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1996 studio album by the Wallflowers From Wikipedia, the free encyclopedia
Bringing Down the Horse is the second album by American rock band the Wallflowers. It was released worldwide on May 21, 1996. The album was produced by T Bone Burnett and includes four singles: "6th Avenue Heartache", "One Headlight", "The Difference", and "Three Marlenas".
Bringing Down the Horse | ||||
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Studio album by | ||||
Released | May 21, 1996[1] | |||
Recorded | 1994–1996 | |||
Studio |
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Genre | ||||
Length | 51:14 | |||
Label | Interscope | |||
Producer | T Bone Burnett | |||
the Wallflowers chronology | ||||
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Singles from Bringing Down the Horse | ||||
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Bringing Down the Horse reached number four on the Billboard 200 and went quadruple platinum, becoming the Wallflowers' highest-selling album to date. Three songs from the album were nominated for Grammy Awards; in 1997 the Wallflowers received two nominations, both for "6th Avenue Heartache". In 1998 the band received three additional nominations; two for "One Headlight" and one for "The Difference". "One Headlight" won in both categories it was nominated in. The song was the band's most popular single, reaching number one on the Billboard Mainstream Rock, Modern Rock, and Adult top 40 charts. "One Headlight" is also listed at number 58 in Rolling Stone's list of the 100 Greatest Pop Songs.
Bringing Down the Horse was issued on vinyl for the first time as a double LP set for the album's 20th anniversary, released by Interscope/Universal Music Group, on May 13, 2016.[2]
The Wallflowers released their debut album in 1992 on Virgin Records and subsequently parted ways with the label shortly after the album's release.[3] The band went back to playing clubs in Los Angeles in hopes of securing another record deal. In the year it took to get another deal, the Wallflowers went through a number of personnel changes; the band's bass player Barrie Maguire and drummer Peter Yanowitz both left the band in 1993. Maguire was quickly replaced by Greg Richling, but the drummer position remained open.[4] Soon after Yanowitz's departure, the Wallflowers were noticed by Jimmy Iovine and Tom Whalley of Interscope Records and the band was signed to the label in 1994.[5]
After multiple years away from the studio, the Wallflowers were ready to record. However, they encountered some difficulty in finding a producer willing to work with them. The band sent demo tapes to many producers and one ended up in the hands of T Bone Burnett. Burnett was impressed with what he heard and agreed to produce the band.[6] The Wallflowers entered the studio to begin recording in 1994. Much of the album was recorded in the Los Angeles area. The band's lineup heading into the studio consisted of lead singer-songwriter/rhythm guitarist Jakob Dylan, bassist Greg Richling, keyboard player Rami Jaffee and lead guitarist Tobi Miller. Early in the sessions, however, Miller quit the band for undisclosed reasons, though he remained on good terms with the band. This left the band without a permanent lead guitarist or drummer. Those positions were temporarily filled by drummer Matt Chamberlain and a number of guitarists including Mike Campbell of Tom Petty and the Heartbreakers, Fred Tackett, Jay Joyce and Michael Ward, who would go on to become a permanent member of the group.[7]
Bringing Down the Horse further explores roots sounds heard on the band's previous self-titled album but used a more refined approach. This album features an array of instruments normally associated with roots music including banjos, dobros and pedal steel guitars. Dylan commented on the sound of the record:
You can counter different sounds and different things. We were in a certain channel already, and I do remember thinking if we mixed it organically, and we kept chasing that [Americana sound], it probably would sound dated. I wasn't interested in making a throwback record from the 60's or 70's. I didn't have any interest in doing that. And that was one of the reasons we had Tom Lord-Alge, who was a very current mixer at the time. We thought that he could counter a lot of these acoustic sounds with something that sounded really fresh and up to date.[8]
Upon entering the studio, Dylan, who wrote all the songs for Bringing Down the Horse, had written some songs that were ready to record but needed more to complete the album. Due to the delay between the band's first album and this album, the songwriting process was staggered. Songs for Bringing Down the Horse were written in a span of roughly 5 years. One of the earliest songs, "6th Avenue Heartache", was written before the band's first album; likely around 1990. Several other songs, such as "God Don't Make Lonely Girls", were written when the band was in between labels. During recording sessions, Dylan wrote seven additional songs for the album including "One Headlight", "Bleeders", "Three Marlenas", "The Difference", "Josephine", "Invisible City", and "I Wish I Felt Nothing".[9] On the lyrical content, Dylan stated, "Every song, fortunately or unfortunately is about feeling massively defeated, because that's what I was living."[10] Dylan later said he wrote "I Wish I Felt Nothing" with the band's pedal steel guitarist Leo LeBlanc in mind, who was battling cancer at the time.[11] LeBlanc had been playing with the Wallflowers for several years and was prominently featured on several songs on Bringing Down the Horse, including "Invisible City" and "I Wish I Felt Nothing". He died shortly after completing the album in 1995. Upon the album's release, the Wallflowers dedicated Bringing Down the Horse to LeBlanc.
![]() | This section needs expansion. You can help by adding to it. (July 2023) |
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B[13] |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
Los Angeles Times | ![]() ![]() ![]() ![]() |
NME | 7/10[16] |
Pitchfork | 7.3/10[17] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
USA Today | ![]() ![]() ![]() ![]() |
In a 2023 review, Madison Bloom of Pitchfork rated Bringing Down the Horse a 7.3 out of 10, declaring that a "stale sense of dissatisfaction" with the recording industry is present in the lyrics and highlighted several tracks that make up minor musical suites that made the album a commercial powerhouse.[17]
No. | Title | Length |
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1. | "One Headlight" | 5:13 |
2. | "6th Avenue Heartache" | 5:37 |
3. | "Bleeders" | 3:41 |
4. | "Three Marlenas" | 4:59 |
5. | "The Difference" | 3:50 |
6. | "Invisible City" | 4:48 |
7. | "Laughing Out Loud" | 3:39 |
8. | "Josephine" | 5:09 |
9. | "God Don't Make Lonely Girls" | 4:49 |
10. | "Angel on My Bike" | 4:22 |
11. | "I Wish I Felt Nothing" | 5:04 |
All tracks are written by Jakob Dylan except where noted
No. | Title | Length |
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12. | "Used to Be Lucky" | |
13. | "6th Avenue Heartache" (acoustic) | |
14. | "Angel on My Bike" (Live) |
No. | Title | Writer(s) | Length |
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12. | "Used to Be Lucky" | ||
13. | "Heroes" | David Bowie |
The Wallflowers
(Mario Calire is credited as drummer but does not perform on this album; he joined the band after recording and prior to release.)
Additional musicians
Weekly charts
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Year-end charts
Decade-end charts
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Region | Certification | Certified units/sales |
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Australia (ARIA)[35] | Gold | 35,000^ |
United States (RIAA)[36] | 4× Platinum | 4,000,000^ |
^ Shipments figures based on certification alone. |
Region | Date | Label | Format | Catalog |
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United States | May 21, 1996 | Interscope | CD, cassette tape | 90055 |
Canada and Europe | June 1996[37] | MCA | Compact Disc, cassette tape | |
United Kingdom | August 1996[37] | MCA | Compact Disc, cassette tape | |
Japan† | September 1997[37] | Universal/MCA | Compact Disc | 24018 |
†This version contains bonus tracks
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