File:Durer_selfporitrait.jpg
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原始檔案 (801 × 1,116 像素,檔案大小:93 KB,MIME 類型:image/jpeg)
摘要
阿爾布雷希特·丟勒:丟勒自畫像 (1500年)
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作家 | |||||||||||||||||||||||||||
標題 |
自画像 |
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系列標題 |
Self-portraits by Albrecht Dürer ![]() |
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物體類型 |
畫作 ![]() |
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藝術類型 |
自畫像 ![]() |
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描述 |
Deutsch: Frontalporträt mit Idealisierung vergleichbar mit Christusdarstellungen; betonter Blick und die schöpferische Hand als Werkzeuge des Künstlers |
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描繪人物 |
阿爾布雷希特·丟勒 ![]() |
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日期 |
1500年 date QS:P571,+1500-00-00T00:00:00Z/9 |
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表現方法 | 油彩於石灰上方 | ||||||||||||||||||||||||||
尺寸 |
高度:67.1釐米;寬度:48.9釐米 dimensions QS:P2048,67.1U174728 dimensions QS:P2049,48.9U174728 |
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藏於 |
institution QS:P195,Q154568 |
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目前所在位置 |
1st floor room IX Room IX |
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登錄號 |
537 |
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物件歷史 | 1805 aus Nürnberg angekauft | ||||||||||||||||||||||||||
展覽史 | |||||||||||||||||||||||||||
題字 | 右側 [Albertus Dürers Noricus / ipsum me propriis sic effin / gebam coloribus aetatis / anno XXVIII] | ||||||||||||||||||||||||||
參考文獻 |
Alte Pinakothek RKDimages, Art-work number 218748 |
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來源/攝影者 |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/d/durer/1/03/1self28.html" |
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其他版本 |
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此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
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說明
在此檔案描寫的項目
描繪內容
丟勒自畫像 (1500年) 繁體中文 (已轉換拼寫)
丟勒自畫像 (1500年) 繁體中文 (已轉換拼寫)
丟勒自畫像 (1500年) 繁體中文 (已轉換拼寫)
多媒體型式 繁體中文 (已轉換拼寫)
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2008年1月13日 (日) 10:14 | ![]() | 801 × 1,116(93 KB) | Caravaggio | {{Information |Description=Autoritratto con pelliccia.jpeg, 94783c.jpg, 801x1116px.jpg |Source=http://www.wga.hu/art/d/durer/1/03/1self28.jpg |Date=13/01/2008 |Author=Scala Source |Permission=GFDL |other_versions= }} |
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JPEG 檔案備註 | DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg) Self-Portrait in a Fur-Collared Robe 1500 Oil on lime panel, 67,1 x 48,7 cm Alte Pinakothek, Munich The last of Dürer's three magnificent self-portraits was painted early in 1500, before his 29th birthday on 21 May. The picture is proudly inscribed: `Thus I, Albrecht Dürer from Nuremburg, painted myself with indelible colours at the age of 28 years.' It is a sombre image, painted primarily in browns, set against a plain dark background. The face is striking for its resemblance to the head of Christ. In late medieval art, Jesus was traditionally presented in this manner, looking straight ahead in a symmetrical pose. Christ's brown hair in these images is parted towards the middle and falls over the shoulders. For the first and last time in Western art history, an artist was to portray himself in a Christ-like scheme. Given his idealized appearance as the underdrawing shows, his nose was originally irregular in shape - Dürer is approaching us in "imitatio Christi", in imitation of Christ. He has a short beard and moustache. Dürer has even painted himself with brown hair, although the other self-portraits show that it was actually reddish-blond. Dürer deliberately set out to create a Christ-like image, with his hand raised to his chest almost in a pose of blessing. But this was no gesture of arrogance or blasphemy. It was a statement of faith: Christ was the son of God and God had created Man. For Dürer, the painting was an acknowledgment that artistic skills were a God-given talent. However, Dürer has subtly departed from the traditional image of Christ in his self-portrait. Despite initial appearances, the picture is not quite symmetrical. The head lies just off the centre of the panel to the right and the parting of the hair is not exactly in the middle, with the strands of hair falling a little differently on the two sides. The eyes stare slightly towards the left of the panel. Dürer also wears contemporary clothing, a fashionable fur-lined mantle. The result is a highly personal image, one whose `indelible colours' still influence the way we imagine Dürer looked in his later years. The deceptive illusionism in which the picture is painted is also, however, a reference to the classical artistic legend about Apelles, with whom he had been compared by contemporary humanists.
Author: DÜRER, Albrecht Title: Self-Portrait in a Fur-Collared Robe Time-line: 1501-1550 School: German Form: painting Type: portrait |
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