人物
特点
其创作抛开了理学家之说教,力图恢复被江西诗派抛弃之“唐律”,极力保持诗歌之艺术特性。然而诗歌多效仿贾岛、姚合,崇尚五言,重视白描,摹写物态,研炼声律,其诗风重回至宋初晚唐体之狭窄道路上。[1]内容多继承字田园山水诗的传统,倾向于描写清闲自在生活;格律上,追求刻意求工,直接描写,尤忌用典[2]。
参考
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