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Music workstation From Wikipedia, the free encyclopedia
The Boss Dr. Sample SP-303 is a discontinued digital sampler from Boss, successor of the Boss SP-202 Dr. Sample.[1] The SP-303 was revamped and redesigned in 2005, and released as the SP-404, by Roland Corporation.
![]() Boss Dr. Sampler SP-303, with cords and adapter | |
Electronic instrument | |
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Other names | SP-303, 303 |
Classification |
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While the Dr. Sample SP-303 may lack some of the features seen on other hip hop production samplers such as the Ensoniq ASR-10, the Akai MPC, and later SP installments, it however has many other unique features that make up for that. Like the SP-202, the SP-303 utilizes 8 pads, 4 soundbanks, and an external mic.
The sampler provides up to three minutes and twelve seconds of sampling. The sample time can be expanded by the use of SmartMedia cards (8MB-64MB supported). The SP-303 features twenty-six internal effects that can be applied to samples and external sources as well. Some of these effects are Filter + Drive, Pitch, Delay, Vinyl Sim, Isolator, Reverb, and Tape Echo. Another notable feature is the built-in pattern sequencer, where loops and patterns can be programmed.
The following list is a correct order of each installment's release, as an attempt to help musicians avoid any confusion.
The SP-303 is often praised by various musicians for its unique sound qualities, specifically its pitch and compression effects. Frequent SP-303 and 404 user Dibiase said of the sampler, "The difference between the 303 and SP-404 is that the vinyl sound compression sounds way different in the 303. It has a grittier sound."[2][3]
The sampler has often been used live and in the studio by artists such as Animal Collective, Panda Bear,[4] Four Tet,[5] Madlib[6][7] and J Dilla.[8] Dilla famously used only the SP-303 and a 45 record player to create 29 of the 31 tracks from Donuts while hospitalized.[9][10] Madlib produced most of the collaboration album Madvillainy, by using a Boss SP-303, a portable turntable, and a cassette deck. This including beats for "Strange Ways", "Raid", and "Rhinestone Cowboy", which were all produced in his hotel room in São Paulo.[11]
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