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Australian rose breeder From Wikipedia, the free encyclopedia
Olive Fitzhardinge (1881–1956) was an Australian rose breeder, the first to patent her work. Her four surviving roses are held in Australian collections.[1] Her roses were well received in the 1930s but after the Second World War favoured styles of roses changed significantly.
Olive Rose McMaster was born in 1881 at Warialda, northern New South Wales.[2] She was brought up in the country at Moree.[3][4] She was the elder daughter of Colin James McMaster (1853–1930) and Sarah Ross (1855–1927). Her father was for twenty years Chief Commissioner and chairman of the Western Lands Board, which administered land leases in the whole western third of NSW.[5][6]
Olive was educated by a governess at home and boarded 1897–1898 at Presbyterian Ladies' College, Croydon.[4][7]
She and her sister Dorothy Jean (1884–1966), later Mrs C.W.D. Conacher of Crona, Warrawee,[8] were influenced by the Arts and Crafts movement, and through it Victorian Medievalism. They collected medieval objects, dress fabrics and tapestry.[9] They cultivated quiet Country Life interiors furnished with old things and lit with tallow candles in medieval candlesticks.[10][11] Exteriors would show the luxuriant informality of Gertrude Jekyll's Roses for English Gardens.[12][13] Later Olive was to breed roses to look well in candlelight.[14] Her second daughter was married in a "mediaeval gown".[15]
It lent depth to Olive's interest that she married into a pre-Conquest, west of England family ennobled by Henry II in the twelfth century. In 1909 she married Dr Hardinge Clarence Fitzhardinge (1878–1958), a Macquarie Street dental surgeon.[16] He was the son of M.A.H. Fitzhardinge, a prominent Sydney solicitor from the second generation of the well-known NSW legal family founded in the 1840s by W.G.A. Fitzhardinge.[17][18][19][20]
Hardinge and Olive lived at Cremorne Point for some years but in 1917 bought 1.5 acres (0.61 ha) with a northerly aspect and good volcanic soil at Warrawee 21 km northwest of Sydney.[7] As all North Shore suburbs with aboriginal names, Warrawee was the name of a railway station which became attached to the surrounding suburb.[21] Warrawee had developed in the 1900s as an exclusive residential district with no shops, offices, post office, public school, churches or through roads.[22][23] All the blocks were kept to between one and four acres and the form of houses tightly controlled.[22][24] The Fitzhardinges had Bridge End at No. 1 Warrawee Avenue, where they built a spreading single-storey house and established "quite a famous garden".[5][7][25][26] As well-to-do citizens of the Empire they followed London manners and taste: in a world of "lounge" rooms they kept to a drawing-room.[27]
The Fitzhardinges had daughters Jean Mary Hardinge Dean (1910–2009)[28][29] and Olive Prudence Bryant (1912–2001)[30][31] and sons Colin Hardinge Fitzhardinge (1914–1998)[32] and Brian Forbes Fitzhardinge, who died at fourteen in 1932.[33][34]
Olive Fitzhardinge began to breed roses at Bridge End about 1920.[35] Because she was wealthy and related to prominent people in the history of New South Wales, her activities as a rose breeder were unusually well reported.[36] In fact society and rose-breeding themes were closely intertwined. The Sydney Morning Herald on 16 May 1934 reported the wedding of the Fitzhardinges' daughter. Five of Mrs Fitzhardinge's 12 roses were named after those present, six if one includes 'Warrawee'.[37]
Joseph Beresford Grant, who had used his money to guarantee the exclusiveness of Warrawee, was also a guest.[22]
Mrs Fitzhardinge planted many trees in public spaces, including the long avenue of the Pymble Ladies College (where her daughters were pupils)[38] and many of the majestic tree groupings at the Avondale Golf Club (where she was a member).[7][39][40]
In 1937 Dr Fitzhardinge, Olive and their surviving son moved to Wongalong, a sheep and cattle property at Mandurama (pr. ManDOOrama) on the Central Tablelands of NSW.[7][41][42] Despite her intentions, Mrs Fitzhardinge bred no more roses,[7] though she continued to grow them in "drought, many high winds, and mineralised water."[43] She did experiment with breeding improved geraniums.[44] She died in 1956.[45] Her son Colin, married to the writer Joan Phipson, inherited Wongalong and her rose 'Warrawee' was still growing there in 1980.[7][32]
Fitzhardinge's roses were hybrid teas. She registered twelve between 1932 and 1939.[5][46] Except for 'Beatrice Berkeley' and 'Plain Jane' they were released for sale through Hazlewood Brothers' nursery. She was a friend of the Hazlewoods and of the rose breeders Alister Clark[47] and George Knight.[5][7][48] She told the Sydney Morning Herald in 1931 she had bred 12 satisfactory roses in ten years, so it is possible that her rose breeding (as opposed to testing and registration) had been completed between 1921 and 1930.[35] Certainly all the plant material she bred from had been released by 1921 (see the list of her rose parents below). She bred twenty thousand seedlings in ten years, ten times the average number bred by Frank Riethmuller in Turramurra after the Second World War.[49] Olive Fitzhardinge described herself as an "amateur hybridiser"[50] but behind a domestic facade she operated on a commercial scale. She knew people who ran big pasture and stock breeding businesses in country NSW and the Northern Territory.[51]
Australia had no Plant Breeder's Rights Act at that time.[52] The only way to secure rights was to take out an overseas patent.[49] Fitzhardinge is the only Australian breeder before the 1960s known to have done so, in her case an American patent on 'Warrawee.'[14] To that extent she had commercial ambitions for her work, unlike her friend Alister Clark or North Shore successor Frank Riethmuller.
