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American painter and musician From Wikipedia, the free encyclopedia
Chris Mars (born April 26, 1961) is an American painter and musician. He was the drummer for the seminal Minneapolis-based alternative rock band The Replacements from 1979 to 1990; he later joined the informal supergroup Golden Smog before beginning a solo career. Although Mars concentrates mainly on his art career, he still occasionally releases new music.
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Chris Mars | |
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.jpg) Chris Mars in 1984 | |
| Background information | |
| Birth name | Christopher Edward Mars |
| Born | April 26, 1961 |
| Genres | Alternative rock |
| Occupation(s) | Musician, songwriter, producer, painter |
| Instrument | Drums |
| Years active | 1979–1996, 2017 (musician) 1996–present (artist) |
| Website | chrismarspublishing |
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In Rolling Stone's Alt Rock-a-Rama, Mars detailed the kind of hell-raising in which he and the other Replacements—singer-guitarist Paul Westerberg, lead guitarist Bob Stinson, and bassist Tommy Stinson—indulged when they were together. Among other incidents, Mars was thrown in jail for playing chicken with an officer in an unmarked police car. Also he and Bob Stinson sabotaged a gig where he knew there would be a lot of record-industry personnel in attendance by going to a novelty store and purchasing some bottles of stink juice. Mars sometimes transformed into an alter ego named Pappy the Clown while on tour; he painted his face when inebriated and spooked the band and road crew.
Mars appeared on only a few songs on the Replacements' final album, All Shook Down (1990); he left before the subsequent tour, unhappy with Westerberg's increasing control of the band.[1]
Mars's first solo album, Horseshoes and Hand Grenades (1992), was a revelation for fans and critics used to his fairly limited role in The Replacements. He wrote every track and played drums, guitar, and keyboards in addition to handling all lead and backing vocals. Except for the presence of bass guitarist J.D. Foster and brief contributions from Soul Asylum's Dave Pirner and Dan Murphy, it was essentially a d.i.y. affair. Mars followed it up a year later with 75% Less Fat.
Mars wasn't interested in touring behind his third album, Tenterhooks (1995), so another band, The Wallmen, toured behind it with a cardboard cutout of Mars placed onstage.[2] He released one more album, Anonymous Botch (1996), before fully turning his full creative attention to his visual-art career.
Mars self-published a fifth album, Note to Self, in 2017.[3] He announced the news on Twitter[4] and later on his Facebook page.[5]
His painting style, examples of which grace all of his album covers, is marked by nightmarish landscapes and grotesque, distorted figures. He draws inspiration from his older brother's struggle with schizophrenia.[6]
He generally likes to use oils or pastels, although he ventures into other media, like acrylic and scratchboard. He created a 13-minute animated film about his work titled The Severed Stream.
Mars' work, which has fetched prices of more than $30,000,[7] has been shown throughout the United States and Canada. He has had solo exhibitions at Billy Shire Fine Arts,[8] The Erie Art Museum, The Minneapolis Institute of Arts, The Steensland Museum, the Coker Bell Gallery,[9] and the Mesa Arts Center.[citation needed]
Mars lives in Minneapolis with his wife, Sally Mars. He attended Central High School in Minneapolis but did not graduate.[10]
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