File:Madonna_Benois.jpg
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![File:Madonna Benois.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Madonna_Benois.jpg/382px-Madonna_Benois.jpg)
原始文件 (500 × 785像素,文件大小:65 KB,MIME类型:image/jpeg)
摘要
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本文件已被Leonardo da Vinci Benois Madonna.jpg取代。建议您使用其他文件。请注意,删除被取代的图片需要达成一致。
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柏诺瓦的圣母
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艺术家 | ||||||||||||||||||||||||
标题 |
《柏诺瓦的圣母》 label QS:Les,"Madona Benois"
label QS:Lca,"Madonna Benois"
label QS:Lde,"Madonna Benois"
label QS:Lbe,"Мадонна Бенуа"
label QS:Lhy,"Տիրամայր Բենուա"
label QS:Lzh,"柏諾瓦的聖母"
label QS:Lda,"Madonna Benois"
label QS:Lro,"Madona Benois"
label QS:Lja,"ブノアの聖母"
label QS:Lsk,"Madona Benois"
label QS:Lhe,"מדונה בנואה"
label QS:Luz,"Madonna Benua"
label QS:Lhyw,"Տիրամայր Պենուա"
label QS:Lit,"Madonna Benois"
label QS:Lfr,"Madonna Benois"
label QS:Lvi,"Madonna Benois"
label QS:Lsv,"Benoismadonnan"
label QS:Lzh-hans,"柏诺瓦的圣母"
label QS:Lka,"ბენუას მადონა"
label QS:Llt,"Benua Madona"
label QS:Lsl,"Benoisova Madona"
label QS:Lpt,"Virgem Benois"
label QS:Lcy,"Madonna Benois"
label QS:Luk,"Мадонна Бенуа"
label QS:Lth,"พระแม่มารีเบนัวส์"
label QS:Lpl,"Madonna Benois"
label QS:Lml,"ബെനോയിസ് മഡോണ"
label QS:Lnl,"Madonna Benois"
label QS:Lkk,"Мадонна Бенуа"
label QS:Ltr,"Benois Madonnası"
label QS:Lnb,"Madonna Benois"
label QS:Larz,"لوحه السيده بينويس"
label QS:Lru,"Мадонна Бенуа"
label QS:Lar,"السيدة بينويس"
label QS:Lel,"Παναγία Μπενουά"
label QS:Lcs,"Madonna Benois" |
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物体类型 |
画作 ![]() |
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艺术类型 |
宗教艺术 ![]() |
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描述 |
1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game, and their gazes make them appear lifelike to a degree that can be found in no contemporary Italian painting of the Madonna. Leonardo achieved this quality by means of nature studies. In 1478, he noted that he was working on two Madonnas. The Benois Madonna can be dated to that period. The painting has in its present condition been overpainted in some places and has lost some of the paint layer. The painting was also called the Madonna Benois because of the family who owned it. This canvas demonstrates the newly developed method of chiaroscuro - a lighting/shading technique that made the figures appear three dimensional. It entered the Hermitage in 1914. |
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描绘人物 | ||||||||||||||||||||||||
日期 | 2005年3月30日 (原始上传日期) | |||||||||||||||||||||||
表现形式 |
油彩、transferred on canvas和油画在木板上方 ![]() ![]() |
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尺寸 |
高度:49.5厘米 ![]() ![]() dimensions QS:P2048,+49.5U174728 dimensions QS:P2049,+33U174728 |
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藏于 |
institution QS:P195,Q132783 |
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登录号 |
ГЭ-2773 (埃尔米塔日博物馆) ![]() |
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创作地点 |
意大利 ![]() |
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参考 | ||||||||||||||||||||||||
来源/摄影师 | Transferred from en.wikipedia to Commons. |
许可协议
Public domainPublic domainfalsefalse |
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本作品在其来源国以及其他著作权期限是作者逝世后100年或以下的国家和地区属于公有领域。 |
本文件已被确认为免除已知的著作权法限制(包括所有相关权利)。 |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
原始上传日志
- 2005-03-30 08:56 Pankajv 480×726×8 (34566 bytes) 1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game, and their gazes make them appear lifelike to a degree that can be found in no contemporary Italian painting
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当前 | 2014年2月1日 (六) 01:41 | ![]() | 500 × 785(65 KB) | Clouzzo | low contrast |
2007年6月27日 (三) 18:10 | ![]() | 480 × 726(69 KB) | Oxxo | {{Information |Description=1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game, and their gazes make them appear lifelike to a degree that can be found in no co |
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