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Indian actor From Wikipedia, the free encyclopedia
Dr. Aanjjan Srivastav (born 2 June 1948) is an Indian film, television and stage actor, associated with Indian People's Theatre Association (IPTA) in Mumbai of which he remained Vice-President for several years. Outside theatre, he is best known as a character actor in Marathi and Hindi films, most notably, Mira Nair's Salaam Bombay!, Mississippi Masala and Anupam Mittal's Flavors and Bollywood films like Gol Maal, Bemisal, Khuda Gawah, Kabhi Haan Kabhi Naa and Pukar. He has also acted in the TV shows Wagle Ki Duniya (1988) and Wagle Ki Duniya – Nayi Peedhi Naye Kissey (2021).
On television, Srivastav made his mark as the quintessential "common man" in the TV series Wagle Ki Duniya (Wagle's World) (1988–90) and Wagle Ki Nayi Duniya, where he played the lead role, apart from Yeh Jo Hai Zindagi (1984) and Nukkad.[2][3] He has also acted for more than 40 years in over 30 plays, many of them jubilee hits, including Bakri, Moteram Ka Satyagrah, Shatranj Ke Mohre, Ek Aur Dronacharya and Chakkar Pe Chakkar.[4][5] One of his serials is Bharat Ek Khoj, based upon Pt. Nehru's Discovery of India, wherein he played various roles.
He was born and brought up in Calcutta (now Kolkata), into a family from Uttar Pradesh and his father was a banker with Allahabad Bank. Anjan did his B.Com. and LLB from Calcutta University, it was here that he started taking part in local Hindi and Bengali theatre groups in 1968, and did plays for All India Radio. Meanwhile, he also did a small role in the film Chameli Mem Shaeb. Soon he acted with noted groups in the city like Kala Bhavan, Sangeet Kala Mandir and Adakar and acted in a few Bengali films.[3]
As per his fathers wishes, he joined the Allahabad Bank, and continued acting in plays on the side. It was only after the death of his sister in 1976 that his father relented and allowed him get transferred to Bombay (now Mumbai) to pursue his acting career further.[3]
Upon arrival, he immediately joined Indian People's Theatre Association (IPTA) and worked in its several productions, and remained with it ever since, after staying its General Secretary of IPTA for a while, he went on to become the Vice-President. He also worked with Prithvi Theatre in the city.[5][6][7]
Anjan started his career with Bengali plays like Neel Darpan, Kayakalp and Anwar around the year 1967. In Mumbai, with Indian People's Theatre Association (IPTA), he contributed to several plays including the most renowned Safaid Kundali (The Caucassion chalk circle) by M. S. Sathyu and other Stage plays in the social category with association of the same theatre group. Theatre led to film roles like in Kundan Shah's Saza-E-Maut, Hrishikesh Mukherjee's comedy classic, Gol Maal (1979) and JP Dutta's Ghulami (1985). Then he moved in Television with Yeh Jo Hai Zindagi and went on act in notable TV series like Manoranjan, Tamas, by Govind Nihlani, Nukkad and Katha Sagar, finally in 1987, he received the lead in comedy series, Wagle Ki Duniya, based on R.K. Laxman's common man, which brought him his place in the limelight. He also acted in Shyam Benegal's epic series, Discovery of India.[8]
He often plays skeptical bureaucratic roles, sometimes the conventional narrow-minded father character, and as the veteran actor who effectively enacted the troubles and ways of life of a common-middle-class man in Wagle Ki Duniya, a creation by known cartoonist R.K. Laxman and director Kundan Shah. He has acted in over 127 Hindi films including Kabhi Haan Kabhi Naa, as head hockey official, Mr. Tripathi in Chak De! India, and in other films like Raju Ban Gaya Gentleman and No Entry and many other characters in various films. In 2005, he played the lead in M.S. Sathyu's production Raat, written by Javed Siddiqui and based on Ariel Dorfman's play Death and the Maiden.[9] Other plays Anjan continues to do include Moteram Ka Satyagrah, directed by M. S. Sathyu, based on the writings of Munshi Premchand and Safdar Hashmi and Kashmakash, directed by Ramesh Talwar. These plays mostly run at Prithvi Theatre, Mysore Association-Sion, TejPal Auditorium. Anjan's Moteram Ka Satyagrah and Shatranj Ke Mohre are some plays which have been running now for more than 20 years.
