italienischer Komponist und Erneuerer der Kirchenmusik From Wikipedia, the free encyclopedia
Da Giovanni Pietro Aloisio Sante da Palestrina (* umara 1515/1525 z Palestrina, Latium; † 2. Feba 1594 z Rom)[1] wor a italienischa Komponist vo Kiramusi.
Ea is da berihmtasde Vatreda vo da Remischn Schui vo Komponistn in da Renaissance.[2].
Sei Weak hod an bleibendn Einfluss af de Entwicklung vo da Kiramusi ghobt und guit ois Gipfe von da Renaissace Polyphonie (Meastimmigkeit).
Titl | Stimm | Volume | Modus | Typ | Quejnthema | Joar |
---|---|---|---|---|---|---|
Missa Ad coenam Agni | 5 | 10 | Easter hymn | |||
Missa ad fugam | 4 | 11 | ||||
Missa Aeterna Christi munera | 4 | 14 | Transposed ionian | Cantus firmus | Hymn from matins on Apostle's and Evangelists' days | 1590 |
Missa Alma Redemptoris | 6 | 20 | Transposed ionian | Advent antiphon | ||
Missa Ascendo ad Patrem | 5 | 21 | ||||
Missa Aspice Domine | 5 | 11 | Dorian | Third responsorium on first Sunday in November | ||
Missa Assumpta est Maria | 6 | 23 | Mixolydian | |||
Missa Ave Maria | 4 | 16 | Transposed dorian | Ave Maria, second antiphon usual of the Annunciation | ||
Missa Ave Maria | 6 | 15 | Transposed ionian | Cantus firmus | same | |
Missa Ave Regina coelorum | 4 | 18 | Hypoionian | Ave Regina caelorum, Marian antiphon | ||
Missa Beatus Laurentius | 5 | 23 | Transposed hypomixolydian | Palestrina's motet | ||
Missa brevis | 4 | 12 | Transposed ionian | Claude Goudimel's Missa Audi filia | ||
Missa Confitebor tibi Domine | 8 | 22 | Transposed dorian | 8-part motet | ||
Missa de beata Virgine | 4 | 11 | various | plainsong | ||
Missa de beata Virgine (vel dominicalis) | 6 | 12 | various | Plainsong, including tropes | ||
Missa de feria | 4 | 12 | Phrygian | Plainsong | ||
Missa Descendit angelus Domini | 4 | 20 | Transposed ionian | Motet by Hilaire Penet | ||
Missa Dies sanctificatus | 4 | 15 | Mixolydian | Palestrina's four-part motet | ||
Missa Dilexi quomiam | 5 | 15 | Mixolydian | |||
Missa Dum complerentur | 6 | 17 | Transposed ionian | Motet of same name | ||
Missa Dum esset summus pontifex | 4 | 17 | Dorian | Antiphon to Magnifcat for 2nd Vesper | ||
Missa Ecce ego Joannes | 6 | 24 | ||||
Missa Ecce sacerdos magnus | 4 | 10 | Mixolydian | Cantus firmus | Choral antiphon in Missa de Confessore Pontifice | |
Missa Emendemus | 4 | 16 | Hypodorian | Similar to Missa Sine nomine in Volume 15; or motet by Spaniard Gabriel Calvez, now lost | ||
Missa Fratres ego enim accepi | 8 | 22 | Transposed dorian | 8-part motet | ||
Missa Gabriel archangelus | 4 | 10 | Transposed dorian | Parody | Motet by Philippe Verdelot | |
Missa Già fu chi m'ebbe cara | 4 | 19 | Madrigal | |||
Missa Hodie Christus natus est | 8 | 22 | Mixolydian | Christmas motet | ||
Missa Illumina oculos meos | 6 | 19 | ||||
Missa In illo tempore | 4 | 19 | Dorian | Motet | ||
Missa In majoribus duplicibus | 4 | 23 | various | plainsong | ||
Missa In minoribus duplicibus | 4 | 23 | various | plainsong | ||
Missa In te Domine speravi | 4 | 15 | Dorian | Offertory for first Tuesday in Lent | ||
Missa In te Domine speravi | 6 | 18 | Ionian | Gregorian melody of Ambrosian hymn | ||
Missa Inviolata | 4 | 11 | Transposed hypolydian | Official melody from Advent | ||
Missa Iste confessor | 4 | 14 | Hypodorian | Cantus firmus | Latin hymn | |
Missa Jam Christus astra ascenderat | 4 | 14 | Transposed dorian | Cantus firmus | Ascentiontide hymn | |
Missa L'homme armé | 5 | 12 | Hypomyxolydian | Cantus firmus | L'homme armé (secular song) | |
Missa Laudate Dominum omnes gentes | 8 | 22 | Transposed dorian | Palestrina's motet | ||
Missa Memor esto | 5 | 17 | Motet with similar title | |||
Missa Nasce la gioia mia | 6 | 14 | Transposed dorian | Madrigal by Gio. Leonardo Primavera dell' Arpa | ||
Missa Nigra sum | 5 | 14 | Transposed hypoaeolian | Parody | Jean l'Héritier's motet "Nigra Sum" | |
Missa O admirabile commercium | 5 | 17 | Mixolydian | Palestrina's motet, from first vesper antiphon for Christmas octave | ||
Missa O Regem Coeli | 4 | 10 | Parody | responsorium from Christmas octave, and motet by Andreas Silva | ||
Missa O Rex gloriae | 4 | 21 | Transposed hypodorian | Palestrina's motet | ||
Missa O sacrum convivium | 5 | 23 | Ionian | Palestrina's motet | ||
Missa O Virgo simul et Mater | 5 | 19 | Motet | |||
Missa octavi toni | 6 | 20 | Hypomixolydian | Cantus firmus | ||
