Restr:Peter_Paul_Rubens_-_Venus,_Cupid,_Baccchus_and_Ceres_-_WGA20283.jpg
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![Restr:Peter Paul Rubens – Venus, Cupid, Bacchus and Ceres – WGA20283.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/4/49/Peter_Paul_Rubens_%E2%80%93_Venus%2C_Cupid%2C_Bacchus_and_Ceres_%E2%80%93_WGA20283.jpg/800px-Peter_Paul_Rubens_%E2%80%93_Venus%2C_Cupid%2C_Bacchus_and_Ceres_%E2%80%93_WGA20283.jpg)
Restr orin (1 145 × 800 piksel, ment ar restr : 135 Kio, seurt MIME : image/jpeg)
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Tennet eo ar restr-mañ eus Wikimedia Commons ha gallout a ra bezañ implijet evit raktresoù all. Diskouezet eo deskrivadur he fajenn zeskrivañ amañ dindan. |
Diverradur
Pieter Pauwel Rubens: Sine Baccho et Cerere friget Venus
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Titl |
Venus, Cupid, Bacchus ha(g) Ceres (Sine Baccho et Cerere friget Venus) |
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Seurt traezenn |
livadur ![]() |
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Doare |
mythological painting ![]() |
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Deiziad |
1612 - 1613 date QS:P,+1612-00-00T00:00:00Z/8,P1319,+1612-00-00T00:00:00Z/9,P1326,+1613-00-00T00:00:00Z/9 ![]() |
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Mod |
huile sur toile ![]() |
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Mentoù |
uhelder: 141 cm ![]() ![]() dimensions QS:P2048,+141U174728 dimensions QS:P2049,+200U174728 |
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Dastumad |
institution QS:P195,Q1954840 |
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Daveennoù | ||||||||||||||||||||||||||||||||||||||
Mammenn/Luc'hskeudenner |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/r/rubens/21mythol/11mythol.html" |
Aotre-implijout
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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digital representation of saozneg
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Istor ar restr
Klikañ war un deiziad/eur da welet ar restr evel ma oa da neuze.
Deiziad/Eur | Munud | Mentoù | Implijer | Notenn | |
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red | 10 Mez 2011 da 07:03 | ![]() | 1 145 × 800 (135 Kio) | JarektUploadBot | {{Artwork |artist = {{Creator:Peter Paul Rubens}} |title = Venus, Cupid, Baccchus and Ceres |description = |date = {{other date|between|1612|1613}} |medium = {{Oil on canv |
Implij ar restr
Implijout a ra an 2 pajenn da heul ar restr-mañ :
Implij hollek ar restr
Ober a ra ar wikioù da-heul gant ar restr-mañ :
- Implij war arz.wikipedia.org
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Metaroadennoù
Titouroù ouzhpenn zo er restr-mañ; bet lakaet moarvat gant ar c'hamera niverel pe ar skanner implijet evit he niverelaat. Mard eo bet cheñchet ar skeudenn e-keñver he stad orin marteze ne vo ket kenkoulz munudoù zo e-keñver ar skeudenn kemmet.
Evezhiadenn digant ar restr JPEG | RUBENS, Pieter Pauwel
(b. 1577, Siegen, d. 1640, Antwerpen) Venus, Cupid, Baccchus and Ceres 1612-13 Oil on canvas, 141 x 200 cm Staatliche Museen, Kassel Venus and her son Cupid are being offered food and wine by Ceres, goddess of the fruits of the field, and Bacchus, god of wine. The subject comes from a line by the Roman comic poet Terence (d. 159 BC) which frequently figures in the emblem literature that developed from the mid-16th century: 'Sine Cerere et Libero friget Venus' - without Ceres and Bacchus, Venus would freeze. Love is impossible without food and drink. Rather than depicting a boisterous feast, Rubens has opted for a rather restrained scene that must be read as a plea for moderation in pleasure. Rubens produced this painting a few years after his eight-year stay in Italy, where he was employed at the court of Duke Vincenzo Gonzaga of Mantua, and also in Rome. The knowledge of antiquity he gained then was put to use in this painting, as also in a later work on the same theme in 1614, (Royal Fine Arts Museum, Antwerp), Ceres' pose being taken from the Crouching Venus of the Hellenistic sculptor Doidalsas, dating from around 240-230 BC. Rubens certainly knew the marble copy in the Farnese collection in Rome (today in the National Archaeological Museum, Naples). What he particularly appreciated in Hellenistic and Roman sculpture was its formal dynamism, although he saw in ancient sculpture generally a realm of flawless, ideal nature. In painting from such antique models, he says in his De Imitatione Statuarum, a treatise 'on the imitation of sculpture', the statuary has to be humanised, translated into flesh and blood. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 4 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/gasparini_cupid.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Francesco Gasparini: The Meddlesome Cupid, aria</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: Venus, Cupid, Baccchus and Ceres Time-line: 1601-1650 School: Flemish Form: painting Type: mythological |
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