File:FlammarionWoodcut.jpg
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Summary
DescriptionFlammarionWoodcut.jpg |
English: The Flammarion engraving is a wood engraving by an unknown artist that first appeared in Camille Flammarion's L'atmosphère: météorologie populaire (1888). The image depicts a man crawling under the edge of the sky, depicted as if it were a solid hemisphere, to look at the mysterious Empyrean beyond. The caption translates to "A medieval missionary tells that he has found the point where heaven and Earth meet..." |
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Source | Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), pp. 163 | ||||||
Author | AnonymousUnknown author | ||||||
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Additional Information
Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), p. 163.
The Flammarion Woodcut is an enigmatic woodcut by an unknown artist. It is referred to as the Flammarion Woodcut because its first documented appearance is in page 163 of Camille Flammarion's L'atmosphère: météorologie populaire (Paris, 1888), a work on meteorology for a general audience. The woodcut depicts a man peering through the Earth's atmosphere as if it were a curtain to look at the inner workings of the universe.
The original caption bellow the picture translated to: "A medieval missionary (Bruno) tells that he has found the point where heaven and Earth meet...".
"Flat Earth"
- "During the 19th century, the Romantic conception of a European "Dark Age" gave much more prominence to the Flat Earth model than it ever possessed historically. The widely circulated woodcut of a man poking his head through the firmament of a flat Earth to view the mechanics of the spheres, executed in the style of the 16th century cannot be traced to an earlier source than Camille Flammarion's L'Atmosphere: Météorologie Populaire (Paris, 1888, p. 163) [1]. The woodcut illustrates the statement in the text that a medieval missionary claimed that "he reached the horizon where the earth and the heavens met", an anecdote that may be traced back to Voltaire, but not to any known medieval source. In its original form, the woodcut included a decorative border that places it in the 19th century; in later publications, some claiming that the woodcut did, in fact, date to the 16th century, the border was removed. Flammarion, according to anecdotal evidence, had commissioned the woodcut himself. In any case, no source of the image earlier than Flammarion's book is known. (quote from Flat Earth)
Captions
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1888
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:58, 3 July 2020 | ![]() | 2,934 × 2,666 (9 MB) | Sette-quattro | High quality scan with the original caption, from http://urn.fi/URN:NBN:fi-fe2020052939747. Image has been deskewed. |
08:38, 19 June 2014 | ![]() | 1,157 × 1,046 (703 KB) | DxhaFFer | There are two black-and-white versions of this image. One is supposed to have the caption underneath the engraving, the other one is supposed to be without it. This is the large version of the image with the caption taken from the page of the version w... | |
02:33, 14 March 2006 | ![]() | 1,162 × 973 (295 KB) | Brian Brondel | higher resolution | |
00:20, 9 June 2005 | ![]() | 504 × 455 (118 KB) | Sparkit | Flammarion Woodcut. See wikipedia:Flammarion Woodcut {{PD-art}} |
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Width | 3,008 px |
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Height | 2,703 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 600 dpi |
Vertical resolution | 600 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 21.2 (Macintosh) |
File change date and time | 17:51, 3 July 2020 |
Exif version | 2.31 |
Color space | sRGB |
Date and time of digitizing | 13:44, 12 January 2009 |
Date metadata was last modified | 19:51, 3 July 2020 |
Unique ID of original document | xmp.did:E8D04A847BE0DD11B0128B0EB1B6B761 |