All through his acting career, he remained a bank employee from where he later retired in 2001.[3]
| Year | Play | Direction | Language |
|---|---|---|---|
| 1967–1978 | Kayakalp | Sushila Mishra | Bengali |
| Baati Ghar | Bijon Chatterjee | Bengali | |
| The Chinese Wall | Sushila Mishra | Bengali | |
| All My Sons | Sushila Mishra - Arthur Miller's | Bengali | |
| Neel Darpan (Bengali) | Jnanesh Mukherjee - Bandhu Mitra's | Bengali | |
| Aashad Ka Ek Din | Badri Prasad Tewary - Mohan Rakesh's | Bengali | |
| Chakkar pe Chakkar | Rajendra Sharma | Bengali | |
| Kachwa Aur Khargosh | Rajendra Sharma | Bengali | |
| Aasman Se Gira | Rajendra Sharma | Bengali | |
| Kisi Ek Phool Ka Naam Lo | Rajendra Sharma | Bengali | |
| Barf Ki Minar | Rajendra Sharma | Bengali | |
| Ek Aur Dronachaarya | Badri Prasad Tiwari | Bengali | |
| The Good Woman of Setzuan | Shyamaland Jalan - Brecht's | Bengali | |
| 1978–present | The Ghost (Ateet Ki Parchaaiyan) | R. M. Singh - Ibsen's | Hindi |
|
2000 |
Bakri | M. S. Sathyu - Saxena's | Hindi |
| 1978 | Hum Farishtey Nahin | Javed Khan | Hindi |
| 1979 | Aap Kaun Hai, Kya Karte Hai, Kya Karna Chahte Hai | Baasu Bhattacharya | (adaptation) |
| Hori | Kamlakar Sontake | Hindi | |
| 1979–1980 | The Caucassion chalk circle as Sufaid Kundali | M. S. Sathyu - Brecht's | Hindi |
| 1980 | Dande Ka Ghoda | M. S. Sathyu- Brecht's | Hindi |
| Dekha Andekha | Ashok Lal | Hindi | |
| 1983 | Lok Katha | Ramesh Talwar | Hindi |
| 1983 | Rakshas | M. S. Sathyu | Hindi |
| 1985 | Ek Aur Dronacharya | S. Dangayach - Dr. Shankar Shesh's | Hindi |
| 1984 | The Dragon as Rakshas | M. S. Sathyu | Hindi |
| 1986 | Rajdarshan | Waman Kendre | Hindi |
| 1987 | Saiyyan Bhaye Kotwal | Waman Kendre | Hindi |
| 1989–90 | Moteram Ka Satyagraha | M. S. Sathyu - Premchand's | Hindi |
| 1989 | Aakhri Peshi | Jaspal Sandhu | Hindi |
| 1991–92 | Temp Me Not | Waman Kendre | Hindi |
| 1999 | Shatranj Ke Mohre | Ramesh Talwar - P. L. Deshpande's | Hindi |
| 1999 | Ek Mamooli Aadmi | Raman Kumar - Akiru Kurusawa's Ikiru | Hindi |
| 2000 | Kurukshetra Se Kargil Tak | M. S. Sathyu - K. V. Puttappa | Hindi |
| 2001 | Surya Ke Waris | Jaydev Hattangady | Hindi |
| 2002 | Tajmahal Ka Tender | Salim Arif | Hindi |
| 2002 | Aakhri Shama | M. S. Sathyu - Kaifi Azmi's | Urdu |
| 2002 | Raat (Based on 1994 Mystery Death & the Maiden) | M. S. Sathyu - Javed Siddiqui | Hindi |
| 2002 | Doodh King | Jha | Hindi |
| 2004 | Kashmakash (Based on Bengali Play Tamrapatra) | Ramesh Talwar | Hindi/ Bengali |
| 2007 | Orange Juice | Hindi | |
| 2007 | Hum Deewane Hum Parwane | Ramesh Talwar | Hindi/Urdu |
| 2013 | Darindey: The Villains | Ramesh Talwar | Hindi |
| 2012–13 | Rishton Ka Live Telecast | Prasad Khandekar (Non IPTA production) | Hindi |
| 2017 | Ek Aur Dronacharya (Revived) | S. Dangayach - Dr. Shankar Shesh's | Hindi |
| 2017 | Ek Mamuli Aadmi (Revived) | Raman Kumar (AShok Lal) | Hindi |
| 2017 | Bakri (revived) | M. S. Sathyu | Hindi |
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