Aynsley, Jeremy. Graphic Design in Germany, 1890-1945. University of California Press: 2000. ISBN 0-520-22796-4.
Blackwell, Lewis. 20th Century Type. Yale University Press: 2004. ISBN 0-300-10073-6.
Bringhurst, Robert. The Elements of Typographic Style. Hartley & Marks: 1992. ISBN 0-88179-033-8.
Burke, Christopher. Active literature. Jan Tschichold and New Typography.Hyphen Press: 2007. ISBN 978-0-907259-32-9.
de Jong, Cees W., Alston W. Purvis, Martijn F. Le Coultre, Richard B. Doubleday and Hans Reichart. Jan Tschichold—Master Typographer: His Life, Work & Legacy. Thames & Hudson: 2008. ISBN 978-0-500-51398-9.
Friedl, Friederich, Nicholas Ott and Bernard Stein. Typography: An encyclopedic survey of type design and techniques through history. Black Dog & Leventhal: 1998. ISBN 1-57912-023-7.
Macmillan, Neil. An A–Z of Type Designers. Yale University Press: 2006. ISBN 0-300-11151-7.
McLean, Ruari. Jan Tschichold: A Life in Typography. Princeton Architectural Press, 1997. ISBN 1-56898-084-1.
Meggs, Philip B. History of Graphic Design. John Wiley & Sons: 1998. ISBN 0-470-04265-6.
IDEA Magazine No 321: Works of Jan Tschichold. [2]
Ibid. Tschichold, pp.43 Fig 4. "Framework of ideal proportions in a medieval manuscript without multiple columns. Determined by Jan Tschichold 1953. Page proportion 2:3. margin proportions 1:1:2:3, Text area proportioned in the Golden Section. The lower outer corner of the text area is fixed by a diagonal as well."
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