1909 Nobel Prize in Literature
Award From Wikipedia, the free encyclopedia
Award From Wikipedia, the free encyclopedia
The 1909 Nobel Prize in Literature was awarded to the Swedish author Selma Lagerlöf (1858–1940) "in appreciation of the lofty idealism, vivid imagination and spiritual perception that characterize her writings."[1] She became the first woman and first Swede to be awarded the prize.
 1909 Nobel Prize in Literature | |
|---|---|
| Selma Lagerlöf | |
 "in appreciation of the lofty idealism, vivid imagination and spiritual perception that characterize her writings." | |
| Date |
|
| Location | Stockholm, Sweden |
| Presented by | Swedish Academy |
| First awarded | 1901 |
| Website | Official website |
In his award ceremony speech on 10 December 1909, Claes Annerstedt of the Swedish Academy said:
"Geijer, Tegnér, or Runeberg, to mention only them, could justly have laid claim to the Nobel Prize, and the development which these great men have started has grown to fuller bloom. But among the writers of the younger generation who have contributed so much to our literature, there is one name that enjoys the special splendour of a star of the first magnitude. In the works of Selma Lagerlöf we seem to recognize the purest and best features of our Great Swedish Mother."[2]
Selma Lagerlöf's authorship is deeply rooted in folk tales, legends, and stories from her home district in Värmland County, Sweden. Her début novel, Gösta Berling's Saga (1891), broke away from the then-prevailing realism and naturalism and is characterized by a vivid imagination. Even so, her works provide realistic depictions of people's circumstances, ideas, and social lives during the 19th-century religious revival. Lagerlöf wrote in prose and her stories characterized by a captivating descriptive power and their language by purity and clarity.[3] Among her significant novels include Jerusalem (1901–02), Nils Holgerssons underbara resa genom Sverige ("The Wonderful Adventures of Nil", 1907), Körkarlen ("Thy Soul Shall Bear Witness!", 1912), and The Ring of the Löwenskölds (1925–28).[4]
Selma Lagerlöf received 28 nominations since 1904. Her highest number of nominations (11 nominations) were for the 1909 prize with which she was awarded eventually.[5] In total, the Nobel committee received 38 nominations for 21 writers including Angelo de Gubernatis, Maurice Maeterlinck (awarded in 1911), Iwan Gilkin, and Jaroslav Vrchlický. Seven of the nominees were nominated for the first time including Ernest Lavisse, Verner von Heidenstam (awarded in 1916), Martin Greif, and Émile Verhaeren.[6]
The authors Gustaf af Geijerstam, Innokenty Annensky, Jakub Bart-Ćišinski, Rosa Nouchette Carey, Euclides da Cunha, John Davidson, Amalia Domingo Soler, George Manville Fenn, Clyde Fitch, Jacob Gordin, Sarah Orne Jewett, Cesare Lombroso, Luis Alfredo Martínez, Clorinda Matto de Turner, Catulle Mendès, Alfredo Oriani, Signe Rink, John Millington Synge, Renée Vivien, Rudolf von Gottschall, Detlev von Liliencron, Ernst von Wildenbruch, and Egerton Ryerson Young died in 1909 without having been nominated for the prize.
