高更(法文:Paul Gauguin,1848年6月7號—1903年5月8號)係法國印象派畫家,在生時唔算出名,死咗先至開始畀人賞識。
高更係象徵主義運動嘅重要人物,除咗做畫家,佢亦係雕刻家,版畫家,陶藝家同作家。喺分隔主義(Cloisonnism) 嘅影響之下,佢嘅畫表達主體嘅主體嘅固有意義(inherent meaning),為原始主義同回歸田園風格開出新嘅方向,佢亦大力支持木雕同木刻成為一門藝術[1][2]。
畫
- The Market Gardens of Vaugirard, 1879,
- Winter Landscape, 1879
- Portrait of Madame Gauguin, c. 1880–81
- Garden in Vaugirard (Painter's Family in the Garden in Rue Carcel), 1881
畫廊
睇晒佢啲畫, see 高更嘅畫一覽。
- Still-Life with Fruit and Lemons (c. 1880)
- The Swineherd, Brittany (1888)
- Les Alyscamps (1888)
- Vision After the Sermon (Jacob wrestling with the angel) (1888)
- Night Café at Arles, (Mme Ginoux) (1888)
- Still Life with Japanese Woodcut (1889)
- Tahitian Women on the Beach (1891)
- Delightful Land (Te Nave Nave Fenua) (1892)
- Arii Matamoe (The Royal End) (1892)
- The Moon and the Earth (Hina tefatou) (1893)
- Watermill in Pont-Aven (1894)
- The Midday Nap (1894)
- Maternity (1899)
- Two Tahitian Women (1899)
- Two Women (1901 or 1902)
Self-portraits:
- Self-portrait, 1875–1877, Fogg Museum, Cambridge, Massachusetts
- Self-portrait, 1885, Kimbell Art Museum, Fort Worth, Texas
- Self-portrait, 1888, Van Gogh Museum, Amsterdam
- Self-Portrait with Halo and Snake, 1889, National Gallery of Art, Washington, DC
- Christ in the Garden of Olives (Gauguin's self-portrait) 1889, Norton Museum of Art
- Jug in the Form of a Head, Self-Portrait, 1889. Kunstindustrimuseet, Copenhagen
- Self-portrait, 1889–1890, Musée d'Orsay, Paris
- Self-portrait, 1893, Musée d'Orsay
- Self-portrait, c. 1893, Detroit Institute of Arts
- Self-portrait, 1896, São Paulo Museum of Art
- Self-portrait (for my friend Daniel), 1896, Musée d'Orsay
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