File:Capturing_Damiate.jpg
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![File:Capturing Damiate.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/0/02/Capturing_Damiate.jpg/800px-Capturing_Damiate.jpg)
原始文件 (1,458 × 614像素,文件大小:155 KB,MIME类型:image/jpeg)
摘要
Cornelis Claesz van Wieringen:The capture of Damietta
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艺术家 |
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标题 |
label QS:Lnl,"De verovering van Damiate" |
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物体类型 |
画作 ![]() |
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艺术类型 |
历史画 ![]() |
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描述 |
Nederlands: De verovering van Damiate. Dit schilderij werd gemaakt voor boven de schoorsteenmantel van de krijgsraadkamer in het gebouw van de Haarlemse Cluveniers (schutters).
English: The Conquest of Damiate. This painting was made for above the mantelpiece of the court-martial room in the building of the Haarlem Cluveniers (gunmen). |
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日期 |
约 ![]() |
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表现形式 |
油彩在帆布上方 ![]() |
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尺寸 |
高度:101厘米 ![]() ![]() dimensions QS:P2048,+101U174728 dimensions QS:P2049,+230U174728 |
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藏于 |
institution QS:P195,Q574961 |
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登录号 |
os I-355 (弗兰斯·哈尔斯博物馆) ![]() |
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展览史 | |||||||||||||||||||||||||||||
参考 | |||||||||||||||||||||||||||||
来源/摄影师 |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/w/wieringe/damiate.html" |
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其他版本 |
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许可协议
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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1,458 像素
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2008年7月11日 (五) 15:23 | ![]() | 1,458 × 614(155 KB) | Mcke | version with higher resolution |
2006年11月21日 (二) 11:54 | ![]() | 800 × 337(60 KB) | Aleichem | Cornelis Claesz van Wieringen {{PD-art}} Source: Web Gallery of Art http://www.wga.hu/art/w/wieringe/damiate.jpg |
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JPEG文件备注 | WIERINGEN, Cornelis Claesz van
(b. ca. 1580, Haarlem, d. 1633, Haarlem) Capture of Damiate c. 1625 Oil on canvas, 101 x 230 cm Frans Halsmuseum, Haarlem Wieringen was probably the pupil of Hendrick Cornelisz Vroom (the founder of European marine painting); he ranks as his best and closest follower. Wieringen's multicoloured paintings are more ornamental, his waves and whitecaps more schematic than Vroom's, and his skies (apart from those in his graphics) are little more than decorative backdrops. The Capture of Damiate was commissioned by Haarlem's St Hadrian Civic Guard, and it was originally mounted as an overmantel in the company's headquarters (a few years afterwards officers of the company commissioned Frans Hals to paint their group portrait). The painting represent a pseudo-historical event. According to tradition late twelfth-century crusaders en route to the Holy Land tried to capture Damiate, a port city at the mouth of the Nile which had its harbour protected by a heavy chain stretched across it from two moles. The chain was cut, according to the legend, when a ship from Haarlem ingeniously fitted with a specially designed saw-toothed prow and keel sailed across it. After this feat and a fierce battle the port fell to the crusaders. The tale exemplified the audacity and courage of early Haarlemmers, and by association, redounded to the glory of citizens of the city. By the sixteenth century the fable had acquired a mythic dimension for Haarlem's patriots. The appetite for it was satisfied by later printmakers and painters. Vroom and other artists also made drawings to stain glass windows of the subject, and Wieringen designed a huge tapestry depicting the legendary event for Haarlem's Town Hall which is still mounted there.
Author: WIERINGEN, Cornelis Claesz van Title: Capture of Damiate Time-line: 1601-1650 School: Dutch Form: painting Type: historical |
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