| No. | Nominee | Country | Genre(s) | Nominator(s) |
|---|---|---|---|---|
| 1 | Paul Bourget (1852–1935) |  France |
novel, short story, literary criticism, essays | René Bazin (1853–1932) |
| 2 | Borden Parker Bowne (1847–1910) |  United States |
philosophy, theology, essays | Henry MacCracken (1840–1918) |
| 3 | Francesco D'Ovidio (1849–1925) |  Italy |
philology, literary criticism | Ernesto Monaci (1844–1918) |
| 4 | Angelo de Gubernatis (1840–1913) | Italy |
drama, essays, philology, poetry |
|
| 5 | Eugène-Melchior de Vogüé (1848–1910) | France |
essays, literary criticism | Albert Vandal (1853–1910) |
| 6 | Anatole France (1844–1924) | France |
poetry, essays, drama, novel, literary criticism | Paul Hervieu (1857–1915) |
| 7 | Iwan Gilkin[lower-alpha 1] (1858–1924) |  Belgium |
poetry | Ernest Discailles (1837–1914) |
| 8 | Martin Greif (1839–1911) |  Germany |
poetry, drama | 20 professors from Breslau, Prague, Leipzig, Liège, Innsbruck, etc. |
| 9 | Ángel Guimerá Jorge (1845–1924) |  Spain |
drama, poetry | 18 members of the Reial Acadèmia de Bones Lletres de Barcelona |
| 10 | Selma Lagerlöf (1858–1940) |  Sweden |
novel, short story |
|
| 11 | Ernest Lavisse (1842–1922) | France |
history | Frédéric Masson (1847–1923) |
| 12 | Salvador Rueda Santos (1857–1933) | Spain |
poetry, essays | 4 professors of the Complutense University of Madrid |
| 13 | Maurice Maeterlinck (1862–1949) | Belgium |
drama, poetry, essays |
|
| 14 | John Morley (1838–1923) |  Great Britain |
biography, literary criticism, essays | 8 members of the British Society of Authors |
| 15 | Georgios Souris (1853–1919) |  Greece |
poetry, songwriting |
|
| 16 | Algernon Charles Swinburne (1837–1909) | Great Britain |
poetry, drama, literary criticism, novel |
|
| 17 | Émile Verhaeren (1855–1916) | Belgium |
poetry, essays |
|
| 18 | Charles Wagner[lower-alpha 3] (1852–1918) | France |
theology, philosophy | Bernard Bouvier (1861–1941) |
| 19 | Verner von Heidenstam (1859–1940) | Sweden |
novel, short story, poetry | Carl Carlson Bonde (1850–1913) |
| 20 | Jaroslav Vrchlický (1853–1912) |  Austria-Hungary(  Czechoslovakia) |
poetry, drama, translation | Arnošt Kraus (1859–1943) |
| 21 | Alexandru Dimitrie Xenopol (1847–1920) |  Romania |
history, philosophy, essays | Ion Găvănescu (1859–1949) |
In 1909, Selma Lagerlöf was shortlisted alongside Maurice Maeterlinck and Émile Verhaeren.[citation needed] Committee chair Carl David af Wirsén yet again, knowing that Swinburne died months before the Nobel announcement, launched for Belgian writers Maeterlinck and Verhaeren.[citation needed] He regarded on Maeterlinck as "one of the finest writers in the continent" and praised his "brilliant compositions in works like The Blind and Pelléas and Mélisande, as was the same for Verhaeren's poetic oeuvres.[citation needed] But unfortunately, Wirsén failed to gain any support from other committee members. Hence, Lagerlöf was made the Nobel laureate.[8][page needed]
The choice of Swedish writer Selma Lagerlöf as Nobel laureate in 1909 (for the "lofty idealism, vivid imagination and spiritual perception that characterizes her writings") followed fierce debate because of her writing style and subject matter, which broke literary decorums of the time.[9][10][11]
During Lagerlöf's acceptance speech, she remained humble and told a fantastic story of her father, as she 'visited him in heaven'. In the story, she asks her father for help with the debt she owes and her father explains the debt is from all the people who supported her throughout her career.[12][13] Lagerlöf explains that she remembered her father the moment she received the prize, saying:
"But then I thought of my father and felt a deep sorrow that he should no longer be alive, and that I could not go to him and tell him that I had been awarded the Nobel Prize. I knew that no one would have been happier than he to hear this. Never have I met anyone with his love and respect for the written word and its creators, and I wished that he could have known that the Swedish Academy had bestowed on me this great Prize. Yes, it was a deep sorrow to me that I could not tell him."[13]
In 1914, she also became a member of the Swedish Academy. For both the academy membership and her Nobel literature prize, she was the first woman to be so honored.[14] She became a nominator for Georg Brandes for the 1920 and 1922 Nobel prize.[5]
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