File:Lieutenant-Admiral_Michiel_de_Ruyter_(1607–1676)_RMG_BHC2997.tiff
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![ملف:Lieutenant-Admiral Michiel de Ruyter (1607–1676) RMG BHC2997.tiff](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Lieutenant-Admiral_Michiel_de_Ruyter_%281607%E2%80%931676%29_RMG_BHC2997.tiff/lossy-page1-526px-Lieutenant-Admiral_Michiel_de_Ruyter_%281607%E2%80%931676%29_RMG_BHC2997.tiff.jpg)
الملف الأصلي (6٬314 × 7٬200 بكسل حجم الملف: 130٫06 ميجابايت، نوع MIME: image/tiff)
![]() | هذا ملف من ويكيميديا كومنز. معلومات من صفحة وصفه مبينة في الأسفل. كومنز مستودع ملفات ميديا ذو رخصة حرة. |
ملخص
Lieutenant-Admiral Michiel de Ruyter (1607–1676)
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الفنان |
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العنوان | |||||||||||||||||||||||||||||||||||||||||||||||||||||
نوع العمل |
لوحة فنية object_type QS:P31,Q3305213 |
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نوع فني |
بورتريه ![]() |
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الوصف |
English: Lieutenant-Admiral Michiel de Ruyter (1607–1676) This portrait shows Lieutenant-Admiral, Michiel de Ruyter, almost full-face, in three-quarter length. De Ruyter is shown wearing a black coat with gold buttons over a long-sleeved gold-brocaded waistcoat. He is clasping a commander’s baton with his right hand. Around his neck, he wears a pendant depicting St Michael slaying Satan. This pendant alludes to the Order of St Michael into which he was admitted in 1666. Following victory in the Four Days Battle, between 1 and 4 June 1666, the Amsterdam Admiralty presented de Ruyter with the gold chain and gold-filigree sword belt proudly displayed in this portrait. A seascape is visible in the background to the right. De Ruyter was the highly revered naval hero in command of the Dutch fleet during the Second Anglo-Dutch War (1664–7). As such he was the most celebrated of Dutch seamen and was thought to be the most able commander of the seventeenth century. In 1667, the same year as the production of this portrait, he achieved a striking success when he invaded the Medway. The high esteem in which he was held is evinced in this majestic official portrait. This painting is one of a series of six near-identical state portraits of the eminent Lieutenant-Admiral, Michiel de Ruyter produced by Ferdinand Bol between 1667 and 1669. These works were commissioned by the governors of regional Admiralties to celebrate the Dutch victory at the Four Days Battle of 1666 under de Ruyter's command. This painting is one of the best surviving examples. The others are held by the Rijksmuseum and Scheepvaartmuseum in Amsterdam, the Mauritshuis in The Hague, Zeeuws Museum in Middelburg, and the National Museum in Kopenhagen. Contemporary details in the portrait attest to de Ruyter’s successful seamanship. In the lower left of the painting a large Blaeu celestial globe with a navigational chart and two pairs of dividers sit on the red-draped table. One of the dividers points to the chart which shows a faint illustration of Walcheren, an island at the mouth of the Schelde estuary, where de Ruyter was born in the town of Vlissingen (Flushing). The explicit emblematic presence of the town in this illustrious portrait serves to immortalize de Ruyter as a local and a national hero. De Ruyter’s crumpled brow, ruddy cheeks and piercing gaze all reflect his age and experience. Moreover these features allude to his well-known status as a Dutch national Bestevaêr or ‘grandfather’. Technical examination of the portrait has revealed that the ships, in the background, on the right, were painted on a separate, small rectangular canvas which was subsequently inserted into the main portrait. This