Mythology of Carnivàle
Overview of use of mythology in Carnivàle / From Wikipedia, the free encyclopedia
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Carnivàle is an American television series set in the United States during the Great Depression. The series traces the disparate storylines of a young carnival worker named Ben Hawkins and Brother Justin Crowe, a preacher in California. The overarching story is built around a good and evil theme, which serves as a human-scaled metaphor within a complex structure of myth and allegory.[1][2] Samson, the carnival's dwarf manager, sets up the show's mythology with a prologue in the pilot episode, talking of "a creature of light and a creature of darkness" being born "to each generation" preparing for a final battle.[3]
"Before the Beginning, after the great war between Heaven and Hell, God created the Earth and gave dominion over it to the crafty ape he called Man. And to each generation was born a Creature of Light and a Creature of Darkness... and great armies clashed by night in the ancient war between good and evil. There was magic then. Nobility. And unimaginable cruelty. And so it was until the day that a false sun exploded over Trinity, and man forever traded away wonder for reason."
– Samson in "Milfay"
Most mythological elements in Carnivàle relate to so-called Avatars (or Creatures of Light and Darkness), fictional human-like beings with supernatural powers who embody good and evil. In its first season Carnivàle does not reveal its characters as Avatars beyond insinuation, and makes the nature of suggested Avatars a central question. By the second season it is established that Ben is a Creature of Light and Brother Justin a Creature of Darkness. Other than through the characters, the show's good-and-evil theme manifests in the series' contemporary religion, the Christian military order Knights Templar, tarot divination, and in historical events like the Dustbowl and humankind's first nuclear test. Show creator Daniel Knauf did not respond to questions about the mythology but did provide hints about the mythological structure to online fandom both during and after the two-season run of Carnivàle. Nevertheless, many of the intended clues remained unnoticed by viewers. Knauf left fans a production summary of Carnivàle's first season two years after cancellation. This so-called Pitch Document, originally written to give HBO and Knauf's co-writers an overview of the intended storyline, backed up and expanded upon the assumed mythological rules.