高更(法文:Paul Gauguin,1848年6月7號—1903年5月8號)係法國印象派畫家,在生時唔算出名,死咗先至開始畀人賞識。
高更
高更係象徵主義運動嘅重要人物,除咗做畫家,佢亦係雕刻家,版畫家,陶藝家同作家。喺分隔主義(Cloisonnism) 嘅影響之下,佢嘅畫表達主體嘅主體嘅固有意義(inherent meaning),為原始主義同回歸田園風格開出新嘅方向,佢亦大力支持木雕同木刻成為一門藝術[1][2]。
The Market Gardens of Vaugirard, 1879,
Winter Landscape, 1879
Portrait of Madame Gauguin, c. 1880–81
Garden in Vaugirard (Painter's Family in the Garden in Rue Carcel), 1881
睇晒佢啲畫, see 高更嘅畫一覽。
Still-Life with Fruit and Lemons (c. 1880)
The Swineherd, Brittany (1888)
Les Alyscamps (1888)
Vision After the Sermon (Jacob wrestling with the angel) (1888)
Night Café at Arles, (Mme Ginoux) (1888)
Still Life with Japanese Woodcut (1889)
Tahitian Women on the Beach (1891)
Delightful Land (Te Nave Nave Fenua) (1892)
Arii Matamoe (The Royal End) (1892)
The Moon and the Earth (Hina tefatou) (1893)
Watermill in Pont-Aven (1894)
The Midday Nap (1894)
Maternity (1899)
Two Tahitian Women (1899)
Two Women (1901 or 1902)
Self-portraits:
Self-portrait, 1875–1877, Fogg Museum, Cambridge, Massachusetts
Self-portrait, 1885,
Kimbell Art Museum,
Fort Worth, Texas
Self-portrait, 1888, Van Gogh Museum, Amsterdam
Self-Portrait with Halo and Snake, 1889, National Gallery of Art, Washington, DC
Christ in the Garden of Olives (Gauguin's self-portrait) 1889, Norton Museum of Art
Jug in the Form of a Head, Self-Portrait, 1889. Kunstindustrimuseet, Copenhagen
Self-portrait, 1889–1890,
Musée d'Orsay, Paris
Self-portrait, 1893,
Musée d'Orsay
Self-portrait, c. 1893, Detroit Institute of Arts
Self-portrait, 1896, São Paulo Museum of Art
Self-portrait (for my friend Daniel), 1896,
Musée d'Orsay