Loading AI tools
French-American archaeologist (born 1933) From Wikipedia, the free encyclopedia
Denise Schmandt-Besserat (born August 10, 1933 in Ay, Marne, France) is a French-American archaeologist and retired professor of art and archaeology of the ancient Near East. She spent much of her professional career as a professor at the University of Texas.[1] She is best known for her work on the history and invention of writing. While her research is highly cited, it has been controversial among scholars.[2][3] The controversies, as detailed below, concern the interpretation of early tokens, particularly the complex ones; however, the idea that writing emerged out of the counting, cataloging, management, and transactions of agricultural produce has been largely accepted.
Denise Besserat was born into a family of lawyers and winemakers. Her early education was at the hands of tutors. Her family evacuated to southern France during World War II, after which she attended a Catholic boarding school at Reims. The school's nuns directed her to a prospective career as a language interpreter, for which she spent periods in Ireland and Germany in language studies.[1] She met her future husband, Jurgen Schmandt (a philosopher and expert in science policy), in Bonn in 1954; they were married in 1956. They lived in Paris, where three sons (Alexander, Christophe, Phillip) were added to the family.
Deciding to resume her studies, she entered the École du Louvre. She graduated in 1965, after which the family moved to Cambridge, Massachusetts, where her husband had been offered employment. She applied for a fellowship at Harvard University's Peabody Museum of Archaeology and Ethnology, to study the origins of the use of clay as a writing material in the Middle East.
She and her family moved to Austin, Texas in 1971, where she began teaching Art History.
Schmandt-Besserat has worked on the origin of writing and counting,[4] and the nature of information management systems in oral societies.
Her first published works on clay tokens were the monograph, "Archaic Recoding System and the Origin of Writing," published by Syro-Mesopotamian Studies in 1977[5] and The Earliest Precursor of Writing in a 1978 issue of Scientific American magazine.[1]
In those articles Schmandt-Besserat explained her methodology and reviewed the history of archeological discoveries of clay counting tokens found at the main sites in the Asia. She credited the work done by A. Leo Oppenheim of University of Chicago and Pierre Amiet of the Louvre Museum for their original insights. Oppenheim, she says, "visualized a kind of dual bookkeeping system." Amiet demonstrated that the tokens were in existence far earlier than previously thought, a finding, she says, "of great significance."[6]
Her publications on these subjects include:
Her work has been widely reported in the public media (Scientific American, Science News, Time, Life, New York Times, The Washington Post, Los Angeles Times, Christian Science Monitor.) She was featured in several television programs such as Out of the Past (Discovery Channel), Discover (Disney Channel); The Nature of Things (CBC), Search for Solutions (PBS), and Tell the Truth (NBC).
She retired in 2004 as Professor of Art and Middle Eastern Studies at the University of Texas at Austin.
In her most recent book, When Writing Met Art (2007), Schmandt-Besserat investigated the impact of literacy on visual art. She showed that, before writing, art of the ancient Near East mostly consisted of repetitive motifs. But, after writing, conventions of the Mesopotamian script, such as the semantic use of form, size, order and placement of signs on a tablet was applied to images resulting in complex visual narratives. She also shows how, reciprocally, art played a crucial role in the evolution of writing from a mere accounting system to literature when funerary and votive inscriptions started to be featured on art monuments.
Schmandt-Besserat's present interest is the cognitive aspects of the token system that functioned as an extension of the human brain to collect, manipulate, store and retrieve data. She studies how processing an increasing volume of data over thousands of years brought people to think in greater abstraction. However, some of her conclusions have been questioned by later researchers.[7][8][9][10] She also continues her research on Neolithic symbolism at the site of 'Ain Ghazal, near Amman, Jordan.[11]
Schmandt-Besserat has received the Walter J. Ong Award for Career Achievement; the Holloway teaching award; the Eugene Kayden Press Book Award and the Hamilton book Award. She been cited Outstanding Woman in the Humanities by the American Association of University Women.
Her book, How Writing Came About, was listed by American Scientist as one of the 100 books that shaped science in the 20th century.[12]
She is listed in Who's Who in America.
At the 180th Commencement of Kenyon College she received an honorary degree.
Correspondences between (plain) tokens and numerical impressions suggest that tokens were used as numerical counters in the 4th millennium BC. The possible role of tokens was initially noticed and published by French archaeologists Pierre Amiet[13][14] and Maurice Lambert[15] and other scholars.[16][17] In the decades since these publications, the idea has become widely accepted. As noted by the Assyriologist Robert K. Englund in 1998, "a general consensus of opinion in the field tends to support" the argument that the plain tokens were "the precursors of the impressed proto-cuneiform signs used for numerical and metrological notations in the earliest texts to represent numbers and measures of products of a redistributive archaic economy"[18]: 258 Although Schmandt-Besserat gave credit to the work of her predecessors in the field, she has often been singled out as the discoverer of these correspondences. William Goetzmann's history of money, Money Changes Everything (Princeton U.P., 2012) is one example.[19]
Schmandt-Besserat's claims about the role of tokens in both numbers and writing, particularly the complex tokens, have been significantly criticized:
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
