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American actor From Wikipedia, the free encyclopedia
Benjamin Moses Teal (January 19, 1857 – April 20, 1917) was an American actor, theater director, and playwright. He directed over 30 plays on Broadway between 1897 and 1916, and was widely known for his strict, often brusque stage direction. Born in Eugene, Oregon, Teal spent his formative years in San Francisco, where he began performing as a child actor in theatrical productions.
Ben Teal | |
---|---|
Born | |
Died | April 20, 1917 59) New York City, U.S. | (aged
Resting place | Woodlawn Cemetery |
Occupation(s) | Actor, theater director |
Spouses | Mary Blackburn (m. 1887)Elinor Gilman (m. 1906) |
As an adult, Teal began his career as a stage director in San Francisco before relocating to New York City in the latter part of the nineteenth century. Among his directorial credits include the original Broadway production of Ben-Hur (1899), in which he staged the play's elaborate chariot race sequence onstage.
Teal was born January 19, 1857, in Eugene, Oregon.[1][a] He spent his early life in San Francisco, and made his first stage appearance at four or five years old.[3] As an adult, Teal began his career as a stage director in California, before relocating to New York City in the latter part of the century.[3]
He married Mary Blackburn, a native of Sacramento, California, in New York City on June 27, 1887.[4] He later remarried to Portland, Oregon, native Elinor Toomey Gilman in Boston, Massachusetts, on October 9, 1906.[5]
Teal gained notoriety for his directing of the original Broadway production of Ben-Hur (1899–1900), in which he successfully arranged an elaborate chariot race sequence on stage.[6] He staged over thirty plays on Broadway between 1897 and 1916.[7] Teal was known for his brusque stage direction and interaction with cast members, though he was noted for being "without peer in his ability to move large numbers of extras around onstage."[8] Writer Edward Jewett Luce noted in 1910: "Ben Teal—the very mention of whose name suggest stage management with a vengeance—is known all over the world as the strictest, yet the most conscientious of stage directors."[9]
Teal died in a New York City sanitarium of an unspecified disease on April 20, 1917.[10] He is interred in Woodlawn Cemetery in the Bronx.[11]
Year | Title | Location | Notes | Ref. |
---|---|---|---|---|
1887 | Clito | Baldwin Theatre, San Francisco | [12] | |
1899 | A Reign of Error | Victoria Theater | [7] | |
1899 | In Gay Paree | Casino Theatre | [7] | |
1899–1900 | Ben-Hur | Broadway Theatre | [7] | |
1900 | Chris and the Wonderful Lamp | Victoria Theater | [7] | |
1900–1901 | The Rogers Brothers in Central Park | Victoria Theatre; Grand Opera House | [7] | |
1900 | Foxy Quiller (In Corsica) | Broadway Theatre | [7] | |
1900 | Star and Garter | Victoria Theater | [7] | |
1900–1901 | Sweet Nell of Old Drury | Knickerbocker Theatre | [7] | |
1901 | The Rogers Brothers in Washington | Knickerbocker Theatre | [7] | |
1901–1902 | The Sleeping Beauty and the Beast | Broadway Theatre | [7] | |
1902 | The Rogers Brothers in Harvard | Knickerbocker Theatre | [7] | |
1904 | Whoop-Dee-Doo | Weber and Fields' Music Hall; New Amsterdam Theatre | [7] | |
1904 | An English Daisy | Casino Theatre | [7] | |
1905–1906 | The Rollicking Girl | Herald Square Theatre; New York Theatre | [7] | |
1905 | The Catch of the Season | Daly's Theatre | [7] | |
1906 | The Mountain Climber | Criterion Theatre | [7] | |
1906 | The American Lord | Hudson Theatre | [7] | |
1906 | The Little Father of the Wilderness / The Mountain Climber | Criterion Theatre | [7] | |
1906–1907 | The Little Cherub | Criterion Theatre; Grand Opera House | [7] | |
1906–1907 | The Rich Mr. Hoggenheimer | Wallack's Theatre | [7] | |
1907 | The Rogers Brothers in Panama | Broadway Theatre; Liberty Theater | [7] | |
1907–1908 | The Hoyden | Knickerbocker Theatre; Wallack's Theatre; Grand Opera House | [7] | |
1908 | Fluffy Ruffles | Criterion Theatre | [7] | |
1910 | The Old Town | The Globe Theatre | [7] | |
1910 | A Skylark | New York Theatre | [7] | |
1912 | The Man from Cook's | New Amsterdam Theatre | [7] | |
1913–1914 | Adele | Longacre Theatre; Harris Theatre | [7] | |
1913–1914 | Iole | Longacre Theatre | Also wrote book and lyrics | [7] |
1914 | The Midnight Girl | 44th Street Theatre | [7] | |
1914 | The Red Canary | Lyric Theatre | [7] | |
1915 | The Girl Who Smiles | Lyric Theatre; Longacre Theatre | [7] | |
1916 | Broadway and Buttermilk | Maxine Elliott's Theatre | [7] | |
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