The Boulevard du Temple follows the path of the city wall constructed by Charles V (the so-called Enceinte, constructed between 1356 and 1383) and demolished under Louis XIV. The boulevard, lined with trees, was built between 1656 and 1705.
From the time of Louis XVI (1774–1792) until the July Monarchy in 1830, the Boulevard du Temple was popular and fashionable. It was a place for walking and recreation. Cafés and theatres previously located at the Saint-Laurent and Saint-Germain fairs moved here. After a time, it was nicknamed the Boulevard du Crime after the crime melodramas that were so popular in its many theatres. In 1782, Philippe Curtius, Madame Tussaud's tutor in wax modelling, opened his second exhibition on this boulevard.
On this boulevard, on 28 July 1835, Giuseppe Fieschi made an attempt on the life of the king, Louis-Philippe. The attempt failed, but it resulted in 18 dead and 23 injured. Gustave Flaubert spent several months each winter at 42, boulevard du Temple from 1856 to 1869.
A photograph of this street was taken in 1838 by Louis Daguerre from high in his 350-seat Diorama Building at 4, Rue Sanson, where it intersected with the Rue des Marais, and which from the rear looked out roughly southwards over the rooftops towards the Boulevard du Temple (since demolished, the place where it stood is at the south side of the Rue Léon Jouhaux just off the north corner of the Place de la République).[1] The image is one of the earlier Daguerreotypes (invented 1837), and it is thus believed to be the earliest surviving photograph showing a person.[2] A man stopped to have his shoes shined, and by remaining still, he (though not his head) unwittingly became captured on the plate, while all the other traffic rushing through the street vanished from the image due to the long time of exposure. The exposure of this shot was 4 to 5 minutes.[3]
The history of the names of the theatres at various sites on the boulevard du Temple is summarized in the following list. Unless otherwise noted the names and dates are from Lecomte,[5] and the street addresses are based on the 1861 Paris guide of Lehaguez.[6]
located between the Hôtel Foulon [site of the later Théâtre Historique] and the site of the later Cirque-Olympique[13]
Théâtre Lyri-Comique (1800)
Théâtre des Variétés-Amusantes (3rd, 1803)
Nouveaux Troubadours (1805)
Closed in 1807 by Napoleon's decree on the theatres, most of the building was demolished except for the entry hall, which continued to be used for exhibiting trained dogs and monkeys performing tricks.[14]
1787: Théâtre des Bluettes comiques et lyriques
Théâtre des Élèves de Thalie (1791)
1787: Cabinet des figures de cire (Cabinet of wax figures), disappeared in 1847
R. Derek Wood 'Daguerre and his Diorama in the 1830s: some financial announcements', in Photoresearcher, [Journal of the European Society for the History of Photography, Croydon], March 1997, Issue Nr 6 ('1994/95/96'), pp. 35–40
Street addresses are based on Lehaguez 1861. The street addresses of the various sites at earlier times may have differed from those in 1861. For example, Planta 1821, p. 159, gives the street address of the Théâtre de la Gaîté as 68 boulevard du Temple (instead of 58), and that of the site of the first Théâtre de l'Ambigu-Comique as 74 (instead of 62).
Madame Saqui established her theatre in 1812 in a different location on the Boulevard du Temple, but received permission to move into the Café d'Apollon on 12 December 1816 (McCormick 1993, p. 35).
Although McCormick 1993, p. 42, does not give the exact street address, he states: "In 1815 the old Lazzari theatre was rebuilt on a site adjacent to the original one." The 1815 theatre was located at number 50. In 1779, when the old Lazzari was built, the other adjacent site, number 52, was already occupied by the Théâtre des Associés, which in 1815 had become the theatre of Madame Saqui.
Hemmings, F. W. J. (1994). Theatre and State in France, 1760–1905. New York: Cambridge University Press. ISBN978-0-511-00042-3. ISBN978-0-521-03472-2 (2006 paperback reprint).
Lecomte, Louis-Henry (1905). Histoire des théâtres 1402–1904. Notice préliminaire. Paris: Daragon. View at Google Books.
Lehaguez, M. (1861). Le nouveau Paris et ses environs. Guide de l'étranger. Paris: A. Lehaguez. View at Google Books.
Lust, Annette Bercut (2002). From the Greek Mimes to Marcel Marceau and Beyond. Lanham, Maryland: Scarecrow Press. ISBN978-0-8108-4593-0.
McCormick, John (1993). Popular Theatres of Nineteenth Century France. New York: Routledge. ISBN978-0-415-08854-1.
Planta, Edward (1821). A New Picture of Paris; or, The Stranger's Guide to the French Metropolis. London: Samuel Lee and Baldwin, Craddock. View at Google Books.
Some of the information on this page has been translated from its French equivalent.
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