Ornamental device alternating ovals with points From Wikipedia, the free encyclopedia
Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star,[1] is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element[1] (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials.
Egg-and-dart enrichment of the ovolo molding of the Ionic capital was used by ancient Greek builders, so it is found in ancient Greek architecture (e.g., the Erechtheion at the Acropolis of Athens),[2] was used later by the Romans and continues to adorn capitals of modern buildings built in Classical styles (e.g., the Ionic capitals of the Jefferson Memorial in Washington, D.C., or the ones of the Romanian Athenaeum from Bucharest). Its ovoid shape (the egg) and serrated leaf (the dart) are believed to represent the opium poppy and its leaves. [citation needed] The moulding design element continues in use in neoclassical architecture.[3][4] As a mass-produced architectural motif at the turn of the 19th to the 20th century, it can, when seen alongside dentils (tooth-like blocks of wood in rows), be used to date a building to the Edwardian period, which began with the death of Queen Victoria in 1901.
PolychromeAncient Greek egg-and-dart on the last molding on the top of the pediment from the Propylaia, Athens, unknown architect, 437-432 BC
Ancient Greek egg-and-dart on the Erechtheion, Athens, Greece, unknown architect or sculptor, 421-405 BC[5]
Ancient Greek egg-and-dart on an Ionic capital of the Erechtheion
Roman egg-and-dart on an Ionic capital from the Temple of Portunus, Rome, unknown architect or sculptor, early 4th century BC
Ancient Greek egg-and-dart on the abacus and with palmettes on them between the volutes of an Ionic column from the Temple of Artemis in Sardis, Turkey, c.300 BC, marble, Metropolitan Museum of Art
Neoclassical egg-and-dart on arches of Cinema București (Bulevardul Regina Elisabeta no. 26), Bucharest, Romania, attributed to Alexandru Orăscu, 1884
Renaissance Revival margent on a pilaster of Strada Grigore Cobălcescu no. 18, Bucharest, unknown architect, c.1890
Neoclassical egg-art-dart on the cornice of Bulevardul Regina Elisabeta no. 59, Bucharest, unknown architect, c.1900
Art Nouveau egg-and-dart on the Grave of the George Assan and Petre Petrini Family in the Bellu Cemetery in Bucharest, unknown architect or sculptor, c.1900
Art Deco egg-and-dart on a door inside Strada Paris no. 4, Bucharest, unknown architect or sculptor, c.1930
Art Deco reinterpretation of the egg-and-dart (above the mascaron and under the dentils) in the Reims Opera House, Reims, France, by François Maille and Louis Sollier, 1931–1932[8]
Shoe, Lucy T. (1936) Profiles of Greek Mouldings,[full citation needed] and Shoe, Lucy T. (1950) "Greek Mouldings of Kos and Rhodes", Hesperia19 (4, October-December): 338-369.