seascape was painted by Willem van de Velde the Younger. It meticulously depicts the Dutch fleet accompanied by, de Ruyter’s flagship, the 'Zeven Provincien'. The seascape refers to the savage Four Days Battle when de Ruyter led the Dutch to victory. Collaboration between portraitist and marine painter, such as this one between de Bol and Willem van de Velde the Younger, is unusual but is not an isolated case. Another example is the portrait of Aert van Nes in the Rijksmuseum. This stately portrait of Lieutenant-Admiral van Nes was painted by Bartholomeus van der Helst in 1668 but the background, showing vaporous clouds and a sea covered with detritus following a naval battle, was painted by Ludolf Backhuysen. Bol’s image of de Ruyter effectively unites a portrait with a history painting, forming an iconic, indivisible whole. |
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أشخاص مُصوَّرون |
ميشيل دي رويتر ![]() |
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التاريخ |
١٦٦٧ date QS:P571,+1667-00-00T00:00:00Z/9 |
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خامة العمل |
زيت على قماش ![]() |
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الأبعاد | Frame: 1810 mm x 1635 mm x 130 mm; Painting: 1500 mm x 1270 mm; Overall weight: 66 kg | ||||||||||||||||||||||||||||||||||||||||||||||||||||
المجموعة |
institution QS:P195,Q7374509 |
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الموقع الحالي | |||||||||||||||||||||||||||||||||||||||||||||||||||||
رقم التصنيف |
BHC2997 |
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ملاحظات | Signed ‘F. Bol’ and dated 1667, on right-hand side.; It will need to be checked for object numbers and its condition activity updated | ||||||||||||||||||||||||||||||||||||||||||||||||||||
المراجع | |||||||||||||||||||||||||||||||||||||||||||||||||||||
المصدر/المصور | http://collections.rmg.co.uk/collections/objects/14470 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
الترخيص (إعادة استخدام هذا الملف) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: 1943-67.2 id number: BHC2997 |
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Collection InfoField | Oil paintings |
ترخيص
هذه الصورة هي إعادة إنتاج خالصة لعمل فني ثنائي الأبعاد وبالتالي فلا يمكن أن يكون لها حقوق نشر وتأليف بنفسها في الولايات المتحدة حسب قضية مكتبة فنون بريدجمان ضد شركة كورل؛ المسألة قانونية أيضاً في العديد من الدول الأخرى، بما في ذلك ألمانيا.
العمل الأصلي ثنائي الأبعاد المعروض في هذه الصورة هو محتوى حر بسبب:
لذا فإنَّ إعادة الإنتاج هذه تخضع أيضاً لنفس الشروط كما هو الحال مع العمل الأصلي.
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الشروحات
العناصر المصورة في هذا الملف
يُصوِّر
image/tiff
تاريخ الملف
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
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حالي | 11:33، 7 أكتوبر 2017 | ![]() | 6٬314 × 7٬200 (130٫06 ميجابايت) | Fæ | Royal Museums Greenwich Oil paintings (1667), http://collections.rmg.co.uk/collections/objects/14470 #2488 |
استخدام الملف
لا توجد صفحات تستخدم هذا الملف.
الاستخدام العالمي للملف
الويكيات الأخرى التالية تستخدم هذا الملف:
- الاستخدام في en.wikipedia.org
- الاستخدام في nl.wikipedia.org
- الاستخدام في www.wikidata.org
بيانات وصفية
هذا الملف يحتوي على معلومات إضافية، غالبا ما تكون أضيفت من قبل الكاميرا الرقمية أو الماسح الضوئي المستخدم في إنشاء الملف.
إذا كان الملف قد عدل عن حالته الأصلية، فبعض التفاصيل قد لا تعبر عن الملف المعدل.
العرض | 6٬314 بك |
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الارتفاع | 7٬200 بك |
بت لكل مكونة |
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نظام الضغط | غير مضغوط |
تركيب البكسل | آر جي بي |
موقع بيانات الصورة | 140 |
عدد المكونات | 3 |
عدد الصفوف لكل شريحة | 7٬200 |
بايت لكل شريحة مضغوطة | 136٬382٬400 |
ترتيب البيانات | صيغة مكتنزة |