Bone Dance

Bone Dance is a 1991 novel by American writer Emma Bull, described variously as fantasy, hard science fiction and cyberpunk. It was nominated for the Hugo, Nebula and World Fantasy Awards in 1992.

Bone Dance

First paperback edition
Author	Emma Bull
Cover artist	Jean Targete
Language	English
Genre	Fantasy, science fiction
Publisher	Ace Books
Publication date	May 1991
Publication place	United States
Media type	Print (paperback)
Pages	278 pp (first edition, paperbound)
ISBN	0-441-57457-2
OCLC	23612899

Setting

Although the city in which Bone Dance is set is not named, it appears to be a climate-modified Minneapolis, the author's setting for her first novel, War for the Oaks. The novel features references to Tarot (each of ten sections is named for a card) and Louisiana Voodoo. It is subtitled "A Fantasy for Technophiles" and the central place of devices generally, and electronics specifically, justifies that label. Since the time is a post-nuclear-clash future following a war between the Americas, North and South, skill at maintaining and repairing salvaged artifacts is valuable. So are pre-collapse artifacts themselves. Sparrow, the point-of-view character, makes a living by bartering such skill, along with occasional sales of scavenged artifacts. Sparrow is a bioengineered human, though that case is not plainly stated until half-way through the story.

Plot summary

In the opening scene, Sparrow cannot recall what took place in the preceding 36 hours. Awakening yet again in a novel place with new hurts, the urge to fix the problem is intense. On the way to enlightenment comes a cryptic Tarot reading from friend Sherrea, abduction by a dead man animated by what might as well be a Loa, and introduction to a Vodun-based community that is dedicated to replacement, and if necessary to overthrow, of the status quo in the city. The latter has the individual most responsible for the inter-continental war near its power apex, a character who is also the revenge target of another survivor from his kind. Those are the "Horsemen", modified people who can move their consciousness from body to body.

The second half of the story shows Sparrow's awkward progress toward a fully human condition and becoming a valued member of a community, and is capped by a closing conceit: that the whole telling has been an autobiography.

Reception

Bone Dance is regarded by scholars as defying genre and gender conventions: its setting blends fantasy with hard science fiction, while its protagonist blurs gender boundaries.^[1][2] Academic Veronica Hollinger termed the book "a feminist revision of 1980s cyberpunk", noting that its hard-boiled tone shared similarities to William Gibson's Neuromancer.^[2] The novel employs cyberpunk motifs such as mind control and genetic engineering to explore themes of gender identity.^[3][4] The construction of Sparrow's self-identity was described by academic Jane Donawerth as reminiscent of Mary Shelley's Frankenstein.^[5]

Bone Dance was nominated for numerous awards, including the Hugo, Locus, Nebula and World Fantasy Awards, and received a special citation at the Philip K. Dick Award.^[6]

References

1. Donawerth (1997), pp. 170–174.
2. Hollinger (2003), pp. 130–131.
3. Wolmark (1999), p. 234.
4. Booker & Thomas (2009), p. 117.
5. Donawerth (1997), p. 172.
6. "Emma Bull Awards". Science Fiction Awards Database. Locus Science Fiction Foundation. Retrieved November 28, 2021.

Sources

• Booker, M. Keith; Thomas, Anne-Marie (2009). The Science Fiction Handbook. Wiley-Blackwell. ISBN 978-1-4443-1035-1.
• Donawerth, Jane (1997). Frankenstein's Daughters. Syracuse University Press. ISBN 978-0-8156-2686-2.
• Hollinger, Veronica (2003). "Feminist Theory and Science Fiction". In James, Edward; Mendlesohn, Farah (eds.). The Cambridge Companion to Science Fiction. Cambridge University Press. ISBN 978-0-521-01657-5.
• Wolmark, Jenny (1999). "The Postmodern Romances of Feminist Science Fiction". Cybersexualities. Edinburgh University Press. ISBN 978-0-7486-1118-8.