'Warrawee' especially received enthusiastic press notices, emphasising the ladylike quality of the rose, said to be due to its being bred by a lady.[14] At the same time the rose was seen as an Australian nationalist venture into world markets.[53]
But the predicted commercial triumph of her roses did not occur, though 'Warrawee' was introduced in England and America in 1935.[37] Her shrub roses had been modelled on 'Ophelia' as the ideal rose; after the war a shift in taste took place to roses modelled on 'Peace.'[54] Her climbing roses were huge plants best suited to prewar gardens. Even to post-war enthusiasts Fitzhardinge's roses seemed under-bred. For instance, 'Sirius' 1939, a dark red climber, was criticised for lack of vigor by those who still grew it.[55] Moreover, nearly all her roses have very double flowers which in humid climates can rot before opening.[56]
Patrick Grant, a fellow member of the NSW Rose Society, had more success in between-wars overseas markets with his 'Salmon Spray' and 'Golden Dawn', a rose destined, like hers, to be outmoded by 'Peace'.[57]
Ten years after her death, her roses had nearly been forgotten. The Australian registrar of roses and president of the National Rose Society of Victoria was A.S. Thomas. The 1967 edition of his Better Roses prints a list of eighty "highly prized cultivars" from Australia and New Zealand. Twenty of them are roses by Alister Clark. Seven are by Frank Riethmuller. Only 'Lubra' and 'Warrawee' are by Olive Fitzhardinge.[58]
| Name | Date | Type | Colour | Petallage | Seed parent | Pollen parent | Extant |
|---|---|---|---|---|---|---|---|
| Beatrice Berkeley[62] | 1932 | Hybrid tea shrub | Orange-salmon[36] | unknown | Cupid (1914) | Padre (1920) | Lost |
| Kitty Bice[63] | 1932 | Hybrid tea climber | Dark bright pink | Semi-double | Ophelia climbing (1920) | Lady Waterlow (1902) | Lost |
| Warrawee[37] | 1932 | Hybrid tea shrub | Pink | 30 | Rev. F. Page-Roberts (1921) | Padre (1920) | Yes |
| Captain Bligh[64] | 1934 | Hybrid tea shrub | Pink | Very double | Gustav Grünewald (1902) | Betty Uprichard (1920) | Lost |
| Lady Gowrie[65] | 1938 | Hybrid tea climber | Yellow | unknown | Sunburst climbing (1914) | Rev. F. Page-Roberts (1921) | Lost |
| Lubra[66] | 1938 | Hybrid tea shrub | Dark red | 60 | Ophelia (1912) | Black Boy (Clark) (1919) | Yes |
| Mrs C.E. Prell[67] | 1938 | Hybrid tea shrub | Red blend | Double | Gustav Grünewald (1902) | Betty Uprichard (1920) | Lost |
| Plain Jane[68] | 1938 | Hybrid tea shrub | unknown | unknown | unknown | unknown | Lost |
| Prudence[69] | 1938 | Hybrid tea climber | Neyron pink | 40–60 | Warrawee (1932) | Souvenir de Claudius Pernet (1920) | Yes |
| Governor Phillip[70] | 1939 | Hybrid tea climber | Ruby red | 100 | Ophelia seedling | Black Boy (1919) | Lost |
| Lady Edgeworth David[71] | 1939 | Hybrid tea shrub | Malmaison pink | 60 | Seedling | Betty Uprichard (1920) | Yes |
| Sirius[72] | 1939 | Hybrid tea climber | Cherry red | Very double | Seedling | Lubra (1938) | Lost |
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