Antonio Diego Voci
Italian painter / From Wikipedia, the free encyclopedia
Dear Wikiwand AI, let's keep it short by simply answering these key questions:
Can you list the top facts and stats about Antonio Diego Voci?
Summarize this article for a 10 year old
Antonio Diego Voci (VOH-chee 1920–1985) was an internationally collected Italian figurative artist with the largest group of owners of his works residing in Switzerland, England, Germany, Italy, Canada and the US; as well as various works scattered the world over.[1][2][3] Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life which began when he met Helga Drössler in January 1960 in Paris.[2] A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more."[2] Helga who became Diego's wife, lover, best friend and confidant, published seven chapters of her life with Diego on Artifact Collectors.[2][3] Within those 25 abundant years Diego created 4000 oils, mostly on canvas, and many thousands of drawings.[2][3]
Antonio Diego Voci | |
---|---|
Born | (1920-08-10)10 August 1920 |
Died | (1985-12-10)10 December 1985 |
Nationality | Italian |
Education | Florence Academy of Arts |
Known for | Painting, Drawing, Sculpture |
Notable work | Poor People, Death in Battle, La Violenza, Miraculous Catch, Bathers, Valiant Stallion (See Gallery) |
Movement | Surrealism Impressionism Cubism Figurative art |
"Each movement had its great masters, but there are very few who could create art unconfined by a single style like Diego." – Christopher Voci[1]
Impressionism, Cubism, Surrealism, and Fauvism all experienced the hand of Diego Voci who was fascinated by the beauty and mystery of the face and figure, whether the female body nude or in ballet, or the etched lines of life's hardships in an old man's face, or the grace and power of the horse. Diego's versatility was his strength.[1][2][3][4] Diego not only saw and realized human frailty, the desire and longing of the human to be something more, seeking but not to find; but also he understood man's animal instinct to overpower, offset by the object's instinct to resist.[1][2][3][4][5]