苏西与女妖（英语：Siouxsie and the Banshees，，SU-zi-and-the-BAN-shees）是一支于1976年由主唱苏西苏和贝斯手史蒂芬·塞维林在伦敦成立的英国摇滚乐团。乐团在同辈以及后来的音乐家们之间有着广泛的影响，《泰晤士报》更称他们为“后庞克时代最大胆、最不妥协的音乐冒险家之一”。[1]
Quick Facts Siouxsie and the Banshees苏西与女妖, 组合 ...
Close
乐团最初从庞克音乐出发，加上吉他手约翰·麦凯和鼓手肯尼·莫里斯来创造出一种“充满大胆节奏和声音实验的不和谐后庞克风格”。[1]乐团1978年的首张专辑《尖叫》得到评论的青睐。
他们已被视为1970年代最有影响力的摇滚乐队之一[2][3][4][5][6][7][8][9][10]。
- 《尖叫》（1978年11月13日）
- 《携手同心》（1979年9月7日）
- 《万花筒》（1980年8月1日）
- 《朱朱》（1981年6月19日）
- 《梦幻屋之吻》（1982年11月5日）
- 《鬣狗》（1984年6月8日）
- 《火药桶》（1986年4月21日）
- 《镜中世界》（1987年3月2日）
- 《尖叫》（1988年9月5日）
- 《迷信》（1991年6月10日）
- 《狂欢》（1995年1月16日）
Nigel Williamson. Siouxsie & the Banshees (subscription required). The Times. 27 November 2004 [8 July 2012]. （原始内容存档于2013-07-11）. ...with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation... The Banshees stand proudly alongside PIL, Gang of Four and the Fall as the most audacious and uncompromising musical adventurers of the post-punk era.
Playlist – Peter Hook’s “Field recordings [Joy Division's drummer]. Q magazine. 23 de abril de 2013 [10 de enero de 2017]. 原始内容存档于2017-11-07. Siouxsie and the Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing
Morris, Stephen. Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years Volume I [Baterista de Joy Division]. Constable. 2019. ISBN 1472126203. It would be Siouxsie and the Banshees to whom I most felt some kind of affinity. [...] the bass-led rhythm, the way first drummer Kenny Morris played mostly toms. [...] The banshees had that [...] foreboding sound, sketching out the future from the dark of the past. [...] hearing the sessions they'd done on John Peel's show and reading gigs write-ups, [...] they sounded interesting.
. Oldham, James. Siamese Twins - The Cure and the Banshees [interview - Robert Smith of the Cure]. Uncut: 60. August 2004. a massive influence on me [...] They were the group who led me towards doing Pornography. They drew something out of me.
Oldham, James, Bad Medicine [interview - Robert Smith of the Cure], Uncut, February 2000, I think the final straw came when I played Michael the demos for the next album and he hated them. He wanted us to be XTC part 2 and – if anything – I wanted us to be the Banshees part 2.
Rob Fitzpatrick. Robert Smith interview. The Word. August 2012 [15 de agosto de 2016]. （原始内容存档于2022-02-13）. I played with the Banshees through our first tour [1979], and it allowed me to think beyond what we were doing. I wanted to have a band that does what Steve Severin and Budgie do, where they just get a bassline and the drum part and Siouxsie wails.
U2 Jukebox. U2wanderer.org. [2010-11-01]. （原始内容存档于2018-04-24）. Radiohead Official Biography – Capitol Canada. MuchMcapitolmusic.ca. [10-11-2012]. 原始内容存档于2006-06-29. Colin Greenwood remembers: "The first single we're releasing is actually the longest song on the record. ("There There"). It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie and the Banshees. All the old farts in the band were in seventh heaven.
Jeff, Klingman. 10 Bullet Points from the Thom Yorke Interview on WTF with Marc Maron. Thelmagazine.com. 2013-07-22 [2-09-2013]. 原始内容存档于2013-10-14. The band that really changed my life was R.E.M. and Siouxsie and the Banshees...". "My favourite show I ever saw then was Siouxsie and she was absolutely amazing. ... She's totally in command of the whole audience.
