Cady Noland
American artist / From Wikipedia, the free encyclopedia
Cady Noland (born 1956) is an American postmodern conceptual sculptor and an internationally exhibited installation artist whose work deals with the failed promise of the American Dream and the divide between fame and anonymity, among other themes.[1][2] Her work has been exhibited in museums and expositions including the Whitney Biennial in 1991 and Documenta 9 in Kassel, Germany.[3] Noland is known for her reluctance to be publicly identified, having only ever allowed one photograph of herself to be publicly released, and for her numerous disputes and lawsuits with museums, galleries, and collectors over their handling of her work.[4] She attended Sarah Lawrence College and is the daughter of the Color Field painter Kenneth Noland.
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Cady Noland | |
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Born | 1956 (age 67–68) |
Nationality | American |
Education | Sarah Lawrence College |
Known for | |
Notable work | Oozewald (1989) This Piece Has No Title Yet (1989) The Big Slide (1989) Tower of Terror (1993-1994) |
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