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British-Indian writer, broadcaster and actor (1913–1998) From Wikipedia, the free encyclopedia
Attia Hosain (20 October 1913 – 25 January 1998)[1] was a British-Indian novelist, author, writer, broadcaster, journalist and actor.[2][3] She was a woman of letters and a diasporic writer. She wrote in English although her mother tongue was Urdu.[4] She wrote the semi-autobiographical novel Sunlight on a Broken Column (1961) and a collection of short stories titled Phoenix Fled. Her career began in England in semi-exile making a contribution to post-colonial literature. Anita Desai, Vikram Seth, Aamer Hussein and Kamila Shamsie have acknowledged her influence.
Attia Hosain | |
---|---|
![]() Hosain in the 1930s | |
Born | 20 October 1913 Lucknow, United Provinces, British India |
Died | 25 January 1998 84) London, United Kingdom | (aged
Occupation | Writer |
Nationality | Indian, British |
Genre | Novels |
Spouse | Ali Bahadur Habibullah (1909–1982) |
Children | Waris Hussein, Shama Habibullah |
Attia was born in Lucknow into the liberal Kidwai clan of Oudh. Her father Shahid Hosain Kidwai, was the Cambridge-educated Taluqdar of Gadia, and her mother, Begum Nisar Fatima came from the Alvi family of Kakori. From her father she inherited a keen interest in politics and nationalism. From her mother's family of poets and scholars she drew a knowledge of Urdu, Persian and Arabic. She was the first woman from her background to graduate from Lucknow University, after having attended La Martiniere School for Girls and Isabella Thoburn College, Lucknow.[5]
Hosain grew up in two cultures, reading the canon of English and European literature as well as the Quran.[3]
Attia came of age as the struggle for independence was gaining strength.[4] Attia's father was a friend of Motilal Nehru at the Inns of Court. In 1933, Attia was encouraged by Sarojini Naidu, "my own ideal of womanhood from childhood", and attended the All India Women's Conference in Calcutta.[2]
In her own words, Attia said, "I had been very influenced by the political thoughts of the Left in the Progressive Writers' Movement, through my friends Mulk Raj Anand, Sajjad Zaheer and Sahibzada Mahmuduzaffar and was asked by Desmond Young to write for The Pioneer."[6] She also wrote for The Statesman, Calcutta.
She married her cousin, Ali Bahadur Habibullah, her mother's sister's son, against the wishes of their families. They had two children, Shama Habibullah and Waris Hussein. In the early 1940s the couple moved to Bombay, where Ali Bahadur was in government service, first in the Textile Commission and later as Supply Commissioner for South East Asia after the outbreak of World War II.
She turned her home into an extension of her childhood open house, a Lakhnavi "adda", a gathering that attracted an eclectic crowd of people, writers, filmmakers, members of social and business world of the city, which expanded to include her husband's more western world. A young Raj Thapar was brought in by her future husband Romesh Thapar to meet Attia, whom he called 'the only woman with a man's mind."[7]
Ali Bahadur Habibullah moved to England with his family in 1947, before India became independent, posted to the Indian High Commission, in the newly created Trade Commission. When India was partitioned into India and Pakistan, the division of the country and the separation of two religious communities caused Attia great pain. "We belong to a generation that has lived with our hearts in pieces," she said.[citation needed]
Later in life she wrote: "Here I am, I have chosen to live in this country which has given me so much; but I cannot get out of my blood the fact that I had the blood of my ancestors for 800 years in another country."[5]
In London, where a diaspora of displaced people had gathered in a post war world, Attia Hosain became a Quissa goh, the storyteller of her own roots. Her stories appeared in the English magazine Lilliput and the American Journal, the Atlantic Monthly.
Despite her cosmopolitanism, her creative directions as writer, broadcaster with the BBC and actress were enriched by her own identity and diverse cultural strands.
In 1953, Phoenix Fled, her first collection of short stories, which are set just before the partition, was published.[8] In 1961, Chatto and Windus published Sunlight on a broken Column.[9]
For a long time this was thought to be her only published written work, until Distant Traveller, a collection, new & selected fiction was published in 2012, to honour her coming centenary year, which included excerpts of her unfinished novel, No New Lands, No New Seas, set in England. Many of her stories have now been included in other anthologies.
In 1998 Sunlight on a broken Column and Phoenix Fled were re-launched as Virago Modern Classics. Attia Hosian was reborn as a writer enjoying a considerable reputation.[10]
To the young writers, she wrote: "You must keep trying because it is as essential as drawing breath – like exhaling! All the thoughts breathed out and shaping themselves visibly after being inside the cells of the brain, and then released. If you hold your breath and do not breathe out, you will suffocate."
Attia did not apologize for English as her chosen language of expression. "In the struggle for freedom, English was both a weapon, as well as the key to what I might call the ideological arsenal. The result of this clashing and merging of different cultures was that I, like many others, lived in many worlds of thoughts and many centuries at the same time, shifting from one to the other with bewildering rapidity in a matter of moments", Writing in a foreign tongue by Attia Hosain.[11]
To the end of her life, she retained a fierce, iconoclastic political consciousness and was scornful of hypocrisy, extremism and sectarianism. She struggled for harmony between the languages, cultures and beliefs that surrounded her and drew strength from socialism, humanism and enlightened Islam, although she accepted no philosophy without rigorous analysis.[12]
Indian Editions: (1) Arnold Heinemann, India, 1979 - Foreword by Mulk Raj Anand; (2) Penguin India, 1992 - Foreword by Anita Desai
Shakespeare plays – translations. Played various parts, including Lady Macbeth, Desdemona, alongside Zia Moinuddin, Ijaz Hussain Batalvi, Amira Ahuja.
Also in Urdu – translations of plays by Jean Cocteau and Harold Pinter, among others, as lead actor.
BBC Third Programme Writing in a Foreign Tongue, 7 May 1956.
Woman's Hour, "Passport to Friendship", 1965
Audio conversations (public and private) with Literary Estate of Attia Hosain.
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