蘇西與女妖（英語：Siouxsie and the Banshees，，SU-zi-and-the-BAN-shees）是一支於1976年由主音歌手蘇西蘇和低音結他手史蒂芬·塞維林在倫敦成立的英國搖滾樂團。樂團在同輩以及後來的音樂家們之間有着廣泛的影響，《泰晤士報》更稱他們為「後龐克時代最大膽、最不妥協的音樂冒險家之一」。[1]
Quick Facts Siouxsie and the Banshees蘇西與女妖, 組合 ...
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樂團最初從龐克音樂出發，加上結他手約翰·麥凱和鼓手肯尼·莫里斯來創造出一種「充滿大膽節奏和聲音實驗的不和諧後龐克風格」。[1]樂團1978年的首張專輯《尖叫》得到評論的青睞。
他們已被視為1970年代最有影響力的搖滾樂隊之一[2][3][4][5][6][7][8][9][10]。
- 《尖叫》（1978年11月13日）
- 《攜手同心》（1979年9月7日）
- 《萬花筒》（1980年8月1日）
- 《朱朱》（1981年6月19日）
- 《夢幻屋之吻》（1982年11月5日）
- 《鬣狗》（1984年6月8日）
- 《火藥桶》（1986年4月21日）
- 《鏡中世界》（1987年3月2日）
- 《尖叫》（1988年9月5日）
- 《迷信》（1991年6月10日）
- 《狂歡》（1995年1月16日）
Nigel Williamson. Siouxsie & the Banshees (subscription required). The Times. 27 November 2004 [8 July 2012]. （原始內容存檔於2013-07-11）. ...with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation... The Banshees stand proudly alongside PIL, Gang of Four and the Fall as the most audacious and uncompromising musical adventurers of the post-punk era.
Playlist – Peter Hook’s “Field recordings [Joy Division's drummer]. Q magazine. 23 de abril de 2013 [10 de enero de 2017]. 原始內容存檔於2017-11-07. Siouxsie and the Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing
Morris, Stephen. Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years Volume I [Baterista de Joy Division]. Constable. 2019. ISBN 1472126203. It would be Siouxsie and the Banshees to whom I most felt some kind of affinity. [...] the bass-led rhythm, the way first drummer Kenny Morris played mostly toms. [...] The banshees had that [...] foreboding sound, sketching out the future from the dark of the past. [...] hearing the sessions they'd done on John Peel's show and reading gigs write-ups, [...] they sounded interesting.
. Oldham, James. Siamese Twins - The Cure and the Banshees [interview - Robert Smith of the Cure]. Uncut: 60. August 2004. a massive influence on me [...] They were the group who led me towards doing Pornography. They drew something out of me.
Oldham, James, Bad Medicine [interview - Robert Smith of the Cure], Uncut, February 2000, I think the final straw came when I played Michael the demos for the next album and he hated them. He wanted us to be XTC part 2 and – if anything – I wanted us to be the Banshees part 2.
Rob Fitzpatrick. Robert Smith interview. The Word. August 2012 [15 de agosto de 2016]. （原始內容存檔於2022-02-13）. I played with the Banshees through our first tour [1979], and it allowed me to think beyond what we were doing. I wanted to have a band that does what Steve Severin and Budgie do, where they just get a bassline and the drum part and Siouxsie wails.
U2 Jukebox. U2wanderer.org. [2010-11-01]. （原始內容存檔於2018-04-24）. Radiohead Official Biography – Capitol Canada. MuchMcapitolmusic.ca. [10-11-2012]. 原始內容存檔於2006-06-29. Colin Greenwood remembers: "The first single we're releasing is actually the longest song on the record. ("There There"). It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie and the Banshees. All the old farts in the band were in seventh heaven.
Jeff, Klingman. 10 Bullet Points from the Thom Yorke Interview on WTF with Marc Maron. Thelmagazine.com. 2013-07-22 [2-09-2013]. 原始內容存檔於2013-10-14. The band that really changed my life was R.E.M. and Siouxsie and the Banshees...". "My favourite show I ever saw then was Siouxsie and she was absolutely amazing. ... She's totally in command of the whole audience.
