Endure and Survive
5th episode of the 1st season of The Last of Us / From Wikipedia, the free encyclopedia
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"Endure and Survive" is the fifth episode of the first season of the American post-apocalyptic drama television series The Last of Us. The episode was written by series co-creator Craig Mazin and directed by Jeremy Webb. It was released online on HBO Max and HBO on Demand on February 10, 2023, ahead of its broadcast on HBO on February 12. In the episode, Joel (Pedro Pascal) and Ellie (Bella Ramsey) agree to escape Kansas City, Missouri, with Henry (Lamar Johnson) and his brother Sam (Keivonn Montreal Woodard), who are being hunted by bandit leader Kathleen (Melanie Lynskey) and her second-in-command Perry (Jeffrey Pierce).
"Endure and Survive" | |||
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The Last of Us episode | |||
![]() A horde of infected, including a large bloater, overrun a cul-de-sac. Filmed over four weeks, the action sequence required extensive planning and a nine-week set construction.[1] | |||
Episode no. | Season 1 Episode 5 | ||
Directed by | Jeremy Webb | ||
Written by | Craig Mazin | ||
Produced by |
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Featured music | "Fuel to Fire" by Agnes Obel
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Cinematography by | Eben Bolter | ||
Editing by |
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Original release date | February 10, 2023 (2023-02-10)[lower-alpha 1] | ||
Running time | 59 minutes | ||
Guest appearances | |||
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Episode chronology | |||
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The Last of Us season 1 | |||
List of episodes |
The episode was primarily filmed in April 2022. A full set was built in an empty lot in nine weeks for use in an action sequence in the episode. Filmed over four weeks, the sequence used around 70 actors dressed by 70 prosthetics artists. "Endure and Survive" introduced a "bloater", a mutated creature significantly larger and stronger than most other infected; the costume was built using prosthetics and later emphasized using visual effects.
The episode received positive reviews, with praise for its writing, direction, cinematography, and performances of Johnson, Woodard, Lynskey, and Ramsey. It was watched by 11.6 million viewers within three days. The episode received several nominations at the 75th Primetime Creative Arts Emmy Awards, including for Johnson, Lynskey, and Woodard, and editors Timothy A. Good and Emily Mendez won Outstanding Picture Editing.