2 (Windows) |
File change date and time | 10:11, 19 November 2020 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 13:23, 15 December 2006 |
Shutter speed | −3.3219280913472 |
APEX aperture | 6.9188632369041 |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | Uncalibrated |