Missa Panem nostrum | 5 | 24 | Hypodorian | Palestrina's motet, based on plainchant | ||
Missa Panis quem ego dabo | 4 | 14 | Hypodorian | Motet by Johannes Lupus and another by Jachet | ||
Missa Papae Marcelli | 6 | 11 | Hypoionian (mixolydian) | Plainsong | 1562 | |
Missa Pater noster | 4 | 24 | Hypodorian | Palestrina's motet, based on plainchant | ||
Missa Petra sancta | 5 | 19 | Aeolian | Unknown | ||
Missa prima (Eripe me de inimicis) | 5 | 13 | Dorian | Cantus firmus | Verses for 9th Sunday after Pentecost | |
Missa prima (Lauda Sion) | 4 | 13 | Hypomixolydian | Lauda Sion, Sequence for Corpus Christi | ||
Missa primi toni (Io mi son giovinetta) | 4 | 12 | Transposed dorian | Parody | Madrigal by Domenico Ferrabosco | |
Missa Pro defunctis | 5 | 10 | various | |||
Missa Qual è il più grand' amor? | 5 | 21 | Transposed hypoionian | Madrigal by Cypriano de Rore? | ||
Missa Quam pulchra es | 4 | 15 | Ionian | Theme by J. Lupus | ||
Missa Quando lieta sperai | 5 | 20 | Aeolian | Madrigal by Cypriano de Rore | ||
Missa quarta | 4 | 13 | Dorian | Cantus firmus | L'homme armé, secular song | |
Missa Quem dicunt homines | 4 | 17 | Hypomixolydian | Motet by Jean Richafort | ||
Missa quinti toni | 6 | 19 | Lydian (Ionian) | |||
Missa Regina coeli | 5 | 20 | Transposed ionian | Easter antiphon | ||
Missa Regina coeli | 4 | 21 | Transposed hypoionian | same | ||
Missa Repleatur os meum | 5 | 12 | Phrygian | responsorium for Thursday in second week of Epiphany and motet by Jachet | ||
Missa Sacerdos et Pontifex | 5 | 16 | Hypodorian | Magnificat Commune Conf. Pont. Mode II | ||
Missa Sacerdotes Domini | 6 | 17 | Hypomixolydian | Triple canon | ||
Missa Salve Regina | 5 | 24 | Leading motive (not cantus firmus) | Salve Regina, Marian antiphon | ||
Missa Salvum me fac | 5 | 11 | Transposed dorian | Fifth responsorium for Matins on Palm Sunday and motet by Jachet | ||
Missa Sanctorum meritis | 4 | 16 | Phrygian | Hymn | ||
Missa secunda | 5 | 13 | Transposed dorian | Unknown | ||
Missa secunda (primi toni) | 4 | 13 | Transposed dorian | Unknown | ||
Missa Sicut lilium inter spinas | 5 | 14 | Transposed aeolian | Parody | Palestrina's motet | |
Missa sine nomine | 4 | 11 | Hypophrygian | Unknown | ||
Missa sine nomine | 4 | 15 | Mass by Jean Maillard on his own theme "Je suis deshéritée" | |||
Missa sine nomine | 5 | 18 | Dorian | Canon | ||
Missa sine nomine | 6 | 10 | Transposed phrygian | Unknown | ||
Missa sine titulo | 5 | 30 | ||||
Missa sine titulo | 6 | 24 | Hypomixolydian | Mass by Orlando di Lasso or motet "Benedictua" of Josquin des Prez | ||
Missa sine titulo | 6 | 32 | ||||
Missa Spem in alium | 4 | 12 | Aeolian | First nocturn for 5th Sunday in September, and a model by Jachet | ||
Missa Te Deum laudamus | 6 | 18 | Phrygian | Plainsong | ||
Missa tertia (Jesu, nostra redemptio) | 4 | 13 | Hypophrygian | Hymn for Pentecost | ||
Missa tertia (O magnum mysterium) | 5 | 13 | Hypophrygian | Palestrina's motet of O Magnum Mysterium | ||
Missa Tu es pastor ovium | 5 | 16 | Dorian | Motet, from plainsong of Magnificat from Festival of St. Peter | 1585 | |
Missa Tu es Petrus | 6 | 21 | Mixolydian | 5th antiphon at Vespers on the Feast of S. Peter and Paul | ||
Missa Tu es Petrus | 6 | 24 | Mixolydian | Second half of motet of the same name | ||
Missa Ut, Re, Mi, Fa, Sol, La (Hexachord Mass) | 6 | 12 | Ionian | Cantus firmus | Guidonean hexachord | 1561-62 |
Missa Creator Spiritus | 6 | 23 | Mixolydian | Cyclic | Veni Creator Spiritus, Pentecostal hymn | |
Missa Veni sponsa Christi | 4 | 18 | Palestrina's motet, based on plainchant | |||
Missa Vestiva i colli | 5 | 18 | Dorian | Madrigal, possibly also Easter sequence Victimae Paschali Laudes | ||
Missa Viri Galilaei | 6 | 21 | Transposed dorian | Palestrina's motet | ||
Missa Virtute magna | 4 | 10 | Mixolydian | Parody | responsorium from Easter week and a motet by Andrea de Salva |
Those marked with an asterisk form a cycle of 29 settings from the Song of Solomon.
(All in Volume 8)
(All in Volume 9)
(All in Volume 25. There are three other settings: (1) for 4, 5, 6, and 8 voices, (2) for 3, 4, 5, and 6 voices, and (3) for 4, 5, and 6 voices)
(All in Volume 26)
(All in Volume 26)
(All in Volume 27)
(All in Volume 30)
(All in Volume 29)
(All in Volume 28)
(All in Volume 30)
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