File:Da_Vinci's_Mona_Lisa_with_original_colors_approximation.jpg
From Wikipedia, the free encyclopedia
![Datoteka:Da Vinci's Mona Lisa with original colors approximation.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/2/25/Da_Vinci%27s_Mona_Lisa_with_original_colors_approximation.jpg/401px-Da_Vinci%27s_Mona_Lisa_with_original_colors_approximation.jpg)
Izvorna datoteka (1.448 × 2.164 piksela, veličina datoteke/fajla: 1,45 MB, MIME tip: image/jpeg)
Ova datoteka je s projekta Vikimedijina ostava i može se upotrebljavati i na drugim projektima. Ispod su prikazane informacije s njene opisne stranice.
Opis izmjene
OpisDa Vinci's Mona Lisa with original colors approximation.jpg |
English: This image shows how Leonardo Da Vinci’s famous Mona Lisa in the Louvre might originally have looked like.
The colors of the Louvre painting have darkened and have been severely tinted by golden yellows and greens. I understand it is practically impossible to restore the painting to its original aspect because Leonardo used several layers of colored glazing (consisting of pigment diluted within a transparent medium) in order to saturate and increase the brilliance of the colors of the painting, in particular in the shadows. The medium used in these glazes has oxidized giving the picture its current strongly tinted aspect. The restorer may safely remove the layers of varnish that have been used to protect the painting. But the only way to remove the tinted aspect would be by also removing Leonardo’s glazes, but then part of the work of the artist would also be lost. Unfortunately restaurers in earlier centuries have already done so causing a relative flattening of the painting. Perhaps in the future technology will be developed that will allow the real or virtual removal or substitution of the discolored medium while retaining the effect of the glazes Leonardo achieved. The Mona Lisa is arguably the world’s most famous painting and many intents have been made to produce an image with a more faithful approximation of Leonardo’s original vision. The current image represents my personal effort. I have produced it by using various image editing tools in order to come close to the original coloring. Given that I am painter myself, in many instances I used my own subjective judgment about what Leonardo might have desired. As a rough guide I have also used a the copy of Mona Lisa at the Prado museum which many specialists believe was painted by an apprentice concurrently with Leonardo. In the Prado version the sitter wears bright red sleeves which I found to be inelegant and traces of which do not seem to be present in Leonardo’s painting. Another copy, the so-called Isleworth Mona Lisa which some believe to be an earlier original work by Leonardo, uses the yellow color for the sleeves. So I decided to keep the familiar yellow color. Even though it is impossible to know how close my finished image is to Leonardo’s original, the end-result pleases me for various reasons: The colors are now more balanced and certainly closer to the original. Leonardo’s love for the sfumato and for mysterious darks is well attested, as is his joy for painting misty and epic backgrounds. (I have not tried to recreate the Prado version’s tempestuous clouds, because, again, I found no such information present in the Louvre version and because I disliked the look of it.) The effect that most pleased me is that the unseemly flatness of the original is now transformed into a three-dimensional transparent space with a rounded and weighty woman’s torso that clearly stands in front of background far in the distance. One feels that the sitter's left shoulder is closer than the left. The face is now more beautiful and I believe more joyful - perhaps because it too has acquired a natural three-dimentionality. But I am not entirely happy. The sitter’s dress has a mostly undefined coloring and I believe Leonardo’s original would have flattered the sitter with a more jewel colored attire. I would also have liked more definition in the hair and headdress. The lower part of the painting beneath the crossed arms appears to have suffered significantly and I couldn't define what it represented originally. |
Datum | |
Izvor | Vlastito djelo |
Autor | Dianelos |
Dopuštenje (Ponovna upotreba ove datoteke) |
all |
Licenciranje
![w:bs:Creative Commons](https://upload.wikimedia.org/wikipedia/commons/thumb/7/79/CC_some_rights_reserved.svg/90px-CC_some_rights_reserved.svg.png)
![pripisivanje](https://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Cc-by_new_white.svg/24px-Cc-by_new_white.svg.png)
![dijeljenje pod istim uslovima](https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Cc-sa_white.svg/24px-Cc-sa_white.svg.png)
- Slobodno smijete:
- dijeliti – umnožavati, raspodjeljivati i prenositi djelo
- prerađivati – prilagođavati djelo
- Pod sljedećim uslovima:
- pripisivanje – Morate pripisati odgovarajuće autorske zasluge, osigurati link ka licenci i naznačiti jesu li napravljene izmjene. To možete uraditi na bilo koji razumni način, ali ne tako da se sugerira da davalac licence odobrava Vas ili Vašu upotrebu njegovog djela.
- dijeljenje pod istim uslovima – Ako mijenjate, transformišete ili nadograđujete ovaj materijal, morate ga objaviti i distribuirati samo pod istom ili sličnom licencom poput ove.
Opisi
Predmeti pokazani na ovoj datoteci
prikazuje
Ovo svojstvo ima vrijednost, ali nije poznato
status autorskog prava Bosanski
zaštićeno autorskim pravima Bosanski
licenca Bosanski
Creative Commons Autorstvo-Deliti pod istim uslovima 4.0 Međunarodna Srpski (transliteracija)
18 juli 2018
izvor datoteke Srpski (transliteracija)
sopstveno delo Srpski (transliteracija)
vrsta medija na Internetu Serbian (Latin script)
image/jpeg
kontrolna suma Srpski (transliteracija)
e118e78186294bae4646453ac45438202ce9f471
veličina podatka Srpski (transliteracija)
1.525.269 Bajt
2.164 piksel
1.448 piksel
Historija datoteke
Kliknite na datum/vrijeme da biste vidjeli tadašnju verziju datoteke.
Datum/vrijeme | Minijatura | Dimenzije | Korisnik | Komentar | |
---|---|---|---|---|---|
aktualna | 10:24, 9 august 2018 | ![]() | 1.448 × 2.164 (1,45 MB) | Dianelos | Many improvements in color balance, contrast and crackling. |
16:50, 20 juli 2018 | ![]() | 1.448 × 2.164 (1,82 MB) | Dianelos | Slightly more subdued skin tones give a remarkably more natural appearance. This should be the final version of this round. | |
11:41, 20 juli 2018 | ![]() | 1.448 × 2.164 (1,83 MB) | Dianelos | Skin color improved, as well as a large number of minor retouchings. | |
16:43, 19 juli 2018 | ![]() | 1.448 × 2.164 (1,76 MB) | Dianelos | various corrections - with a painting of that importance even minor changes appear significant | |
17:50, 18 juli 2018 | ![]() | 1.448 × 2.164 (1,71 MB) | Dianelos | User created page with UploadWizard |
Upotreba datoteke
Nema stranica koje koriste ovu datoteku.
Globalna upotreba datoteke
Ovu datoteku upotrebljavaju i sljedeći projekti:
- Upotreba na projektu www.wikidata.org