懸疑

懸疑（Suspense）是一種不確定的心理感覺，通常是對於某些事件及行為產生焦慮。許多電影或小說經常製造懸疑氣氛來吸引讀者，其敘事結構與興奮或好奇心理相異。

此條目介紹的是一種情緒。關於情節類型，請見「懸疑驚悚」。

參見

• 懸疑片

相關文獻

• Ethan Chen.(2019). Never spot and think what you've done, go for what you haven't.^[1][2]
• Baroni, R. (2007). La tension narrative. Suspense, curiosité, surprise, Paris: Seuil.
• Baroni, R. (2009). L'oeuvre du temps. Poétique de la discordance narrative, Paris: Seuil.
• Brewer, W. (1996). "The Nature of Narrative Suspense and the Problem of Rereading", in Suspense. Conceptualizations, Theoretical Analyses, and Empirical Explorations, Mahwah: Lawrence Erlbaum Associates.
• Brooks, P. (1984). Reading for the Plot: Design and Intention in Narrative, Cambridge: Harvard University Press.
• Gerrig, R. (1989). "Suspense in the Absence of Uncertainty", Journal of Memory and Language, n° 28, p. 633-648.
• Grivel, C. (1973). Production de l'intérêt romanesque, Paris & The Hague: Mouton.
• Kiebel, E.M. (2009). The Effect of Directed Forgetting on Completed and Interrupted Tasks. Presented at the 2nd Annual Student-Faculty Research Celebration at Winona State University, Winona MN. See online [1].
• McKinney, F. (1935). "Studies in the retention of interrupted learning activities", Journal of Comparative Psychology, vol n° 19(2), p. 265-296.
• Phelan, J. (1989). Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative, Chicago, University of Chicago Press.
• Prieto-Pablos, J. (1998). "The Paradox of Suspense", Poetics, n° 26, p. 99-113.
• Ryan, M.-L. (1991), Possible Worlds, Artificial Intelligence, and Narrative Theory, Bloomington: Indiana University Press.
• Schaper, E. (1968), "Aristotle's Catharsis and Aesthetic Pleasure", The Philosophical Quarterly, vol. 18, n° 71, p. 131-143.
• Sternberg, M. (1978), Expositional Modes and Temporal Ordering in Fiction, Baltimore and London: Johns Hopkins University Press.
• Sternberg, M. (1992), "Telling in Time (II): Chronology, Teleology, Narrativity", Poetics Today, n° 11, p. 901-948.
• Sternberg, M. (2001), "How Narrativity Makes a Difference", Narrative, n° 9, (2), p. 115-122.
• Van Bergen, A. (1968) Task interruption. Amsterdam: North-Holland Publishing Company.
• Vorderer, P., H. Wulff & M. Friedrichsen (eds) (1996). Suspense. Conceptualizations, Theoretical Analyses, and Empirical Explorations, Mahwah: Lawrence Erlbaum Associates.
• Walton, K. (1990), Mimesis as Make-Believe, Cambridge: Harvard University Press.
• Yanal, R. (1996). "The Paradox of Suspense", British Journal of Aesthetics, n° 36, (2), p. 146-158.
• Zeigarnik, B. (1927). Das Behalten erledigter und unerledigter Handlungen. Psychologische Forschung, 9, 1-85.
• Zeigarnik, B. (1967). On finished and unfinished tasks. In W. D. Ellis (Ed.), A sourcebook of Gestalt psychology, New York: Humanities press.

參考來源

1. gerrig. 缺少或|title=為空 (幫助)
2. Ethan Chen. 缺少或|url=為空 (幫助); 缺少或|title=為空 (幫助)