茶陵诗派明朝的一个文学流派,以李东阳为首,其弟子邵宝何孟春皆为门派中人。其文学理论受到方孝儒宋濂严羽等人的影响,重视声调格律[1]。茶陵派虽然不主张模拟,然而由于对诗歌的音节、格调与用字方面,皆认为惟有唐诗可以师法,因此成为前七子拟古主义的基础[2]

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