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Adriaen van Overbeke
From Wikipedia, the free encyclopedia
Adriaen van Overbeke, Adrian van Overbeck and Adriaen van Overbeke (fl 1508 – 1529) was a Flemish Renaissance painter in the style of Antwerp Mannerism. He operated a large workshop with an important output of altarpieces, which were mainly exported to Northern France, the Rhineland and Westphalia.[1] His known works were predominantly polychromed wooden altarpieces with painted shutters, which were created through a collaboration between painters and sculptors.[2]
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The artist has only recently been identified with the anonymous master who was given the notname 'Master of the Crucifixion of Antwerp' by Max Jakob Friedländer.[3]